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Rembrandt van RijnJews in the Synagogue1648
1648
About the Item
Bartsch 126; Hind 234; Nowell-Usticke 304 v/VII. Signed and dated in the plate above the shoulder of the second man from the left (obscured by diagonal shading): "Rembrandt f. / 1648". With collector's marks verso of K.F. Nagler (Lugt 2529), and the Berlin Print Room (Lugt 1606 and Lugt 2398).
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1648
- Dimensions:Height: 13 in (33.02 cm)Width: 15.25 in (38.74 cm)Depth: 0.5 in (1.27 cm)
- More Editions & Sizes:unknownPrice: $18,500
- Medium:
- Movement & Style:
- Period:
- Condition:Printed on laid paper. A fine, crisp and clear impression in fine condition, with 1/8 inch margins on all sides. With very minimal hinge and adhesive residue verso.
- Gallery Location:Boston, MA
- Reference Number:1stDibs: LU397312365182
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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