Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Livio Seguso
Huge Seguso Murano Glass Centerpiece Sculpture

About the Item

A huge centerpiece good-quality Seguso Murano (probably 1970s or 1980s, Memphis Milano era) elliptical-form clear glass sculptural bowl with striated rainbow colors of blue, orange, pink, red, yellow and green; the thick clear glass bowl with layers of embedded colors. Designed by Livio Seguso, produced by Seguso A.V. Murano glass modernist sculpture vase; clear ovoid body with vertical polychrome applied canework and a black fasce swatch. Label and engraved signature. "Arte Vetro" sculpture They also did work for Cartier- a number of fine mid century craftsmen and artists did work under the Seguso name amongst them Flavio Poli, Barovier Archimede Seguso, Livio Seguso and Mario Pinzoni. This is an incredible piece. Livio Seguso Born in 1930 in Murano, where he still works, Livio Seguso began his life-long affair with glass from a very early age, fascinated by the inexhaustible appeal of that wonderful medium. After having achieved an in-depth knowledge of the traditional glassmaking techniques, and stimulated by his strong artistic sensitivity, this artist turned to plastic forms, and his research led him to explore with avid interest the world of the of the great masters of contemporary sculpture. In those years, glass was not used as a medium of mere depiction, but it was in itself the very object of his artwork. Seguso's mastery of his medium was such that it allowed him to express himself completely without being hampered by the limits of craftsmanship. The artist fully revealed the infinite potentialities of this mysterious material in an endless variation of spaces and thicknesses, always aiming at an absolute purity of forms. Livio Seguso reached his full artistic maturity in the late 70's, when he totally abandoned the Murano Venice glassmaking heritage, however noble, and began to focus on clear crystal, changeable and ambiguous in its transparency, the perfect medium for the artist's uncontaminated imaginative vision. His sculptures could then manifest themselves in forms of absolute purity, non-mimetic and non-representational of anything, reaching out to seize the principle of a visible event that was undisclosed before that moment, and, in doing so, reveal the personality of the artist, attracted by synthesis and icastic form. His sculptures thus became Images of Light that seem to adapt themselves to thought only to fade away into a series of oneiric forms.In recent years, his artistic research overstepped the confines of the medium used, experimenting with other materials like steel, rock, marble, and granite, and, more recently, wood. His artwork also took a departure from his previous rounded or elliptical forms, and he began to conceive volumes in a more geometrical pattern. This in turn was to lead to an ideological turning point, not only in the choice of mediums and their poetical potential, but also to an ideational transmutation that enhanced the artist's expressive possibilities. The new mediums, always used in combination with glass, exalt both the transparency of this material and the intensity of the light, and their ultimate purpose is to create an ideal union between intellectual rigor and the neatness of the volumes, between the sense of refined elegance and poetic imagination. COLLECTIONS (selected): Corning Museum of Glass, Corning, New York Glasmuseum Frauenau, Frauenau, Germany Hankyu Gallery, Osaka, Japan Hokkaido Museum of Modern Art, Hokkaido, Japan Kunsthaus Am Museum, Cologne, Germany Kunstmuseum Dusseldorf, Glasmuseum Hentrich, Dusseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museo D'Arte Moderno Ca'pesaro,Venice, Italy Narodni Galerie, Prague, Czech Republic SELECTED SOLO EXHIBITIONS 1986 Heller Gallery, New York, U.S.A. 1987 Galleria Nazionale Tolgyfa, Budapest, Hungary. 1988 Museo Re Stefano, Szekesfhervar, Hungary 1990 Casa dei Congressi Rosengarten, Coburg, Germany. 1991 Habatat Gallery, Detroit, U.S.A. 1991 Bugno & Samueli Art Gallery, Venezia, Italia. 1992 Palazzo Pretorio, Certaldo Alto, Firenze, Italia. 1998 Galleria Traghetto, Venezia, Italia 1998 Mediterranea, Art Contemporain Des Pays Mediterraneens. Bruxelles, Belgium 2001 Habatat Galleries, Pontiac, Michigan.-USA SELECTED JOINT EXHIBITIONs 1982 Hokkaido Museum of Modern Art, Sapporo, Japan. 1991 Musees de Rouen, International exhibition of contemporary glass, Rouen, France. 1994 Treviso, Goldoni su carta / Goldoni on paper 1793-1993. 1995 Tainan, Taipei, Taiwan R.O.C., Chung Ming Center, Contemporary Glass Exhibition. 1995 Venezia, Arte Laguna '95, con il patrocinio di La Biennale Internazionale d'Arte di Venezia. 1998 Bruxelles, Mediterranea, Art Contemporain des Pays Mediterraneens 1998 Arte Fiera, Bologna, Italy 2001 Beijing, China, Millenium Monument Museum 2001 Shanghai, China, Museum of Fine Art 2003 Florida State University Museum Of Fine Arts. trial by fire/Contemporary Glass. 2004 Istituto di Scienze Lettere ed Arti, Palazzo Franchetti, Venezia, (Vetri nel Mondo Oggi)
  • Creator:
    Livio Seguso (1930, Italian)
  • Dimensions:
    Height: 15.5 in (39.37 cm)Width: 19 in (48.26 cm)Depth: 6 in (15.24 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    very minor scratches.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38210631012
More From This SellerView All
  • Large Murano Abstract Hand Blown Arcade Glass Sculpture Marcello Panza Vase
    Located in Surfside, FL
    Marcello Panza for Arcade Vase (this is for 1 of a pair I have, I am selling them separately). This has an African or Aboriginal tribal pattern to it. ...
    Category

    20th Century Abstract Abstract Sculptures

    Materials

    Glass

  • Large Murano Glass Abstract Blown Glass Sculpture Gold, Clear Constantini Vase
    Located in Surfside, FL
    Dimensions: 15.5 X 7 X 7 in. The organic shaped vase showcases an applied light gold colored threaded design enveloping the clear body, around. Hand signed Constantini S. It came from an important estate in the Palm Beach area. Made in Murano, handmade according to the ancient Murano glass tradition. Master Sergio Costantini was born in Venice in 1956 and learned the technique of glass processing from the famous Master Glassmakers of Murano A. Barbini, Licio Zanetti, L. Mellara. His works are exhibited globally in the most important museums and art galleries. Venetian glass (Italian: vetro veneziano) is thought to have been made for over 1,500 years, and production has been concentrated on the Venetian island of Murano since the 13th century. Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called lattimo) that looked like porcelain. They later became Europe's finest makers of mirrors. Murano glassmaking began a revival in the 1920s. Today, Murano and Venice are tourist attractions, and Murano is home to numerous glass factories and a few individual artists' studios. Its Museo del Vetro (Glass Museum) in the Palazzo Giustinian contains displays on the history of glassmaking as well as glass sculpture samples ranging from Egyptian times through the present day. The Venetian glassmakers of Murano are known for many innovations and refinements to glassmaking. Among them are Murano beads, cristallo, lattimo, chandeliers, and mirrors. Additional refinements or creations are goldstone, multicolored glass (millefiori), and imitation gemstones made of glass. Aventurine glass, also known as goldstone glass, is translucent brownish with metallic (copper) specks. Calcedonio is a marbled glass that looked like the semi precious stone chalcedony. This type of glass was created during the 1400s by Angelo Barovier, who is considered Murano's greatest glassmaker. Ercole Barovier, a descendant of Murano's greatest glassmaker Angelo Barovier, won numerous awards during the 1940s and 1950s for his innovations using the murrine technique. Sommerso is a form of artistic Murano glass that has layers of contrasting colors (typically two), which are formed by dipping colored glass into another molten glass and then blowing the combination into a desired shape. The outermost layer, or casing, is often clear. Sommerso was developed in Murano during the late 1930s. Flavio Poli was known for using this technique, and it was made popular by Seguso Vetri d'Arte and the Mandruzzato family in the 1950s. This process is a popular technique for vases, and is sometimes used for sculptures. Some of Venice's historical glass factories in Murano remain well known brands today, including De Biasi...
    Category

    20th Century Abstract Abstract Sculptures

    Materials

    Glass

  • Early Murano Glass Free Form Abstract Blown, Cut, Glass Sculpture in Bronze Vase
    Located in Surfside, FL
    This piece appears unsigned and unmarked. It came from an important estate in the Palm Beach area. It is an abstract flame or torch in a bronze vase. Venetian glass (Italian: vetro ...
    Category

    1940s Abstract Abstract Sculptures

    Materials

    Bronze

  • Large Murano Glass Abstract Blown Glass Sculpture Gold, Clear Constantini Vase
    Located in Surfside, FL
    Dimensions: 12.5 X 5.25 X 5.25 in The organic shaped vase showcases an applied light gold colored threaded design enveloping the clear body, around. Hand signed Constantini S. It came from an important...
    Category

    20th Century Abstract Abstract Sculptures

    Materials

    Glass

  • Grand Kabuki Stainless Steel Abstract Brutalist Sculpture
    By Alfred Van Loen
    Located in Surfside, FL
    Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...
    Category

    1970s Abstract Abstract Sculptures

    Materials

    Stainless Steel

  • Abstract Mixed Media Biomorphism Wall Sculpture. Miami Artist Carol K Brown
    By Carol K. Brown
    Located in Surfside, FL
    This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda...
    Category

    1990s Abstract Abstract Sculptures

    Materials

    Metal

You May Also Like
  • DOUBLE HELIX
    By Lyle London
    Located in Tempe, AZ
    DOUBLE HELIX can suspended from a ceiling or from a semi circular tension bar as shown here. The dichroic glass shifts color from different points of vie...
    Category

    2010s Abstract Abstract Sculptures

    Materials

    Stainless Steel

  • "Bloom No. 1" from the Bloom Series, Abstract, Organic Sculpture in Blue Acrylic
    By Norman Mooney
    Located in New York, NY
    Bloom No. 1 from the Bloom Series by Norman Mooney Acrylic, mirror-polished stainless steel, birch plywood base Ediion of 3 Inspired by the work of the 19th century biologist Ernst ...
    Category

    2010s Abstract Abstract Sculptures

    Materials

    Stainless Steel

  • "Bloom No. 2" from the Bloom Series, Abstract, Organic Sculpture in Acrylic
    By Norman Mooney
    Located in New York, NY
    Bloom No. 2 from the Bloom Series by Norman Mooney White frosted acrylic, mirror-polished stainless steel, birch plywood base Edition of 3 Inspired by the work of the 19th century b...
    Category

    2010s Abstract Abstract Sculptures

    Materials

    Metal, Stainless Steel

  • "Bloom No. 4" from the Bloom Series, Abstract, Organic Sculpture in Steel
    By Norman Mooney
    Located in New York, NY
    Bloom No. 4 from the Bloom Series by Norman Mooney Mirror-polished stainless steel, birch plywood base Inspired by the work of the 19th century biologist Ernst Haeckel and his study...
    Category

    2010s Abstract Abstract Sculptures

    Materials

    Metal, Steel, Stainless Steel

  • Dreamcatcher Into The Big Blue
    Located in Miami, FL
    Italian artist Annalù Boretto's dreamy sculptures enchant onlookers with hyper-realistic water splashes and brilliant colors. Born in Venice in 1976, the artist worked for years to d...
    Category

    2010s Abstract Figurative Sculptures

    Materials

    Glass, Resin, Paper, Ink

  • "Cumulus Stone No. 1" Large Abstract Carved Marble Sculpture, Mirror Base
    By Norman Mooney
    Located in New York, NY
    "Cumulus Stone No. 1" by Norman Mooney Carrara Marble, Stainless Steel In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally for mor...
    Category

    2010s Abstract Abstract Sculptures

    Materials

    Stone, Marble, Steel, Stainless Steel, Metal

Recently Viewed

View All