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Victor VasarelyE.T. (Fond Argent) /// Abstract Geometric Op Art Victor Vasarely Screenprint Art1983
1983
About the Item
Artist: Victor Vasarely (Hungarian-French, 1906-1997)
Title: "E.T. (Fond Argent)"
*Signed by Vasarely in pencil lower right
Year: 1983
Medium: Original Screenprint on Arches paper
Limited edition: LXXV/CL (75/150), (there were also 25 artist's proofs)
Printer: Atelier Silium, Paris, France
Publisher: Unknown
Sheet size: 30" x 21.5"
Image size: 26" x 16.13"
Reference: "Victor Vasarely - Catalogue Raisonné I: Printed Editions 1949-1991" - Benavides/Vasarely No. 964, page 224, 228
Condition: Minor crease lower left and some minor edgewear to top edge. Mounting tape from previous framing on verso. In otherwise excellent condition
Rare
Notes:
Provenance: one owner ever - private collection - Dallas, TX / Sacramento, CA. Numbered by Vasarely in pencil lower left. An unidentified inkstamp and pencil inscribed reference number lower right on verso. This work is related to Vasarely's 1983 screenprint edition "E.T. (Fond Noir)", (Benavides/Vasarely No. 963, page 224, 228), of the same composition, but with a black outer border; it was printed in a limited edition of 250 in roman numerals (CCL).
Biography:
Victor Vasarely (1906-1997) was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings. Op Art went on to have a number of practitioners, including Bridget Riley and Yaacov Agam. The artist died at age 90 on March 15, 1997 in Paris, France. His works are presently held in the collections of the Albright-Knox Art Gallery in Buffalo, the Art Institute of Chicago, the Tate Gallery in London, and the Peggy Guggenheim Collection in Venice. In 2019, a temporary exhibition of Vasarely's work entitled Le Partage des Formes was displayed in the Centre Georges Pompidou in Paris.
- Creator:Victor Vasarely (1906 - 1997, French, Hungarian)
- Creation Year:1983
- Dimensions:Height: 30 in (76.2 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121211971572
Victor Vasarely
Widely considered the grandfather of Op art, the French-Hungarian painter Victor Vasarely (1906–97) created eye-popping geometric abstractions that play with the viewer’s perception of depth, perspective and motion. A classic example is the 1937 Zebra, which consists of undulating black and white stripes that suggest the form of the titular animal through optical trickery. The work is often credited as the earliest Op art painting.
Such illusions were more than pleasing tricks for Vasarely, who insisted that “pure form and pure color can signify the world.” He wanted to “democratize” art by producing works in large editions at reasonable prices that were understandable across national and cultural boundaries. In the 1960s, he developed an alphabet plastique, or fine art alphabet, consisting of elementary visual building blocks that could be used in endless combinations to create original compositions. By employing this universal visual vocabulary and stripping away topical references, he sought to create what he called a “Planetary Folklore.”
Embodying Vasarely’s singular belief that art should serve a social function, accessible to all, these innovations may perhaps be his greatest contribution to 20th-century art.
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