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Sale Items
Artist: Russell Young
MARILYN IN KOREA
By Russell Young
Located in Aventura, FL
Unique silkscreen on canvas. Hand signed on verso by Russell Young. Canvas is stretched.
Gallery issued COA included. Additional images availa...
Category
1980s Contemporary Portrait Prints
Materials
Canvas, Screen
Andy Warhol, NYC, 2019
By Russell Young
Located in Palo Alto, CA
Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...
Category
2010s Contemporary Portrait Prints
Materials
Screen
Che Guevara
By Russell Young
Located in Cliffside Park, NJ
Che Guevara, 2010
Silkscreen print with diamond dust
Signed by the artist on the back
Russell Young’s alluring, larger-than-life portraits of iconic cultural figures explore both glamorous American mythologies and their dark underbellies of crime, addiction, and death. His silkscreen paintings portray celebrities such as Marilyn Monroe, Elizabeth Taylor, and Kurt Cobain; the artist recontextualizes their iconic appearances in high-contrast palettes, often interweaving them with diamond dust to heighten their glittery, sensual allure. In other works, shellac drips and smears in a visceral, wound-like manner. Young has exhibited in New York, London, Paris, Shanghai, Vienna, and Los Angeles. His work belongs in the collections of the Albertina Museum, the Cornell Art Museum, the Saatchi Collection, and the White House Collection. Celebrities including Brad Pitt, Elizabeth Taylor, and Kanye West have all bought his work. Young has also directed music videos, and in recent years, Dutch Golden Age paintings...
Category
21st Century and Contemporary Pop Art Figurative Photography
Materials
Silk, Screen
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Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis. Written by Zemeckis and Bob Gale, it stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett "Doc" Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting—threatening his very existence—and is forced to reconcile the pair and somehow return to the future.
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Tom Petty Mojo Tour Shepard Fairey Holographic Slikscreen Contemporary Music Art
By Shepard Fairey
Located in Draper, UT
The Mojo poster was part of VIP ticket packages for the tour.
Artists:
Shepard Fairey
Bands:
Tom Petty & The Heartbreakers
Edition Details
Year: 2010
Class: Fine Art Print
Status: Official Tour Print
Run: 175/250
Paper: Holographic Fine Art Foil Paper
Size: 18 X 24
Markings: Numbered by the artist in black felt marker.
Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you
Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding.
In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted.
In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community.
While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns.
Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters.
Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration.
In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income.
Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant.
The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work.
Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century.
In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse.
The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder).
In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market.
FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry.
BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles.
In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband.
In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters.
In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements.
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Artists: Ferguson, Matt
Edition Details
Year: 2020
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Released: 07/16/20
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Markings: Numbered
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