Jesse Alexander

Monaco Pits

1960's

Signed and numbered in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 19 x 13 in., Image size: 15 3/4 x 11 in. Jesse Alexander is considered one of ...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

Paris Auto Show - General Motors Design by Jesse Alexander is a 14 x 14 inch archival pigment print. This photograph features a black car on display, surroun...

Signed in black ink on print margin by Jesse Alexander Archival pigment print Paper size: 22 x 17 in., Image size: 15 x 15 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers sitting on top of a car filled with surfboards. The image size is 12 x 17 3/4 inches, the paper size is 16 x 20 inches. This photograph is signed, titled, dated, print date, and numbered by Al Satterwhite. This photograph is available in multiple sizes: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 20 x 24 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 15 Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art...

Caddy Tailfin Archival pigment print on canvas 60 x 96 inches Edition of 10 AMERICANA "From rural Montana to the Manhattan skyline at dawn, from a New Mexico cowboy...

Catalogue No: OA056JF Artists: Oasis, Liam Gallagher, Noel Gallagher Location: Slane Castle, Ireland Date: 22nd July 1995 Era: The 1990's Edition: hand signed Limited Edition 17/50 P...

Gia on the Lifeguard Stand, 1979 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 40” x 60” (101.6x152.4 cm) Edition of 10

Red Lips at the Paris Cafe, 1987 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed an...

Red Shoes and a Bulldog, 1991 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed and n...

Bill Bernstein Disco c. 1970 Set of four Photographs These iconic images not only document the people and places of the golden age of disco, but also capture the spirit and intensit...