Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Moulin Rouge, La Goulue by Henri de Toulouse-Lautrec, Cabaret lithograph, 1896
Located in Chicago, IL
Lithograph of Henri de Toulouse-Lautrec’s Moulin Rouge, La Goulue, published by Imprimerie Chaix, also known for publishing the works of Belle Epoque master Jules Chéret. While this ...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris
By Shungo Sekiguchi
Located in Surfside, FL
Shungo Sekiguchi, (Japanese, 1911-2002):
Lithograph in color on Rives paper
Hand signed in pencil lower right, hand numbered
It appears to be the village of Montmarte in Paris
This was published by the Guilde de la Gravure, Paris, France and bears their GG blindstamp.
They were a mid century French art publisher and published many masters including Raoul Dufy, Max Erns, Jean Hans Arp, Ruffino Tamayo, Balthus, Gino Severini and Leonard Tsuguharu Foujita.
Shungo Sekiguchi was born 1911 in Japan. In 1932 Shungo Sekiguchi contributed to the print series "One Hundred Views of Great Tokyo" (Dai Tokyo hyakkei). Prints from watercolors published by Kaneda Shoten (Nihon Hanga Ken-kyusho). In 1935, Sekiguchi moved to Paris, France to study at the prestigious Ecole des Beaux Art of France with a scholarship of the French government. He studied together with two other Ecole de Paris Japanese artists, Takanori Ogisu and Tsuguji Foujita. He exhibited at the prestigious "Salon d'Automne" in Paris. In 1940 when Paris was occupied by the German Nazis, Shungo Sekiguchi returned to Japan, but kept his ties with France. In 1952 he exhibited at the famous Salon d'Automne and received an award. In 1959, he received an award at the Vicci International Art Contest. In 1964, he received the Diplome d'Honneur des at Jobiji International Art Show. His retrospective exhibition has been held in many places in Japan.
In 2002 the artist died in Japan. He is popular in Japan and several retrospective exhibitions were held in Japan. He was part of the Shin Hanga and Sosaku Hanga woodblock artists known for their woodcut prints and scrolls. Shin-hanga was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods. He also worked as a book illustrator and did the artwork for the French edition of Le démon doré by Ozaki Kohyo. He is included in Helen Merritt and Nanako Yamada's classic book "Guide to Modern Japanese Woodblock...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"La Douceur du Printemps" Large color lithograph
Located in San Francisco, CA
This art work titled "La Douceur du Printemps" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Pierre Bonnard ltd edition Lithograph Printed at Mourlot Paris 1958 Young Boy
Located in Surfside, FL
This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928.
This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960
These are not individually hand signed or numbered.
On BFK Rives French velin art paper
This one has text on the verso.
Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse.
He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist.
From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married.
In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis.
Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov.
During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes.
In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Icarus - Screen Print After Henri Matisse - 1970s
Located in Roma, IT
Icarus is an original colored print realized in the 1970s after Henri Matisse.
Original colored serigraph. Very good conditions.
The artwork is from an original artwork realized b...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Screen
Odalisque au Collier
Located in New York, NY
An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
Walk - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Monogram of the artist on plate. From the series: "La Vie de Sainte Monique". Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impres...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
Head of a Young Boy - Original Etching, 1946
Located in Paris, FR
Henri Matisse
Head of a Young Boy, 1946
Original etching
Printed signature in the plate
On BFK Rives vellum, 33 x 25 cm (c. 12,9 x 9,8 inch)
Edition limited to 300 copies (unnumbere...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Etching
'Village du Var, Côte d'Azur', Academie Chaumiere, France, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), inscribed, lower center, 'Village du Var' and, lower left, with number and limitation, '52/120'.
Georges Lambert first stu...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
The Old Man and the Sea - Original Woodcut by Henri Riviere - Early 20th Century
Located in Roma, IT
"The Old Man and the Sea" is an original xilograph on brown-colored paper, realized by Henri Riviere.
The state of preservation of the artwork is very good.
Sheet dimension: 24.5 x...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Woodcut
Klänge
Located in Wilton, CT
Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...
Category
1910s Post-Impressionist Prints and Multiples
Materials
Lithograph
Flowers and Fruit in Front of the Window Still Life- School of Paris
By Yves Ganne
Located in Soquel, CA
Brightly colored lithograph still-life by Yves Ganne (French, b. 1931). Signed "Y. Ganne" in the lower right corner. Numbered "19/260" in the lower left corner. Presented in a tan ma...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Ink, Screen
Judaica interior scene etching with hand coloring
Located in Surfside, FL
I believe the scene is of a wedding engagement. etching with extensive hand coloring (making it a unique original work of art)
Ira Moskowitz (1912-2001), descendant of a long rabbinical line, was born in Galicia Poland and went with his family to Prague, Czechoslovakia, in 1914. The family remained there until 1927, and young Moskowitz received his first education in Prague's schools. Soon after, his family moved to New York City, and in 1927 Moskowitz became the pupil of Henry Wickey at the Art Students League, having finally resolved his conflict between a passion for drawing and a desire to follow the rabbinical profession of his forefathers. Between 1935 and 1938, he traveled to Israel and to Europe, Paris, France where he studied the works of the old masters, an interest derived from his first teacher and one that eventually led to his active collaboration in 1954 on the four-volume series, "Great Drawings of All Time."
In 1939, Moskowitz made his first trip to Mexico, and stayed for six months. In 1943 he received a Guggenheim Fellowship and moved to New Mexico, where he remained for seven years drawing the Indians and becoming an active member of the Taos-Sante Fe artists group. It was in New York, as a student of Harry Wickey and Jerome Meyers at the Art Students League ( 1928 -32), that Moskowitz honed his talents as an artist. In the mid-to-late 1930s in Mexico, Ira was drawn to the traditions of the native peoples; in Israel, what was then British MandatePalestine he was absorbed with the religious ceremonies of the Hasidic Jews. The prints and drawings Moskowitz created in Mexico in 1941 earned him a Guggenheim Fellowship in 1943.
In 1944, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
La Toilette Assise, 1925 Lithograph by Pierre Bonnard
Located in Long Island City, NY
Artist: Pierre Bonnard, French (1867 - 1947)
Title: La Toilette Assise
Year: 1925
Medium: Lithograph, signed 'PB' in the plate, signed 'P. Bonnard' lower right and numbered lower lef...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
Normandy : A Nice Winter Day - Original lithograph
Located in Paris, FR
Claude MANOUKIAN
Normandy : A Nice Winter Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
Exc...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Salon des Cent: Exposition Internationale d'affiches
Located in Mount Vernon, NY
Inscriptions: Full printed poster text: Salon des Cent: 31 rue Bonaparte, Exposition Internationale d'acciches / Imp. Bourgerie & Cie. Paris
Summary/De...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Composition from Derriere Le Miroir - Lithograph after George Braque - 1964
Located in Roma, IT
Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964
The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964
Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
1959 After Fernand Leger 'Les Constructeurs'
Located in Brooklyn, NY
Paper Size: 12.5 x 9.25 inches ( 31.75 x 23.495 cm )
Image Size: 9.25 x 6.5 inches ( 23.495 x 16.51 cm )
Framed: No
Condition: A: Mint
Additional Details: Printed by Mourlot fo...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Henri Matisse "La Capeline de paille d'Italie"
Located in Los Angeles, CA
HENRI MATISSE (1869-1954)
“La Capeline de paille d’Italie”
Lithographs, 1923,
45x40 cm, image; 57x46 cm, sheet size.
Signature: Lower right signed by the artist in pencil "Henri Ma...
Category
15th Century and Earlier Post-Impressionist Prints and Multiples
Materials
Lithograph
Ladies in The Paris Street - Belle Epoque Period - Original Pair
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) -
Paris Belle Epoque Genre Scene -
Oil on wood in pair -
Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Oil
Paris : Seine River - Original lithograph, Handsigned
Located in Paris, FR
Paul COLLOMB
Paris : Seine River
Original lithograph
Handsigned in pencil
Justified Epreuve d'artiste (artist proof)
On Arches vellum 55 x 65 cm (c. 22 x...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Arch of the Pont Neuf, Paris
Located in Fairlawn, OH
Arch of the Pont Neuf, Paris
Etching on heavy wove paper, 1923
Signed in pencil lower right (see photo)
From: Brangwyn Portfolio (12 original etchings and thr...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Etching
Rupestral Painting - Original lithograph, Handsigned
Located in Paris, FR
Jules CAVAILLES
Rupestral Painting
Original lithograph
Handsigned in pencil
Justified EA (artist proof)
On Arches vellum 36 x 20 cm (c. 14 x 8 in)
Excellent condition
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Sainte Victoire Mountain near Aix en Provence - Lithograph, 1972
Located in Paris, FR
Emile OTHON FRIESZ (after)
Sainte Victoire Mountain near Aix en Provence
Color lithograph after a painting
Printed signature in the plate
On Arches...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Le Repos - Original Lithograph After G. Braque - 1967
Located in Roma, IT
Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967.
Original Lithograph on paper.
Published by Maeght Editeur, Paris. Credits printed on rear.
Mint Conditions.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Aquatint, Etching
La Baigneuse aux Papillons
By Raoul Dufy
Located in San Francisco, CA
This artwork titled "La Baigneuse aux Papillons" c.1930 in an etching on paper by French artist Raoul Dufy, 1877-1963. Unsigned as issue. Printed/publishe...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Etching
Normandy : A Nice Summer Day - Original lithograph
Located in Paris, FR
Claude MANOUKIAN
Normandy : A Nice Summer Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
Exc...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Jane Avril-Poster. Haddad's Fine Art.
Located in Clinton Township, MI
Poster. Measures 22.5 x 17.5 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling.
Exhibited at Sterling & Francine Clark Art Institute, Massac...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
The Bow
Located in New York, NY
Artist’s in-plate monogram lower left
Category
19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
'View of the Place Vendôme', Musée d'Art Moderne Paris, Academie Julian, Benezit
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, b. 1931) and with print edition and limitation, '114/150', lower left.
Yves Ganne first studied at the Ecole des Beaux-Arts o...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Tavern - Etching by Marcel Gromaire - 1952
Located in Roma, IT
Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971).
Monogrammed on plate on the lower left corner.
Good conditions except for some foxing...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Etching
'Young Woman Seated', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
A cabinet sized, Post-Impressionist figural monotype of a young woman, shown seate...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Monotype
'The White Clogs', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp.
A bold, expressionist monotype showing two young women seated side b...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Monotype
'Flamenco Dancers', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
Provenance: Janet Ament De La Roche, from estate stamp verso.
A cabinet sized, Pos...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Monotype
Contemporary color lithograph landscape trees outdoor forest park scene signed
Located in Milwaukee, WI
"Parc Montsouris" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled it lower center, and wrote t...
Category
1990s Post-Impressionist Prints and Multiples
Materials
Lithograph
'L'Étretat', French Post-Impressionist, Paris, Academie Chaumiere, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '26/225'.
Georges Lambert first studied in Paris at the Academie de la Gra...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
'Still Life of Tulips', Ecole des Beaux-Arts Nantes, Musée d'Art Moderne, Paris
By Yves Ganne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931), inscribed lower left, 'Epreuve d' Artiste' (Artist's Proof), titled 'Tulipes' and created circa 197...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
'Provençal Landscape', Academie Chaumiere, Salon des Artistes Françaises, Paris
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'.
Georges Lambert first studied in Paris at the Academie de la Gra...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Female Figure with Hat - Original Lithograph by J.H. Marchand - 1920 ca.
Located in Roma, IT
Female Figure with Hat is an original modern artwork realized by the French artist Jean Hippolyte Marchand in the 1920s.
Original Lithograph on ivory paper.
Passepartout included (...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
Au Coin d'une Rue, from Poesies Antillaises
Located in Washington, DC
Artist: Henri Matisse
Title: Au Coin d'une Rue
Portfolio: Poesies Antillaises
Medium: Lithograph
Year: 1972
Edition: 250
Sheet Size: 14 7/8" x 11 1/8"
Image Size: 14 7/8" x 11 1/8"
S...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
The White Horse - Lithograph - Numbered / 250
Located in Paris, FR
Paul GAUGUIN (after)
The White Horse
Stone lithograph after a painting
Printed signature in the plate
Numbered /250 copies
On vellum 76 x 56 cm (c. 30 x 22 in)
Information : This l...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after)
Title: Grenade et Pipe from the Espace Portfolio
Year: 1957
Year of Original: 1932
Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate
Edit...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Pigment
'Paris, The Pont Neuf', Post-Impressionist, Fernand Léger, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931). Signed lower right, 'Y. Ganne', inscribed lower left, 'Epreuve d' Artiste' (Artist's Proof) and cre...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph, Paper
Normandy : La Frette sur Seine - Lithograph, Ltd /200
Located in Paris, FR
Albert MARQUET
Normandy : La Frette sur Seine
Original lithograph
Signed with the artist stamp
Numbered / 200
On Arches vellum 45 x 57 cm (c. 18 x 23 in)
Excellent condition
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
'A Bowl of Pomegranates', Academie Chaumiere, Paris, Ecole des Beaux-Arts, MoMA
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'.
Pierre Garcia-Fons left Spain d...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph, Laid Paper
Along the Seine, Landscape Painting by Louis Dancourt
By Louis Dancourt
Located in Long Island City, NY
Artist: Louis Dancourt, French XXth
Title: Along the Seine II
Year: 1946
Medium: Oil on Canvas mounted to Wood, signed l.r. and dated verso
Image Size: 16 x 20 in. (40.64 x 50.8 cm)
...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Canvas, Wood, Oil
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph, Mulberry Paper
L’Ane - Original Etching and Aquatint by G. Rouault - 1927
Located in Roma, IT
L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies.
Included a frame.
In very good conditions.
The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses.
Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Aquatint, Etching
'Falaise de l'Étretat', French Post-Impressionist, Academie Chaumiere, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'.
Georges Lambert first studied in Paris at the Academie de l...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph, Paper
The Zealot
Located in San Francisco, CA
This artwork titled "The Zealot" c.1950 is an original woodcut by Hungarian/American artist Julius F. Faysash, 1904-1977. It is hand signed, titled and numbered 4/50 in pencil by the artist. The image (woodblock mark) is 10 x 8 inches, framed size is 18 x 15 inches. Custom framed in a wooden grey frame and light beige matting. It is in very good condition.
About the artist:
Julius F. Faysash was born 1904 in Budapest Hungary. He and his family moved to the United States in 1914. His father, Emanuel Faysash was a cabinet maker and settled in Cleveland Ohio area. A short time later the family moved to Akron, Ohio where Faysash remained the rest of his life.
Julius graduated from the Cleveland School of Art and attended Akron University in 1927. He was a founding member of the Akron Society of Artists in 1931 and was the president of the Society in 1934 and 1946. He was an illustrator for the Firestone Company from the 1940's until his retirement from the company in 1969, mainly working in watercolor for this time period.
After retirement he began traveling to Mexico 6 months out of the year and began working in oils, acrylics and printmaking. He received an M.F.A. in 1973 from the Instituto Allende/University of Guanajuato, Mexico. He also had further studies under Henry G. Keller and in portraiture with Wayman Adams, Sandor Vago...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Woodcut
Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm.
Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Etching
Montmartre 1900, Lithograph by Kees van Dongen 1965
Located in Long Island City, NY
Artist: Kees van Dongen, Dutch (1877 - 1968)
Title: Montmartre 1900
Year: 1965
Medium: Lithograph on Arches, Signed and numbered in ink
Edition: 47/100
Image Size: 10.75 x 8.75 inche...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marine Noire - Lithograph After Georges Braque - 1956
Located in Roma, IT
"Marine Noire" is a lithograph after the work of Georges Braque in 1956. The print is hand signed and numbered. This is an edition of 400 prints.
Bibliography: D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p. 296.
Good conditions except for very light foxings and little folds on the corner.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Woman Figure - Woodcut Print by A. Marquet - 1910 ca.
Located in Roma, IT
Signed on plate. Numbered. Edition of 60 prints in Roman Numerals. Very good conditions.
Image Dimensions : 21 x 12.5 cm
Category
1910s Post-Impressionist Prints and Multiples
Materials
Woodcut
Landscape in Provence : The Old House - Original lithograph, Handsigned
Located in Paris, FR
Jules CAVAILLES
Landscape in Provence : The Old House
Original lithograph
Handsigned in pencil
On vellum 33 x 50 cm (c. 13 x 20 inch)
Excellent condition
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Judaica interior scene etching with hand coloring
Located in Surfside, FL
Etching with extensive hand coloring (making it a unique original work of art)
Ira Moskowitz (1912-2001), descendant of a long rabbinical line, was born in Galicia Poland and went with his family to Prague, Czechoslovakia, in 1914. The family remained there until 1927, and young Moskowitz received his first education in Prague's schools. Soon after, his family moved to New York City, and in 1927 Moskowitz became the pupil of Henry Wickey at the Art Students League, having finally resolved his conflict between a passion for drawing and a desire to follow the rabbinical profession of his forefathers. Between 1935 and 1938, he traveled to Israel and to Europe, Paris, France where he studied the works of the old masters, an interest derived from his first teacher and one that eventually led to his active collaboration in 1954 on the four-volume series, "Great Drawings of All Time."
In 1939, Moskowitz made his first trip to Mexico, and stayed for six months. In 1943 he received a Guggenheim Fellowship and moved to New Mexico, where he remained for seven years drawing the Indians and becoming an active member of the Taos-Sante Fe artists group. It was in New York, as a student of Harry Wickey and Jerome Meyers at the Art Students League ( 1928 -32), that Moskowitz honed his talents as an artist. In the mid-to-late 1930s in Mexico, Ira was drawn to the traditions of the native peoples; in Israel, what was then British MandatePalestine he was absorbed with the religious ceremonies of the Hasidic Jews. The prints and drawings Moskowitz created in Mexico in 1941 earned him a Guggenheim Fellowship in 1943.
In 1944, Ira and his wife, the artist Anna Barry moved to Taos, New Mexico. Moskowitz was entranced by New Mexico's light, landscapes, and cultures. By the time Ira arrived there, the region had already attracted Georgia O'Keeffe, Robert Henri, and Leon Gaspard...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Etching
Going Bananas
Located in Santa Monica, CA
Limited edition serigraph
Category
1990s Post-Impressionist Prints and Multiples
Materials
Screen
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.
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