Pop Art Art

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbound book Year: 1964 Medium: Silkscreen on linen on heavy board Size Edition : 2000 Dimensions: 16.31" x 25.32" (Full cover) Dimensions of Image: 16.31 x 11.88 References : Corlett # III.3 Provenance: Private Collection, Berlin Printed by Maurice Beaudet in Paris and published by E. W. Kornfeld, of Bern, Switzerland. Edition of 2000, unsigned as issued in the regular edition of Walasse Ting's '1¢ Life' portfolio of 1964. Superb impression with good strong colors. This iconic piece was executed by Lichtenstein and printed onto stiff paperboard to serve as the front cover of 1 Cent Life, published in 1964 by Kornfeld in an edition of 2000. The image is printed to the edge of the board, with the Lichtenstein silkscreen...

Artist: Robert Indiana (1928-2018) Title: Anthony Comstock (Sheehan 102) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 9/150, plus proofs Size: 24 x 20 inches Condition:...

This large acrylic on canvas painting, 'Chinese Female Nude Pop Art,' is 36" x 35.75" by an Unknown artist. It is a Pop Art work, depicting a female nude figure in the forefront, ta...

Artist: Robert Indiana (1928-2018) Title: Indiana Elliot (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 57/150, plus proofs Size: 24 x 20 inches Condition: G...

Artist: Robert Indiana (1928-2018) Title: Angel More (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 35/150, plus proofs Size: 24 x 20 inches Condition: Good ...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

David Hockney You Make the Picture (hand signed by David Hockney), 1996 Softback catalogue with stiff wraps and French folded flaps (hand signed by David Hockney) hand signed by Davi...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

New York Time Distortion 45 x 70 x 4 in. Mixed Media on Hand-Sculpted Acrylic Acquired by artists studio Signed by artist, verso New York Times articles and headlines are blown up...

Keith Haring lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

Young Nancy artist born in 1991, Théo MHS, from an early age, had a strong taste for artistic creation. Self-taught from the Street Art culture, he was able to develop his artistic s...

Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame. Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...

Radek Husak, a contemporary process-driven mixed media artist, was born in Poland in 1984. With a Master’s degree from the Royal College of Art, his practice is firmly situated in th...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Medium: original lithograph. This lithograph was printed for the art revue XXe Siecle in 1973 and published in Paris by San Lazzaro. Image size: 8 3/8 x 8 3/8 inches (210 x 210mm). S...

Edition: 138/250 DX. Technique: Silkscreen on paper with mixed-media elements.

Artist: Jim Dine (American, 1935-) Title: "The Astra Tool" Portfolio: The Astra Set *Numbered, signed, and dated by Dine in pencil lower right Year: 1985 Medium: Original Lithograph with Relief Printing on Rives BFK paper Limited edition: 185/400, (there were also 50 artist's proofs) Printer: Hansjörg Mayer of Staib & Mayer, Stuttgart, Germany Publisher: AB Astra and the artist Dine himself in association with Waddington Graphics, London, UK and Pace Editions, Inc., New York, NY Reference: "The Astra-Dine Collaboration" - Wright No. 5, page 56-57 Framing: Recently framed in a contemporary oak moulding with a 100% cotton rag mat Framed size: 36.63" x 30.63" Sheet size: 35.13" x 25" Image size: 23.82" x 19.88" Condition: Light UV stain to sheet. In excellent condition with strong colors Notes: Provenance: private collection - Norwich, UK. Comes from Dine's 1985-1986 "The Astra Set" portfolio of five lithographs with relief printing from hand-drawn mylar overlays. The five works include "The Mighty Robe I", "The Confetti Heart...

"Lion Dancer After Hirosada" is an original color lithograph by Michael Knigin from his "Osaka" series. The artist signed the piece lower right and titled it lower left. This is the ...

Keith Haring, Andy Warhol, Basquiat Bearbrick 400%: set of 3 works (c. 2019-2021): Unique, timeless Keith Haring, Andy Warhol, and Jean-Michel Basquiat collectibles, each trademarked...

KAWS Holiday Indonesia: complete set of 2 works (KAWS Indonesia): These figurative vinyl sculptures feature KAWS' Accomplice character in a resting position; published on the occasio...

Swimmers, 2022 Katherine Bernhardt Screenprint in colours, on Somerset Velvet White wove Signed, titled, dated and numbered from the edition of 125 From the portfolio Greenpeace 50...

Phantom Lady is a serigraph on paper, mounted on black paper. The image size is 31 x 24 inches and the print is signed lower right in the black paper 'Mel Ramos' and numbered lower left. From the edition of 289, numbered 56/100 (there were also another 10 APs and 5 PPs mounted on black paper and the versions on just white paper - 100 Arabic plus 10 AP and 5 PPs). Robert Bane...

"Sambaso After Hirosada" is an original color lithograph by Michael Knigin from his Osaka series. This lithograph features a portrait of a traditional Japanese man in front of the Ne...

Oil paint on canvas. A painting of a girl lighting the menorah, her eyes both shielded from atrocities and highlighted by the light. 80cm x 100cm Signed by the artist

Minimalist Figurative Drawing by Cuban artist Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He cur...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed This is the original 1970 offse...

Jürgen Kuhl Flowers (Pink, Red, Purple Hues - Pop Art) 2010-2020 Color Silkscreen Size: 32.8 × 32.8 inches Unsigned COA Provided About Jurgen Kuhl: In Cologne, the city of art ...

Made in France, from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

70x70cm, print on canvas

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

All Rights Reserved (Psychedelic Ombre), from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

ARTIST— Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He currently lives and works in Havana. PAI...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the Pop Western paintings of Straub for more than a decade and are thrilled to have his art in our gallery. Here is a great opportunity to purchase an original mixed media Acrylic, spray paint and silkscreen painting by Matt Straub at a fraction of the cost of his oil on canvas paintings. This exciting Unique Mixed Media work on paper has a hand painted color abstract background with acrylic and spray paint. Once Matt Straub has painted the abstract background he then silkscreens his Pop art image of the figures in black over his abstract painting. Making each of these mixed media paintings unique and still affordable while getting that unmistakable Cowboy Pop art...

Charles Mingus by Leni Sinclair: This elegant, well-defined photo of Jazz legend, Charles Mingus was shot by legendary Detroit photographer Leni Sinclair in 1974; Sinclair was 2016’...

Patti Smith Just Kids Illustrated Edition (Hand Signed and dated by Patti Smith), 2018 Hardback Monograph (Hand Signed and Inscribed by Patti Smith) Hand signed and dated by Patti Smith 9 4/5 × 7 1/10 × 1 1/4 inches Provenance Hand signed by Patti Smith for the present owner at a special book signing at the Museum of Modern Art This beautiful hardback monograph is hand signed and dated by the artist, Patti Smith in ink on the title page. Patti’s Smith’s exquisite prose is generously illustrated in this full-color edition of her classic coming-of-age memoir, Just Kids. New York locations vividly come to life where, as young artists, Patti Smith and Robert Mapplethorpe met and fell in love: a first apartment in Brooklyn, Times Square with John and Yoko’s iconic billboard, Max’s Kansas City, or the gritty fire escape of the Hotel Chelsea. The extraordinary people who passed through their lives are also pictured: Sam Shepard, Harry Smith...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** 'Money Talks' is the new series of artist Mauro Oliveira. ...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** 'DREAM AFTER CHRISTMAS' by Laura Mass is an awesome take o...

"Fair Passer" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and titled/editioned (65/300) in the lower left with graphite. This ar...

Makes a unique and memorable gift! Who wouldn't want a card with a ribbon that reads "Love, Andy Warhol" - from Warhol himself? Andy Warhol Love, Andy Warhol, ca. 1979 Ink on card ...

Juergen Kuhl Flowers Year: 2018 Color silkscreen Size: 35.1 × 35.1 inches COA provided *mounted on foam core board About Jurgen Kuhl: In Cologne, the city of art in Germany, paint...

Original Artwork, Oil on Canvas. Bright blue beautifully painted canvas with cute penguins and the tongue in cheek slogans that James McQueen is famous for. This piece is ready to ...

Medium: original lithograph. Printed on wove paper, this original Richard Lindner lithograph was issued in 1974 for XXe Siecle (issue No. 42...

"She Hulk" Oil painting 59" x 31" inch by Alina Shimova 2020

Chuck Close CHUCK CLOSE WORK (hand signed by both Chuck Close and Christopher Finch), 2010 Hardback monograph with dust jacket (hand signed and inscribed by both artist and author) H...

David Hockney Rake's Progress Bedlam Cufflinks, 2020 Hand painted using special enamel paints and finished with 18ct gold plate for a luxury finish in bespoke box 1 in diameter Original David Hockney designs from the 1975 production of opera The Rake's Progress. Makes a superb gift! Inspired by an original recording conducted by Igor Stravinsky and William Hogarth's series of eight paintings and engravings of the same name, Hockney began designing the set and costumes production of The Rake's Progress. Through his designs and the use of his now iconic cross-hatched etchings, he wanted to create a 20th century response to the opera and to Hogarth's 18th century idea. These cufflinks are based upon those Hockney etchings...

RICHARD TAITTINGER GALLERY is honored to present CONEXÃO the upcoming solo exhibition by celebrated Brazilian artist Cybèle Varela (b. 1943)...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

Still life , 70x70cm, print on canvas

"Boldest Native" is an original color lithograph by Michael Knigin. This piece features a pile of apples with abstract textures. The artist signed the piece lower right and titled it...

Medium: original serigraph / silkscreen. Signed in pencil by Clayton Pond. Printed in 1966 for The Artist's Proof art revue and published by the Pratt Graphic Art Center. Size: 9 x 7...

Moyo,80x100,2020

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** 'Money Talks' is the new series of artist Mauro Oliveira. ...

Pas de Deux III (Francesco and Alba Clemente) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 106/150. From the edition of 17...

"Vibrant Indigo Whisper" Wall Sculpture 24" x 24" x 6" in by Shawn Kolodny Medium: Resin, steel Creating art to reflect the times we live in, Kolodny creates art for our short atte...