Floor Lamps on Sale

Set/2 Monforte floor lamps, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. These beige floor lamps with unique oval lampshades m...

An exceptional brass and metal floor lamp model G-36 by Alf Svensson for Bergboms Sweden 1950s. Solid black painted metal shade and legs with a brass stom in the middle. Cord running...

This floor lamp from the 1950s features a Spanish black painted iron construction, adding a touch of elegance and sophistication to any space. Its tripod base is complemented by deco...

Step into the 1980s with our beautifully restored pair of Mid-Century Modern floor lamps. Expertly crafted from a harmonious blend of brass and metal, these lamps are in impeccable c...

An unusual 1950s Spanish black painted wrought iron floor lamp in a captivating modernist style. The twisted central stem is mounted on a geometric tripod base with solid, pronounced...

A directional, adjustable, chromed metal, three-shade floor lamp manufactured by Cosack Leuchten in Germany during the 1970s. The interior of each the the three shades is sprayed white and the polished chrome exterior is in very good condition. The shades can be adjusted up and down and right and left allowing them to provide a focused stream of light...

A 160 cm standing soldier with quite a style made in the late 20th century by Suzanne Bonnichon for Jacques Adnet. It is hand painted and lacquered. ...

A functional and stylishly designed 1970s vintage chrome space-age two mushroom-shaped eyeball shade floor lamp Manufactured by Herda in the...

Simple but elegant and rare pole lamp. Twin pods connected by bent smoked Lucite panels with a three-way switch. Floor to ceiling extension pole fits snugly in any room with a 8ft. c...

A very lovely Chinoiserie floor lamp in turned and polychromed wood with ebonized (black) background & hand-painted in gold depicting figure in landscape with flowers and fern leaves. England, dated 1932 (appears on small dedication plaque). Newly electrified, with new cream-colored shade and antique brass finial...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Lovely and elegant teak and brass Floor lamp mod G45 designed by Hans-Agne Jakobsson for Markaryd, Sweden in the 1960s. Tripod base in brass and black teak lamp pole. Perfeckt lamp f...

18th century hand-carved & painted Italian candlestick floor lamp is a beautiful example of Italian carvings influenced by Renaissance and Classical designs. The tripod base features...

Traffic Light Walk Don't Walk Yellow from New-York, pedestrian traffic light in forged iron, yellow painted. With orange round traffic light, orange "d...

Floor lamp Tulipe blue with all structure in metal, painted in blue finish. 1 LED bulb 30 watt, bulb included, 220-240 Volt. 3000 lumen, 3000K warm white. Also available in nickel sa...

Floor Lamp Tulipe Nickel with all structure in metal, in nickel finish. 1 LED bulb 30 watt, bulb included, 220-240 Volt. 3000 lumen, 3000K warm white.

Floor lamp / torchiere / candlestick in gilded wrought iron. 5 lights. Clover / heart shaped base. Mid century, France. In excellent condition, electricity redone. Dimensio...

Lisa Johansson-Pape 'Senator' floor lamp in black for Innolux Oy. An iconic lamp design by the Finnish master executed in brass, painted aluminum shade, acrylic diffuser and hand-wra...

Floor lamp in white and gold painted wood with ceiling reflector and aluminum feeder. 4 lights. Cream and gold shade. Art Deco style, France, circa 1925. In the style of productions...

For your consideration is this rare French Provincial floor lamp table, made in the 1960s. Very good vintage condition. Gold accents with hand painted flowers on tripod base and tabl...

Absolutely gorgeous hand painted tilt top oval accent table. Amazing hand painted flowers with great details. Versatile use, cocktail table, tea tabl...

An exceptional piece! Superb sculpture floor lamp in patinated and painted bronze and brass, depicting a Japanese crane (tsuru) / heron / wading bird picking red berries in the middle of lush nature (flowers, water lily leaves). 5 lights with tulip shades in glass / opaline colors. Art Nouveau / Japonisme style, France, around 1900. Inspired by the productions of Meiji Japan, which was opening up to the rest of the world, Western artists, particularly the French, were inspired by them. The movement called "Japonisme" was born and from it flowed Art...

Eric Cooper floor lamp with large leaf plant sculptural base & a round glass table. This piece is in the original cream finish with gold veining. & gold finish Wired in working con...

Rolling floor lamp from a surgery room. Fully adjustable and takes a regular incandescent bulb. Four casters for manuerverability. Reaches a height ...

Circa 1920 Pair 1920’s painted fluted pine pillars Measure: H195 x 18.5 cm Diameter bottom 15.5 cm Diameter top.  

Dive into luxury with this Modenese Luxury Interiors amber glass floor lamp. The straight line of the central pole, decorated with a french gold...

Floor lamp with painted ceramics, brass and black painted metal, new fabric shade. Measures: H 172 cm, D 45 cm (shade).

Floor lamp, 1967s, Italy, white metal painted and neon Circular black base cm 38 in metal painted Total height cm 170 of the metal part painted in white Length of the neon part cm...

Signed Stilnovo pair of halogen lamps, light beige floor lamps. Model Zagar by Silvio Carpani, 1978. They seem darker on the bottom, it's the fl...

Black wooden Folk Art floor lamp. Tri-pod legs on a original triangular stand. Newly made into a electrified lamp, originally a large candlestick.

Midcentury tripod floor lamp from Holland. This lamp has a white tripod base, black spherical ball screws and it is wrapped in the middle...

Tripod floor lamp in bicolor acrylic and black painted metal.

A large and impressive wooden floor lamp from France. Beautifully proportioned with a gold painted ball at the base and a gold painted and carved can...

Designed by Vittoriano Vigano and manufactured by Arteluce in Italy, circa 1951, rare and original floor lamp model 1047 with black lacquered aluminum adjustable shade on brass stem ...

Fabulous painted steel floor lamps by Memphis in original condition. Shades have different diameter as well as the color. In excellent vintage condition with minimal wear. New wiring.

A fine, intricately detailed French wrought iron floor lamp from the design period 1950-1959 in the manner of Gilbert Poillerat. Photographs without the shade provided upon request. This beautiful practical piece is handcrafted with an eye to detail. Lamps of this era are of very high quality. Featuring a round brass center connecting accent piece. Very good condition and in working order. Patina consistent with age and use. Completely restored, surface has been polished and refinished. Rewired with new electrical components, cleaned and waxed to conserve the patina. Currently wired for use in France, easily converts to electrical standard of select destination. Materials: Wrought iron and brass with a large linen shade...

A vintage torchiere floor lamp, produced circa 1950s, in soft gold tone, with large domed shade over a long baluster formed stem, inset by...