Busts on Sale

Antique Italian Neoclassical Carved Alabaster Bust C1900 Measures - 3.75"H x 4.25"W x 2.25"D

Italian sculpture "Lisippea Apoxiomenos" Head Begin 20th century Marble Measure: H: 46cm including the base Perfect condition.

Italian sculpture " Venere Medici" Head Begin 20th century Terracotta Measures: Height 50 cm Width 33 cm Depth 25 cm Weight 10 kg Artist / designer / architect Antonio Canova Manufac...

Apollo Di Piombino Del Louvre, bust in Terracotta - Kouros Di Piombino early 20th century Measures: height 30 cm width 20 cm depth 15 cm Weight 3 kg Artist / designer / architect an...

Italian sculpture "Ercole" head Begin 20th century Marble Measure: H: 42cm including the base Perfect condition.

Italian sculpture " Venere Medici" Head Begin 20th century Marble Measure: H: 41cm including the base Perfect condition.

Alexander The Great. Bust of Carrara White Marble. 20th century. Copy of a Greek original from the Athens Museum Measures: Height 90 cm Width 62 cm Depth 32 cm Weight 150 kg Material...

A monumental 19th C. Italian Marble Bust of The Grandparents, Titled: Rimembranze, Signed Vichi. Presenting an exquisite Italian masterpiece from the 1800s, we have a captivating white Carrara marble bust group entitled "Rimembranze" (Remembrance). This remarkable sculpture portrays an endearing elderly couple locked in a tender embrace, their love emanating through the gentle touch of the man's hand on the lady's chin and face. The profound affection and mesmerizing connection between them are beautifully captured in the expressions gracing their faces. Renowned for his exceptional talent, Ferdinando Vichi meticulously crafted this sculpture, paying meticulous attention to every detail. The couple's wrinkles, veins, and musculature, as well as the delicate rendering of their clothing and expressions, are expertly brought to life by Vichi's craftsmanship, establishing this artwork as one of his most remarkable and meticulously executed pieces. The sculpture rests on a contrasting black marble base with the title "Rimembranze" etched into the side, further enhancing its aesthetic appeal. Vichi's artistry is truly captivating. The old woman's knitted shawl, meticulously fashioned out of marble, appears astonishingly lifelike, while the choice of beautiful white marble exudes a refreshing allure. The old man's playful gesture of touching the lady's chin is captured with natural grace and warmth. Vichi's exceptional ability to sculpt fabric with such finesse creates an illusion of softness that defies the medium of marble itself. The remarkable attention to detail, from the intricately carved wrinkles and smile lines to the depiction of a lifetime shared in joy, evokes a profound sense of admiration. Ferdinando Vichi, a member of the esteemed Florentine School and associated with the Bazzanti Gallery in Florence, Italy, was part of a talented group of Tuscan sculptors. His body of work encompasses a wide range of subjects, including romantic busts, orientalist themes, and Renaissance-inspired models. Similar to his contemporaries from the late nineteenth century, Vichi often drew inspiration from romantic and tender subjects. This is exemplified in the beautifully detailed marble group depicting an elderly man's playful courtship and deep love for his wife. This 19th-century Italian marble group titled "Rimembranze" is signed by the esteemed artist Ferdinando Vichi, who was associated with the renowned Pietro Barzanti...

Ferdinando Vichi (Italian, 1875-1945) A fine and lifesize Italian white Carrara marble Greco-Roman figure of the Belvedere Apollo, after the original, now in the Vatican Museum, the Belvedere Apollo has defined the Greek aesthetic ideals of harmony, noble simplicity and quiet grandeur. Apollo is depicted as an archer, having just killed the Python of Delphi. The carved figure displays the tension lingering as if the arrow has just left his bow. Standing on an oval base inscribed: F. Vichi, Firenze, Made in Italy. Florence, circa 1895-1900. Measures: Height 68 inches (192 cm) Width 47 1/4 inches (120 cm) Depth 38 1/2 inches (97.8 cm) Width of base 25 inches (63.5 cm) Former Property of Adolph Henrich Joseph Sutro's famous Cliff House and indoor public swimming establishment, The Sutro Baths...

A very fine and large French 19th century white marble bust of a young beauty, purported to be a young "Marie Antoinette" (Queen of France 1755-1793), by René Rozet...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

These two carved wood pieces are of the finest quality. They were part of a very important German library room in an early 19th century Schlösser.

Grégoire Calvet (French, 1871-1928) A Fine Late 19th Century Life-Size White Marble Sculpture representing "Peace & Love". The beautifully carved white...

20th century marble bust of a fine lady signed by Louis Dubar, (1876-1951). The sculpture is carved out of one single piece and in excellent condition. Her...

17th Century (Baroque) pair of Italian carved and polychromed figures. Each statue is holding a torchere and are mounted on their original turned wooden faux marble column.  

A very large and fine pair of 18th century carved figures, of Court Jesters. These gentlemen have been superbly carved in the finest detail, th...

18th century Italian carved and polychromed Reliquary of Pope Pius V, realistically carved and painted bust of Pope Pius V (?) holding a relic.  

A pair 19th century (1850s) (Grand Tour) Italian carved multi-marble busts of Augustus of Prima Porta and Julius Cesar. These extremely fine an...

Exceptional marble sculpture mounted on black marble base by: William Reed majored in Fine Arts at Portland State University specializing in clay and st...

An Italian 19th-20th century carved color-alabaster bust of a young beauty. The finely carved two-tone alabaster bust, depicting a young girl posing with a side gaze and wavy hair ti...

Exceptional hand wood carving of a woman probably African queen, beautiful face showing grace and resolute looking forward, white color finish and clear wax restoration. Professional...

Mid century hand carved wooden sculpture African beauty Signed by the artist A. Ramarson. Dated 1959.

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

A lovely pair of late 19th century terracotta busts of beautiful girls by Adolphe-Jean Lavergne Adolphe-Jean Lavergne The girls dres...

After Julien Dillen (Belgian, 1849-1904) A Large Carved Marble Sculpture of "Femme au Bouquet" depicting a kneeling young nude girl with a bouquet of ro...

Very unusual piece! This wooden hand carved Woman's head was carved from one piece of hardwood, stained and lacquered. It has a very midcentury look. Underneath it is signed with a m...

Incredible hand carved 19th century Italian specimen marble busts of Julius Caesar and Mark Anthony. The life like faces are impeccably carved in...

Stress by Deborah Ballard Art sculpture figural head bust 1986 contemporary 24" "Stress bust art sculpture circa 1986, made from fired white clay by Deborah Ballard (b.1951). Debora...

An very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its or...

A striking late 18th-early 19th century bust of the Roman Emperor Titus Domitian. The head is made from hand carved white Carrara marble, the tunic and t...

A very fine Italian 19th century carved carrara marble sculpture Group Titled "LA GIOIA NELL'INNOCENZA DOPO IL LAVORO" (The Joy of Innocence After Labour) by Professor Raffaele Belli...

A charming Italian 19th-20th century carved alabaster bust of a young girl. The young beauty posing with a direct gaze, her hair tied with a head bandana tied on her forehead wearing a tank top, raised on a tapered alabaster stand...

A fine Italian late 19th century "Belle Époque" carved marble figure of a young bather. The seated young girl wearing a form-fitting one-piece tank suit, holding a hand fan, and seat...

A lifesize French 19th-20th century carved marble sculpture of "Venus and Cupid" In the manner of Felix Maurice Charpentier (French, 1858-1924). The tall and slender nude figure of a...

Wonderful white marble statue of a smiling sweet little girl, with flowers in the hair. a very unusual marble statue . nr. O/7552.