Charles Betout Furniture

Honore Daumier. Catalogue Raisonné of the paintings watercolors and drawings. Published by New York Graphic Society Ltd., 1968. 1st Limited E...

Watercolor, pastel and pencil depicting three different biplane airplanes, drawn by Riccardo Cavigioli in the early 1920s. Lower half 1= two-seat biplane for reconnaissance Lloyd C I...

Good quality pair of opera glasses, binoculars with their original leather case. In very good condition. Glass clean and clear. All mechanical settings work. Optics has no sc...

Pair of sportsman prints titled; Live-bait fishing for Jack and Fly-fishing for Trout.; Aquatints with original hand color. Done after James Pollard, by R G Reeve...

A large hand written land indenture document England, 1810, framed. The beautifully hand written document mounted on board with a red velvet border and ...

Presented is a unique collage featuring both a signature by Will Rogers and a Walt Disney animation drawing of the famous entertainer. The postal...

Hopper Drawing by Carter E Foster. 2013, Whitney Museum of American Art. 1st Ed hardcover with dust jacket. This monograph was prepared to accompany the exhibition at the Whitney Museum of American Art, from May 23 to October 6, 2013. The exhibition then traveled to Dallas and finally to the Walker Art Center in 2014. The book was owned by Herbert Kasper and inscribed by the author to him. Herbert Kasper was an American fashion designer known as Kasper. He studied English and advertising at New York University and fashion at the Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper...

An extremely rare and original design drawing of the world renowned and much loved Concorde Aircraft. Concorde memorabilia is becoming more and mo...

Amazing lithograph of a 1630 van Dyck painting by lithographer L. van den Wildenbergh (1803-1857). The original painting of this rare antique lithograph (in its original early 19t...

The Drawings of Parmigianino by A. E. Popham. Publisher: New York, The Beechhurst Press 1953. 1st Ed hardcover with Gaylord covered dust jacket. Illustrated with 82 of his drawings. ...

ST/593 - Rare series of original watercolors paintings by Jean Louis Armand Henri Gerbault (1863-1930) - French illustrator, water color painter, poster artist and dramaturge - All ...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...