Camey McGilvray

DEEP PURPLE contemporary colorful wall sculpture

This wood and metal wall-sculpture is another in McGilvray's several depictions of heavenly bodies in the universe. In this artwork, a primary colored constellation is floating in a deep purple...

Green Hope Coil was reviewed in the Boston Globe. "Dewart sculpts gatelike forms and mandalas that read like sacred geometry. The gate template, two columns framing a central form, i...

Quote from RT on style subject matter. From the model image the actual artwork evolves in the studio. What was once a model is now a reference. The act of making, testing material c...

LLC and mining operation being bought up at an alarming rate by international consortiums. The Rare Earth artworks grew out of my investigative research in 2009 while working on a S...

The coloration and construction of the artwork projects this disk toward the viewer and floats the work off the wall both visually and psychologically. Doak was an aviation visionary...

They are built from a collection of found materials, fabrics, wallpapers, digital imagery, paint and precious metals. The digital Landsat image is positioned in juxtaposition to the ...

Made in Ukraine, 2020. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations o...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

Made in Ukraine, 2020. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations o...

Made in Ukraine, 2020. Meet this big interior golden flowers sculpture. Location and Delivery from: Ukraine Authors: Created by Rostyslav Kozhman a...

Made in Ukraine, 2020. Meet this big interior golden cactus sculpture. Location and Delivery from: Ukraine Authors: Created by Rostyslav Kozhman and Iryna Antoniuk (Irena Tone) Mat...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...