Animal Drawings and Watercolors

Vulture is an original drawing in pencil and pastel realized Jane Le Soudier (1885-1976). with the monogram of the artist's name on the lower right. The state of preservation of the ...

Panthère dans les bambous, 1926 Gouache, or et traits de crayon sur papier Signé et daté en bas à droite 15 x 15 cm (sujet) Panther in the bamboos, 1926 Gouache, pencil and gold on paper Signed and dated to the lower right Provenance Collection particulière, France - Private collection, France Bibliographie/Literature : Emmanuel Bréon "Gaston Suisse, splendeur du laque art déco", Somogy Editions d'art, Paris 2013, oeuvre décrite et reproduite page 104. (l’oeuvre décrite et reproduite est la lithographie tirée d'après l’oeuvre originale que nous présentons.) Nous présentons ici l'oeuvre originale à la gouache, or et crayon de la panthère noire. L’artiste en réalisa une gravure sur bois dont il tira lui-même une vingtaine d’épreuve. Ces épreuves ne furent pas commercialisées telles quelles, Gaston Suisse reprit chacune des épreuves en utilisant des lavis d’encre de Chine et des ors de différentes couleurs, afin d’obtenir des effets différents pour chaque épreuve, qui sont donc des œuvres originales uniques. We present here the original work in gouache, gold and pencil of the black panther. From this original, the artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as they were, Gaston Suisse reworked each of the proofs using Indian ink washes and golds of different colors, in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches Frame measures 31.5 x 20 inches T...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Atarax is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions are 130 × 195 cm (51.2 × 76.8 in)....

Offset Lithograph Edition of Unknown Size 20.87 x 25.20 in 53.0 x 64.0 cm This is an original vintage David Hockney poster - it is not a later reproduction. Also available as a s...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...

Original Pastel Drawing of Cattle in English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 22 x 14 inches Frame measures 30 x 24 inches Wendy Reeves gar...

This pastel drawing by Nils Kreuger, dating from 1905, presents an intimate moment between two horses that appear to be embracing each other. The use of p...

This small drawing study for the artist's monumental painting, "Renaissance" offers a glimpse into the artist's process. Rose Freymuth-Frazier captures this American Bulldog...

Two small octopi are inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Sea Fans - Carnivale sumi ink and colored pencil on mulberry paper 15h x 20w in 38.10h x 50.80w cm JEC151 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

This is a black and white monochrome painting using ink on Arches Watercolor paper. The work is 22 x 30 inches and depicts (perhaps a family?) four snakes. I started the snakes paintings...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Cowboy & Horse by Bernard Labbe (French mid 20th century) original pencil drawing on card, mounted in a frame size: 25 x 21 inches condition: very good and ready to be enjoyed prove...

50 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2022 Style: Realism, Subject: Bird, Size: 12 x 16 inch, ...

"Electric Dragon" is an original watercolor painting signed lower center by the artist David Barnett. It depicts a bright red dragon with electric yellow shapes emanating from it. ...

58 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2023 Style: Classic Art, Subject: Blue Jay, Size: 12 x 1...

Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On the Gallops, 1976. Gouache and Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )...

Sea. Paper, pastel 21x29.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Latvia...

Luis-Xiua presents a contemporary artwork that stands out for its unique and vibrant technique, combining the use of colored pencils and ink over a background layer made with natural...

Monkeys is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expre...

Hyena is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft express...

Bears is a drawing realized in the Mid-20th Century. Charcoal ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

Parrot is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expres...

Crocodile is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft exp...

Hugo Anton Fisher: 1854-1916. Well listed American artist, mostly associated with California and New York. He has auction results over $38,000. This fabulous watercolor with a setter...

A Figure from Behind is an original modern artwork realized in 1935 by Hélène Vogt (1902 - 1994). Original white pastel on black paper. Passepartout is included (cm 50 x 35). The ...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in K...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into the Final Furlong, 1965. Pastel on Colored Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm...

Work on paper Workshop stamp on the back of the work

Tammy Liu-Haller's "Cougar" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a cougar. About the artist: Tammy was born in 1975 in Kingston, NY. ...

Tammy Liu-Haller's "Bison" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a buffalo in profile. About the artist: Tammy was born in 1975 in Kin...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Moshe Avni was born in 1937, in Kibbutz Kfar Blum in the Upper Galilee in Israel. Presently, he lives and paints in Jerusalem. During the years 1956-1957, he studied Painting and Gra...

Moshe Avni was born in 1937, in Kibbutz Kfar Blum in the Upper Galilee in Israel. Presently, he lives and paints in Jerusalem. During the years 1956-1957, he studied Painting and Gra...

Moshe Avni was born in 1937, in Kibbutz Kfar Blum in the Upper Galilee in Israel. Presently, he lives and paints in Jerusalem. During the years 1956-1957, he studied Painting and Gra...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Ballpoint pen drawing on antique postcards Size 63cm x 57cm Drawing is framed in a bespoke frame Drawing is protected with a mat varnish UV protective archival spray

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Unknown (European, probably Eighteenth Century) Shepherds and Peasants in a Landscape Ink, watercolor, and gouache on vellum; 12 5/8 x 19 3/8 inches Framed: 20 x 28 inches (approx.)

Watercolour and ink on paper Unique work Hand-signed and entitled lower left by the artist

Translated title: "Rooster". Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; ill...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Willem Deiperink-Langereis (American, 1889-1966) Signed: Willem Deiperink-Langereis (Lower, Right) " The Peacock and The Skunk ", c. 1915-1920 Pen and Ink with Watercolor 9 1/2" ...

Julian Ruddock. British ( b.1965 ). The Thief. Pastel on Paper. Signed. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5cm x 76cm )....