Paintings on Sale

This beautiful oil on canvas painting of St. Joseph with his hands crossed over lilies was found in France. Although we could not find a signature, this piece was probably originally...

Inspired by works of Italian designer Giuseppe Galli Bibiena, our “Bibiena” mural expands upon the history of Rome with classic ruins, the only remains of this once great civilizatio...

An extremely rare and complete set of all thirteen engravings of the old testament frescoes painted by Raphael in a loggia at the Vatican only two years before he died in 1520. Raphael undertook a monumental commission for Pope Leo X: a vaulted arcade within the private apartments of the Vatican. Inspired by recent excavations in Pompeii and the Campagna, Raphael covered the Loggia’s walls and ceilings with painted ornament in the antique style. Like Leonardo and Michelangelo, Raphael was inspired by the rebirth of classical art and learning that characterized the Renaissance. For the Loggia, he created a fascinating mixture of formal and “grotesque” elements (“Grotteschi” were subterranean grottos which the Romans painted as their fancy dictated: shells entwined with beasts, history combined with mythology). The Loggia became known as “Raphael’s Bible,” not only for its Biblical paintings but also for its decorative invention. The engravings of Raphael’s Loggia were published in three bound volumes two and a half centuries later in Rome (1772-1777). There were 13 engravings in Volume I ( issued in 1772) and fourteen engravings in Volumes II and IIi ( issued in (1772-1777) . This collection represents Volume I. One of the most luxurious engraved projects of the 18th century, Le Loggie di Raffaello was the first to reproduce the great frescoes by Raphael and his pupils in the Vatican. It was the result of a collaboration between the painter Gaetano Savorelli, the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato, all of whom took active interest in preserving for posterity and making available to contemporaries the splendors of the Vatican. Under the patronage of Pope Clement XIV, this gifted team of artists set out to copy not merely Raphael’s biblical pictures but their wonderful ornamental surrounds, rich in pattern and groteschi. The magnificent engravings that resulted from their collaboration are extraordinarily faithful to Raphael’s originals, even more so because they were hand-colored using gouache, a thicker and more opaque pigment than the more common watercolor that was used to color prints. Vivid and sumptuous, these large-scale works are among the most magnificent engravings to have originated in the 18th century. Beyond their purpose as records of Raphael’s frescoes, these splendid engravings served as inspiration for generations of Neo-Classical artists and designers. Please note that due to Image number restrictions, it was not possible to show all of the engravings and respective close ups. Each of the engravings depicts an important episode found in the Old Testament. The episodes consist of: The Dreams Interpreted,” Bay VII Scene 1, Copperplate Engraving with Gouache, 1770. The seventh bay represents the adventurous life of Joseph. In “The Dreams Interpreted,” Joseph describes his childhood vision to his bothers, who then decide to sell him as a slave to a caravan of merchants. The remaining scenes in the bay are “Joseph Sold by His Brothers,” “Joseph “ “God Appears to Isaac,” Bay V Scene 1, Copperplate Engraving with Gouache, 1770. The story of Isaac is the main subject in the fifth bay. “God Appears to Isaac” is the first scene, in which God assures Isaac that he will indeed have descendants. The rest of the scenes in this bay include “Isaac and Rebekah Spied on by Abimelech,” “Isaac Blesses Jacob,” and finally “Isaac and Esau.” The Judgment of Solomon,” Bay XII Scene 2, Copperplate Engraving with Gouache, 1770. The twelfth bay shows the story of Solomon, a peaceful and wise king. The bay begins with “The Consecration of Solomon,” which is followed by “The Judgement of Solomon.” This scene illustrates the link between inherent justice and his kingship. The bay concludes with “The Building of the Temple,” and “Solomon and the Queen of Sheba.” “Jacob’s Dream...

Late 19th century figural tempera painting on canvas. Nice architectural perspective along the Arno River in Florence, with gondolier patrons, the Ponte Vecchio, and Il Duomo rising ...

Late 19th Century figural tempera painting on canvas. Nice architectural perspective along the Arno River in Florence, with gondolier patrons, the Ponte Vecchio, Santa Maria del Fior...

Late 19th century figural tempera painting on canvas. Nice architectural perspective of the Piazza della Signoria in Florence (Court of Fine Ladi...

Antique Italian old world Renaissance eastern orthodox academic oil on board religious icon painting depicts angelic children, Manner of Naddo Ceccare...

Madonna and child, Classical 19th century painting. This lovely oil painting was purchased in Spain. The artist is unknown. The painting still maintains its original finish and h...

Very large gorgeous art depicting three saints and beautiful holy child with pearls that spell out Ave Maria and gems that highlight a Rosarie and details of a crown. Original hand-p...