Nathaniel Sirles

Four-Armed Man with Drum, Tribal Figurative Abstract Sculpture

1973

Evocative figurative abstract sculpture of the head of a tribal creature by Nathaniel Sirles (American, b. 1954). Signed and dated "N. Sirles 1970" on the bottom. Sirles completed th...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

Clay relief of abstracted nude couple by California artist Joe Funk (American, 1918-1981). Monogram signature on individual reliefs and signed on verso. included with photograph and description in his catalog. Catalog with photos of sculpture, and artist biography are included. Ceramics: each 7.25"H x 3.25"W. Overall Size: 10.50"H x 14"W x 5.75"D Joe Funk was an American artist and print maker born in Los Angeles, California, to Polish and German immigrant parents. He died in 1981 in Santa Cruz, California. As a young person in Los Angeles, Joe Funk showed an interest in art. He studied at the Otis and Chouinard Art Institutes and worked on several murals throughout Los Angeles in the Works Progress Administration. He served in the United States Army, from 1943 to 1946, in Korea and Okinawa a s a heavy anti-aircraft artillery mechanic and instructor, warehouseman, and artist, publicist, and graphic designer for special events at Headquarters Company, Asiatic Command. At the ASCOM University in Korea, he was an instructor in pencil sketching. It was during his time in Korea that he developed a lifelong interest in Asian art. Using the G.I. Bill, after the Korean War, he earned a Masters Degree in fine art from the University of Southern California. In the 1950s, Joe met Lynton Kistler and worked at Kistler’s facility in Los Angeles, the only lithographic press open for business on the west coast at that time. During his time as an apprentice, Joe printed for many well-known artists, such as Jean Charlot, man Ray, Max Ernst, Emerson Woelffer and June Wayne. When June Wayne opened the Tamarind Lighography Workshop in Los Angeles in 1960, she offered the status of fellow printer to Joe Funk. At Tamarind, he began work printing lithographs for guest artists and training future printmakers. After Tamarind, Joe became the technical director at Kanthos Press from 1961-1962, where he printed for Jose Cuevasand and Aubrey Schwartz. In 1964, he became co-owner of Joseph Press and was printmaker for Sam Francis, Arnold Belkin and Rico Lebrun. From 1962-1964, Joe taught at the Chouinart Art Institute. Joe established a non-profit corporation in Venice, California in the late 1960s, called Joseph Graphics. Here, he trained apprentice printmakers and printed for numerous artists including Joyce Treiman...

Expressive bronze sculpture of a mother holding an infant by Rose Van Vranken (American, 1918-2013). Signed and numbered "VAN VRANKEN 5/6" on the back of the pedestal. 14.5"H x 5.5"...

Evocative Brutalist modern figurative abstract bronze cast and solid walnut sculpture by an unknown artist (20th Century). Two small abstracted figures, a man and a woman, stand toge...

Maasai Warrior in Bronze Verdigris on Sandstone base, limited edition of 24 (signed and numbered); H 76 cm including base. Having been a professional safari guide, my art is influenc...

Zulu Warrior in Bronze with traditional patina. Limited edition of 24 (signed & numbered), Sculpture in Bronze Verdigris on Sandstone base. Height 70 cm including base. My art is ins...

Rachid Khimoune (Algerian, b. 1953) Les enfants du monde bronze. signed and numbered artist's edition of 4 foundry mark - L. Cappe 7.5 x 4.63 x 2.38 Overall: 8.25 x 4.63 x 2.38 RACHID KHIMOUNE, Algerian-French artist and sculptor. Born in 1953 in Decazeville, France. Lives and works in Paris, France. Rachid Khimoune graduated from the School of Art of Paris in 1974; he initially started to work with painting before choosing sculpture. In 1980 he won the first prize of the Foundation of France. He works in an Art Brut, Naif art style similar to Jean Dubuffet and Enrico Baj. Being the recipient of numerous prestigious awards and an extensive oeuvre, Rachid Khimoune has been exhibiting since 1975 and his work can be found in several museums, and public and private collections. The artist behind the project Rachid Khimoune, has been responsible for a number of major, successful public art installations in France. Most famously, the installation close to the Bibliothèque Nationale (National Library) ‘Les Enfants du Monde’ (The Children of the World). Rachid’s newer works are masks and totems cast in bronze: poetic images forged in a furnace. Rachid uses discarded objects and disused parts of machines, to create new human and animal forms. Here his interest in metal-working and Arab art-African art coincides with the assemblage of found objects; one mask is a collage constituted by a large model of the Eiffel Tower stuck into the end of a trumpet. Another has a jerry-can for a face, and the golden patina and surface-working of the bronze does not dispel the idea which this image creates: of a human mouth drinking oil. Born in France to parents from Algeria, Khimoune embraces the role of the artist as a global citizen, using art as a universal language. Select Awards Lauréat du Prix de la Fondation de France (1980) Chevalier des Arts et Lettres (2002) Grande Médaille de la Ville de Paris (2004) Chevalier de la Légion d’Honneur (2007) EXHIBITIONS SOLO EXHIBITIONS 2017 Ar[T]senal, Dreux, France 2016 Musée Tavet Delacour, Pontoise, France 2015 Parvis de l’Hotel de ville, Paris 2015 Beirut Art Fair, Beyrouth, Liban 2015 Galerie Francoise Souchaud, Lyon 2014 Musée Rabelais, Seuilly, France 2013 Galerie Vallois...

JOAN STRAUSS CAROL "THE SCREAM" WOOD, SIGNED, TITLED CALIFORNIA, DATED 1984 1575 X 19 INCHES Joan Strauss Carl 1926-2021 Joan Strauss Carl was...

My interpretation of a Samburu herdsman stands as a sentinel of tradition, his life a tapestry woven with the threads of pastoral wisdom and the enduring spirit of the African savannah. The Samburu people of Kenya possess a deeply symbiotic relationship with elephants, observing and understanding them in remarkable ways that mirror their own societal structures. They share a common matriarchal social system with elephants, where both Samburu and elephant herds are led by a female elder who holds the knowledge and responsibility for the group's survival. This unique parallel has fostered a profound respect and protection for these majestic creatures within the Samburu culture. Samburu Herdsman, Limited edition of 24, Bronze sculpture on sandstone base in Bronze Verdigris, Height 65 cm including Sandstone base. Bronze sculpture using the lost was method. My art is inspired by Africa and it’s magnificent wildlife and people. My figurative East African tribal sculpture...

Zulu Warrior in Bronze Verdigris, limited edition of 24 (signed & numbered), Sculpture in Bronze Verdigris on Sandstone base. Height 70 cm including base. My art is inspired by Afric...