Table Lamps on Sale

This Japanese Export porcelain charger is singular and speaks for itself in a beautiful palette of soft orange, blue and white. It is remimiscent of Imari, but the appraisers say it is from a 17th or 18th century kiln in Arita Japan. The colors are vibrant and clear, and there are no chips or other damage to this beautiful piece. Arita ware...

The Following Item is An Outstanding Three Light Lamp Sculpture Sculpture Depicting Three Boys at Play. Inscribed Peyre on bottom of Bronze and Labeled on Face of Base "Mischief by P...

A Magnificent Rare Important Antique Bohemian Czechoslovakian beaded glass fruit lamp, circa 1920s. Ornate circular casket form basket, with high raised relief floral forms to exteri...

The Following Item we are Offering is this Outstanding Beautiful LARGE Original Reverse Handpainted Floral Lamp by Andre. Lamp features a Lavish and Colorful Scene showcasing Beautif...

Antique Bradley & Hubbard oil kerosene lamp from 1885-1894, Model "Perfection", B&H engraved on the base. The lamp is of old brass and very ornate cast iron old-gold-gilded and beaut...

Italian toile lamp in Venetian red, decorated with gold scroll work.

Mid-Century Moorish / Oriental / Andalusian Islamic style lamp. In patinated copper and painted glass. France, 1950-1960. Good condition. Electricity OK. Height:48cm Width:31cm De...

Satsuma porcelain lamp decorated with Geishas and Cherry trees. Japan, Circa 1950 Very good condition, new electricity. Beautiful cracked email Dimensions: Height:32cm Diameter:12cm

Asian porcelain vase mounted as a lamp. Floral and animal decor: peacocks. China, first part of the 20th century. Very good condition, electricity OK. Dimensions: Height:40cm Diamet...

An antique Arts and Crafts table lamp in the manner of Bradley & Hubbard offers polychromed cast double socket base with matching shade housing six reverse painted bent glass panels ...

An antique Victorian parlor lamp offers foliate hand painted glass globe over gilt metal and reticulated font raised on Corinthian column onyx b...

Antique Bradley & Hubbard oil lamp from 1885-1894, B&H engraved on the base. The lamp is made of antique brass and very ornate cast iron old-gold-gilded and beautiful detailing. Orig...

Attractive Designer Antique White Washed Carved Wood Table Lamp with White Drum Shade with Gold Trim.

Baldelli Hand Painted Ceramic Lamp for Marbro, Italy, 1950's.

Pink ceramic lamp by Roland Zobel, France, 1960, era Capron, Jouve, Ruelland Lovely ceramic lamp by the french ceramist Roland Zobel. The deep pink enamel is very beautiful, shiny a...

Introducing an extraordinary pair of Chinese table lamps, skillfully made from porcelain and in great condition. Each lamp features stunnin...

This lamps are from the Northern Italian center for ceramics, Ancora. .A pair of vintage Italian hand-painted porcelain hexagonal table lamps are decorated and signed by the artist, ...

Lovely antique blue & white Chinese porcelain vase lamp with turned wood base.

Very attractive one of a kind 19th century hand-painted Chinese porcelain vase lamp with double hung socket on turned shaped wood base. Ci...

Brown ceramic lamp by Roland Zobel, France, 1960, era Capron, Jouve, Ruelland Lovely ceramic lamp by the french ceramist Roland Zobel. The two tones enamel is very beautiful, shiny ...

Dark brown ceramic lamp by Roland Zobel, France, 1960, era Capron, Jouve Lovely ceramic lamp by the french ceramist Roland Zobel. The deep brown enamel is very beautiful, shiny and ...

Robert Chiazzo, Ceramic Lamp, 1960, Bormes, Vallauris, Era Jouve, Picault Black enamelled lamp in shades of green, grooved. It is decorated with applique animal motifs. An original ...

Robert Picault, High Ceramic Lamp, Signed, Vallauris, France, 1950s Stunning ceramic table lamp by Robert Picault. The glaze tones are typical of Picault's work. In very good condit...

Pair of 1950s American Frederick Cooper tall gold leaf and cream painted table lamps which are often mistaken and are in the style of James Mont. The lamps are constructed from heavy...

French Ceramic Table Lamp by Georges Pelletier, 1970s It is a beautiful ceramic lamp. It offers a double lighting since a second bulb is inside the lamp base. The light is very soft...

Pair Chinese Export Turquoise/ White Famille-Verte Floral Vases now as Lamps Each one of square form, finely decorated with intricate turquoise enameled necks, the sides hand pai...

1920s FBS Limoges Continental Blue Cobalt Porcelain, hand painted and Gilt decorated Vase Mounted as Lamp. Measures 6" in width, 5" in depth and stand 23" in height to the top of th...

Shape and color cause this lamp by F.A.I.P. to stand out from the crowd. It has a beautiful rust-orange color and symmetrical panels embedded at each level from base to the area under the socket. FAIP...

An antique Phoenix table lamp offers reverse painted dome form glass shade having hand painted landscape scene over double socket cast urn form base with bronzed finish, c1920 Measu...

19th Century French Napoleon III Hand Painted Faience and Bronze Oil Lamp has been converted into an electric table lamp. Crafted in France, circa 1880s, the hand painted porcelain "...

The color palette, the size and the fine artwork on the surface of this late 19th century lamp make it stunning. This lamp has everything. Of circular section and baluster form with ...

Vintage gilt bronze and tole 2-light bouillotte lamp. Round bronze base and oval gilt and painted tole adjustable shade with two arm candle lights and wreath finial.

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Eu-rope, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Vintage Danish ceramic table light hand-painted with stripes and flowers in earthy tones. Designed and made at Alfred Dochedahl Studio in Copenhagen circa 1970-75. Stylistically simi...

Gilt touches and hand-painted flowers and fauna in the form of a contented little bird perched on a branch, help this pair of lamps stand out. The decoration seems slightly more "Wes...

A large hand-thrown and -painted stoneware table lamp made by husband and wife Kaj and Winnie Andersen in Denmark circa 1980. Its black shadows and unusual shape mimics planetary tex...

Table Lamp Kong Seat with all structure in porcelain in black matte and shiny gold finish. 1 bulb, lamp holder type E27, max 40 Watt. Bulb not included. Including a black lampshade ...

A superbly decorative pair of Chinoiserie vase lamps in imitation blue lacquer of the 18th century style. Fitted with gold leaf water-gilt turned circular bases. Why we like them Bl...

Designers Delight! This pair of gilt and ivory hand painted lamps is unique because they share a similar palette. The colors are neutral with shades of green, white, yellow and grey. Each lamp is from the second third of the 20th century and they are assembled here to create a great opportunity for statement lighting. One lamp features a single hand painted gardenia with a signature that reads W. H. Tonn. It is from an American workshop, according to the appraiser. It is 30.5 inches tall and 6 inches deep and wide at the base. The other lamp is of baluster form, with a vintage botanical pattern...

This table lamp is made of ceramic, by a specialist in traditional pottery, with an exterior vitrified for greater light projection. The lampshade and the bulb are not included, but ...

Charming hand painted Venetian tole lamp with coral & yellow colored flowers on a blue background. The lamp is in working condition.

Pair of midcentury Palm Tree Table Lamps stylized and painted in earthy colors and having dynamic decorative appeal. This stylish pair of midcentury palm tree table lamps would en...

Double lighting French ceramic lamp by Georges Pelletier, 1970s. It is a beautiful ceramic lamp. It offers a double lighting since a second bulb is inside the lamp base. The light...

Pair of Italian hand decorated ceramic lamps feauring a light brown background and exhuberant stylized fauna and flowers in light blue, lilac, and celadon. Rewired for use in the USA...

A very decorative Chinoiserie candlestick lamp, painted with oriental motifs on green ground. Probably English, mid-20th century. Decoration d...

Pair of Exquisite Large Art Deco ebonized Plaster Nude Feminine Form Table Lamps 1930s.

Single French Cast Iron Candlestick In The Original Green Painted Patina, 19th Century

Pair of Italian Neoclassical Floral Enameled Opaline Glass Column Lamps Italy, Circa 1960s Pair of Italian Neoclassical floral enameled opaline g...

Italian Hand-painted Porcelain Oil Lamp, Electrified with Etched Glass Shade Offered for sale is a late 20th-century Italian hand-painted porcela...

Ceramic midcentury lamp by Boch Freres Keramis vase, 1960s. Beautiful midcentury lamp by Boch Frères with geometrical patterns and very modern colours. The enamel is slightly grainy with a beautiful shine. The tapered shape gives it a great elegance. The ceramic measures 23 cm, 41 cm with the lampshade. The diameter of the ceramic is 9 cm. The lamp is in very good condition. Signed under the base. circa 1960. --------------------------- Royal Boch is an earthenware factory located in La Louvière, Belgium. Founded in 1841, it markets its products under the name Keramis. The factory was founded in 1841 by Eugène and Victor Boch, descendants of a family of earthenware makers since the 18th century. Production, which began in 1844, grew rapidly. Kéramis took part in the Universal Exhibition in Paris. During the 19th century, Dutch craftsmen were hired. Charles Catteau was hired at the end of 1906 as a draughtsman (creation and painting of decorations) and quickly became head of the decoration department. We owe him a significant production of Art Deco products...

A smart looking pair of abstract decorated 1950s ceramic table lamps in the manner of Yasha Heifetz or Marianna Von Allesch. High gloss chartreuse glaze with a biomorphic abstract mo...

Franklin Mint vase table lamp "Garden of Royalty" by Louis Nichole, world-famous artist, dated 1999. This luxurious lamp is of fine white porcelain with ...

1980s Geometric hand painted designed pottery table lamps, pair. Offered for sale is a pair of 1980s graphic design pottery table lamps that have h...

Pair of lamps in Japanese Imari porcelain style decorated with traditional figurative art, flowers and pagodas in pink and green tones on a white background within decorated borders, Made by the Honi Chilo...

Pair of Chinese ginger jar lamps with hammered circles. The lamps have urn forms comprised of hand painted resin with an antique patina finish. Fitted with bronze metal stems and c...

This beautifully colored lamp has striking Asian design and a pleasing shape. It has been newly wired for the US. There is some reflection on the lamps from photography. Those “circ...

French decorative ceramic lamp with hand-painted horse by Roger Capron (circa 1950s). This is Capron's 'Coupe n°2 lamp' which is signed in the interior of the vertical base. A rare piece indeed, hand-painted with a stylised horse in his inimitable style. The ceramic is in fair overall condition showing some fading and marks commensurate with age and usage. This is an exceptional piece for admirers of the works of master ceramicist, Roger Capron. Signed: 'Capron Vallauris'. Lampshade shown in photos is 30 cm (11.8") in diameter and will be included when requested. Currently wired for usage in the UK but you can have it adapted to your location. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. About the Artist: The mid-century ceramic art of Roger Capron (1922-2006) embodied the vibrant spirit and verve of Vallauris and the French Côte d'Azur. He took over an abandoned pottery studio at the age of 24 in Vallauris, where he worked with Robert Picault and then Jean Derval. Capron’s ceramic workshop, known as "l'Atelier Callis", contributed to the renaissance of ceramics in Vallauris and at its peak employed over 120 ceramicists. He eventually expanded his production of vases, pitchers and other functional wares to include coffee tables with hand glazed tiles, lamp bases, wall plaques and other interior decor objects along with sculptural statues...

Wired and fully functional. Measures: 33.50" high x 18" wide x shade depth 13.25".