Table Lamps on Sale

A Pair of Fine Quality Italian Scagliola Urns with Ormolu Mounts and Marble Bases, now wired as lamps. The lion mask bearing ring handles are well sculpted, as are the additional mou...

Antique Bradley and Hubbard Brass Double Student Lamp with Pink Shades, Electrified, C1880 Measures - 24.5"H x 24.5"W x 10"D

A stunning of pair of blue and white bronze-mounted lamps, wired for US, circa 1880. Total height with the shades / 22".

ABOUT A pair of shellacked and stained Birch tree trunk table lamps with bronze collars. Lamps vary in height. The bronze is beautifully patinated but could be polished to a shiny g...

Pair (2) Empire bronze table candlesticks around 1805, Paris, fire gilded. Pair (2) Empire bronze table candlesticks around 1805, Paris, fire gilded. Very highly finished and chase...

Antique Mid 19c Coalport Hand Painted Porcelain Vase Now a Lamp. C 1855-1860. Later electrified.

Antique Bradley & Hubbard Classical Brass Parlor Lamp with Base having Verdigris Finish, Foliate Elements and Etched Glass Shade, Electrified, C1890 Measures- 31''H x 8.5''W x 8.5''D

Antique Fluted Brass Solar Lamp with Tam-O-Shanter Floral Cut Glass Shade & Marble Base C1840 Measures- 23.5''H x 9.5''W x 9.5''D

Pair of Antique Chinese Shiwan Ware Pottery Statue Lamps

Antique Gilt Bronze Solar Lamp in the Manner of Cornelius with Foliate Embossed Base and Cut Glass Shade, Electric, C1840 Measures- 30.5''H x 8''W x 8''D

A pair of Napoleon III champleve lamps Champleve enamel and ronce bedside lamps electrified 220 w 19th century, circa 1870 origin France. The Napoleon I...

Antique Bradley & Hubbard oil kerosene lamp from 1885-1894, Model "Perfection", B&H engraved on the base. The lamp is of old brass and very ornate cast iron old-gold-gilded and beaut...

French, 19th century. A pair of good quality bronze urns decorated with playful cherub or putti. The putti figures each represent one of the four season graces after the original my...

Material: Silver-plated bronze Origin: Possibly Austria Era: 19th Century Dimensions: 12 x 7 x 7 cm each Features and Details: This charming pair of miniature candlesticks takes the ...

The white enamel wash, the scene reminiscent of a classical Greek or Roman setting, and the urn form make this French Zinc lamp unique and irresistible. The antique Neoclassical styl...

An antique solar lamp in the manner of Cornelius offers Classical form with cut back glass shade over brass base with hanging cut crystals, electrif...

An antique solar lamp in the manner of Cornelius offers cutback glass shade over cranberry glass base on marble foot, electrified, c1850 Measures- ...

Important Chinese lamp in blue ceramic decorated with butterflies and flowers. China. QING dynasty, Tongzhi era, 1861-1875 Blackened wooden base In excellent condition, electricity ...

An antique Victorian parlor lamp offers foliate hand painted glass globe over gilt metal and reticulated font raised on Corinthian column onyx b...

Antique Rococo Figural Silver Plate Parlor Lamp with Winged Cherubs & Angels, Etched Glass Shade, Circa 1890 Measures - 37"h x 10.25"diam

A large and fine pair of French restauration ormolu and patinated bronze four-light candelabra, with Marly Horses, after Guillaume Coustou, circa 1820. Very fine, elegant and chic...

An antique Victorian banquet lamp offers cranberry glass ruffle rim shade over base having matching glass font with hand painted flower...

Antique Bradley & Hubbard oil lamp from 1885-1894, B&H engraved on the base. The lamp is made of antique brass and very ornate cast iron old-gold-gilded and beautiful detailing. Orig...

Antique Solar Kerosene Lamp offers Gilt Brass Base with Opalescent White Cut To Clear Glass Font, Seated on Marble Plinth, Electrified, c1860 Measures- 26.25''H x 13.75''W x 13.75''D

A Rare Brass Bouillotte Triple Branch Table Lamp With An Adjustable Height Shade. Complete with rare brass accessories such as a candle snuffer and candle wick cutter...

A Very Fine Pair of French 19th Century Louis XV Style White Marble and Gilt-Bronze Mounted Four-Light figural Candelabra (Now mounted as lamps), attributed to Henri Picard (French, ...

Lovely antique blue & white Chinese porcelain vase lamp with turned wood base.

An uncommon signed Art Nouveau-period French figural spelter table lamp with art glass shade and marble stage, done in the manner of L & F Moreau, Julien Caussée, or Ernest Rancoulet. Exquisitely sculpted pair of expressive and exuberant female figures in flowing dresses hold aloft bouquets or flower-ringed candles. They flank an ornate oak and beech leaf-embellished lamp...

Very attractive one of a kind 19th century hand-painted Chinese porcelain vase lamp with double hung socket on turned shaped wood base. Ci...

Meissen (German, founded 1710), circa mid 19th century. This stunning antique Meissen urn has been converted to a table lamp. It features a Neoclassical baluster form with gilt and ...

Harvey Guzzini Table Lamps Lucite & Steel. Sold as a pair. Materials: Conical lucite massive tube or rod base. White half round acrylic diffuser. Tubular stainless steel lampshade....

Antique Victorian reeded column quality brass oil lamp having the original glass shade and chimney, double burner, brass font supported by a reeded column standing on an ornate bras...

Early 20th C vessel in bronze with vines & leaves overlay in sterling silver overlay by renowned Arts & Crafts studio Heintz Metalworks. Newly rewired for standard bulb.

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

19th Century French Napoleon III Hand Painted Faience and Bronze Oil Lamp has been converted into an electric table lamp. Crafted in France, circa 1880s, the hand painted porcelain "...

The color palette, the size and the fine artwork on the surface of this late 19th century lamp make it stunning. This lamp has everything. Of circular section and baluster form with ...

Pair of Charles X gilt metal candlesticks, mounted as lamps, with Gothic Revival candle holders above floral wreath-mounted capitals on fluted columns above three lion paw feet on in...

French, 19th century or earlier. Each lamp features an authentic cast iron architectural fragment, seamlessly transformed into a lamp base with the utmost care and craftsmanship. T...

Icon piece of Spanish design by Fase from 1980s. Model "Bambina". This table lamp is made during the 1980s in Madrid by “Fase”. The name of the manufacturer "Fase" is stamped on th...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Eu-rope, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Antique Victorian reeded column brass oil lamp having a pretty tulip shaped white and pink etched glass shade with a single burner stood on a square ste...

Single French Cast Iron Candlestick In The Original Green Painted Patina, 19th Century

19Thc Original salt glaze Cowden & Wilcox decorated table lamp.This is a custom made lamp & newly electrified.The shade is a custom made shade of linen. The condition is very good wi...

Wonderful elegant brass and steel column lamp Originally a gas lamp. Brass left to the original patina The lamp has been re-wired. Shade not included    

Pair of 19th Century Napoleon III Carcel styled Lamps. Repurposed to electric from oil including glass globes. Gorgeous with hunting scene. Unique

ABOUT An antique adjustable industrial caged table lamp with cast iron base, bronze centerpiece and original fabric cord. The arm adjusts at any ang...

A electrified kerosene lamp with a ceramic and glass coverage.

Pair of Antique 19th Century French Dore Bronze and Wedgewood Urn Lamps. Shades Not included.

French empire pair of candle holders lamps. Exceptional pair of antique candleholders, created in Paris France during the imperial period of Napoleon III, circa 1870. They was designed with French empire neoclassical patterns, masterfully crafted with parts made up in gilt bronze ormolu and patinated bronze. Mounted in fluted columns pedestals carved from gray dotted Granite, with polished finish. Embellished with garlands and putties mounted in a four square and stepped bases. Weight: Combined of 12 Pounds (5.45 Kilos). Measurements: 15 Height by 4.50 Length by 5.15 Width Inches, (38 x 11.43 x 13.08 Cm). French Empire Louis Napoleon Bonaparte (1808-1873) was Emperor of France from 1852 to 1870 under the name of Napoleon III. In a way, the artistic codes of the Napoleon III style, also called Second Empire style, were presented at the Exhibition of 1844, during the reign of Louis-Philippe d'Orléans. The second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Comfort was the first priority of Second Empire furniture...

19th Century Original handmade house made into a lamp and newly electrified with a custom made cotton lamp shade.This lamp is amazing and lights up very nice.

A Pair of 19th century Japanese Meiji Bronze Champleve and Cloisonne Enameled Vases Mounted as Lamps. Very rare pair. 8" x 8" x Adjustable height 21" to 24"H.

Offering a late 19th century cast brass Rococo style candlestick lamp, circa 1890-1900, featuring a scrolling column form with elaborate, symmetrical details indicative of the Victor...

19th Century, Pair of French Carcel Lamps. French victorian styled from 19th century napoleonic era

A 19th century French Neo-Greek Classical bronze lamp by Henry Cahieux probably cast by the Barbedienne foundry, Paris and inscribed Hy Cahieux, 21.5cm...

19th century lamp Directoire in metal argente, Louis XVI Style France, circa 1860.

A large table lamp produced by Søholm Keramik, located on the island of Bornholm in Denmark. Features a highly artistic glazed decor. Sold without lampshade. The stated dimensions...

A very massive impressively decorated 19th century porcelain Chinese jar converted to a lamp with three bulbs and enamel paintings of birds and flowers and braches with blossoms. The...

A large table lamp produced by Søholm Keramik, located on the island of Bornholm in Denmark. Features a highly artistic glazed decor. Sold without lampshade. The stated dimensions...