Paola Davila

Laminariales XVIII. From the series Bosque Cyanotype photograph

2022

Laminariales VIII, 2022 by Paola Davila From the series Bosque Cyanotype on 300 gr cotton paper Image size: 120 cm H x 38 cm W Signed by the artist Unique The title of each piece ...

Laminariales III, 2022 by Paola Davila From the series Bosque Cyanotype on 300 gr cotton paper Image size: 114 cm H x 38 cm W Signed by the artist Unique The title of each piece ...

Laminariales XXII, 2022 by Paola Davila From the series Bosque Cyanotype on 300 gr cotton paper Image size: 240 cm W x 38 cm H Signed by the artist Unique The title of each piece...

Laminariales XIII, 2022 by Paola Davila From the series Bosque Cyanotype on 300 gr cotton paper Image size: 160 cm H x 38 cm W Signed by the artist Unique The title of each piece ...

Triptych Arcana 07, 08 and 09, 2023 by Monika Bravo From The Series Arcana Archival digital print Overall size: 24 in. H x 108 in. W Individual size: 24 in. H x 36 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass/metal wall at the Interdisciplinary Engineering building at the University of Washington in Seattle. Whimsical elements in vibrant colors interact with geometric silhouettes, inspired by Oskar Schlemmer's Triad ballet and Josef Albers' pedagogical experiments from the Bauhaus era; they also incorporate historical engineering tools. ______________________ Bravo uses multiple treatments of the image, that the artist relates to a specific place, this correspondence between space and transformation has led her practice to focus on the analysis of the places where she lives physically and emotionally, as a result, the works dwell between the document and the anecdotal. Monika Bravo examines the notion of perception by questioning whether the world we live in, is but a mental construction; her artistic practice is used as a tool to decipher the laws that govern the world she lives in. Through this survey, she creates objects by incorporating still, moving, audio and interactive images to generate situations where she can materialize and communicate her emotional state. She wants to challenge the audience’s own perception of what they consider real by generating a platform where they are induced to connect by exploring, interacting, and at times by focusing on an object-place- scene for a duration of time in a manner that is both meditative and investigative. Monika Bravo is a multi-disciplinary artist born in Bogotá, Colombia, who lives and works in Miami. In 1982, Bravo left Bogotá, moving to Rome to study fashion design, which she continued in Paris at Esmod, before traveling to London to study photography. In 1994 she moved to New York. Her work has received acclaim including a 1999 New York Times review which called her piece Synchronicity (from a group exhibition at El Museo del Barrio) a "standout...small, beautifully blurry video images of boats plowing through New York Harbor..." Recent exhibitions: Rubin Museum, the power of intention, 56th Venice Biennale representing the Vatican City-State, at the Pavilion of the Holy See. TESSERAE curated by Octavio Zaya is shown at Flora Ars Natura, Bogota, and Johannes Vogt, NYC, Saro Leon, Gran Canaria. Everyday Alchemy, curated by Andrea Hinteregger De Mayo at Von Bartha Gallery, Base; WOVEN Xaviera Simmons...

Triptych Arcana 04, 05 and 06, 2023 by Monika Bravo From The Series Arcana Archival digital print Overall size: 16 in. H x 72 in. W Individual size: 16 in. H x 24 in. W "Arcana" stems as a series of unique studies for an upcoming commissioned glass/metal wall at the Interdisciplinary Engineering building at the University of Washington in Seattle. Whimsical elements in vibrant colors interact with geometric silhouettes, inspired by Oskar Schlemmer's Triad ballet and Josef Albers' pedagogical experiments from the Bauhaus era; they also incorporate historical engineering tools. ______________________ Bravo uses multiple treatments of the image, that the artist relates to a specific place, this correspondence between space and transformation has led her practice to focus on the analysis of the places where she lives physically and emotionally, as a result, the works dwell between the document and the anecdotal. Monika Bravo examines the notion of perception by questioning whether the world we live in, is but a mental construction; her artistic practice is used as a tool to decipher the laws that govern the world she lives in. Through this survey, she creates objects by incorporating still, moving, audio and interactive images to generate situations where she can materialize and communicate her emotional state. She wants to challenge the audience’s own perception of what they consider real by generating a platform where they are induced to connect by exploring, interacting, and at times by focusing on an object-place- scene for a duration of time in a manner that is both meditative and investigative. Monika Bravo is a multi-disciplinary artist born in Bogotá, Colombia, who lives and works in Miami. In 1982, Bravo left Bogotá, moving to Rome to study fashion design, which she continued in Paris at Esmod, before traveling to London to study photography. In 1994 she moved to New York. Her work has received acclaim including a 1999 New York Times review which called her piece Synchronicity (from a group exhibition at El Museo del Barrio) a "standout...small, beautifully blurry video images of boats plowing through New York Harbor..." Recent exhibitions: Rubin Museum, the power of intention, 56th Venice Biennale representing the Vatican City-State, at the Pavilion of the Holy See. TESSERAE curated by Octavio Zaya is shown at Flora Ars Natura, Bogota, and Johannes Vogt, NYC, Saro Leon, Gran Canaria. Everyday Alchemy, curated by Andrea Hinteregger De Mayo at Von Bartha Gallery, Base; WOVEN Xaviera Simmons...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

Rebecca Skinner’s “Rusted Web” is part of a her "Texture" series taking an up close look at rusted and/or weathered metal. With tones of yellow and orange, this 18 x 12 inch abstract...

Women in from of Basquiat like wall . This was shot in New York City Signed , dated lower right and numbered verso 3 /15, Unframed, Other sizes available. printed later, Printed on ...

Delicious ice-cold, Coca-Cola. Have a Coke and a Smile. Signature: Signed , dated lower right and numbered verso 2 /10, Unframed, Other sizes available. This work is printed on fi...

The work is signed and dated and numbered on the lower right, Edition: 3/15 Unframed, Other sizes available.

Signed, Dated, number Lower left recto, unframed, 4/15 other size available, printed later, Printed on Hahnemühle Fine Art paper Intense golden light reflects off of midtown glass ...