Gary Cruz

Crossover III, 2024, unique pigment print, signed

2024

Portal IV, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper size...

Locus I, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper size w...

Arrivals & Departures I, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7...

Survey III, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper siz...

Crossover I, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper si...

Portal II, 2024 is part of the "Another World" series. This unique archival pigment print is printed on Epson Enhanced Matte paper. Image size is 9" x 6.5" on 10" x 7.5" paper size...

interStella / Quad 1 pt1 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ...

Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smooth paper. Signed, dated and numbered by the artist on a label affixed to verso. Edition of 1368. Original COA include...

print / photo. Signed by the author. Also available in limited edition of 15 - in different sizes (signed by the author).

El Anatsui Variation I (B), 2014 Pigment print with hand collage and copper wire 23 x 30.2 inches (58.4 x 76.8 cm) Edition of 16

Dazzle / 12 bar crop is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 60cm H x 48.6cm W Sheet size ⋅ 72.8cm H x 60.6cm W . The Dazzle piece I drew for my 2017 show Current at Catto was 200cm wide, but the drawing seemed to offer an opportunity to generate a smaller work on paper as well. So after a little further experimentation, I cropped the study down to the 12 vertical bars that form the central core of the composition, and tried it out at various sizes on the Hahnemühle paper, settling in the end for this pigment print edition at 60cm high. I like the idea of the 12 bar crop, with its strong musical connotations. Dazzle is another work that uses my SV (systematic variation) technique to modulate the line drawing in ways that make it denser, more complex, and less overtly machine generated. I hope it takes on some of the life you’d find in a classic Missoni fabric, as well as drawing inspiration from the amazing ‘camouflaged’ vessels that became known as dazzle ships...

Klint / reDux / chrm is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 50.8cm H x 66cm W Sheet size ⋅ 65cm H x 80cm W . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...