Frank Serratoni Furniture

Oil on canvas painting depicting a nearly full-length portrait of a senior military officer in parade uniform with medals and awards. Presumably a European diplomat. Signed by the artist, A. Hartmann, and dated Petersburg, May 1912 in the lower right. Wooden frame. Collectible Antique Fine Art...

Suffused with the rich, subdued colors of the WPA period, this painting by Maryland artist Larry Rodda depicts a male and female nude couple sitting on a grassy spot overlooking an a...

Frank Myers Boggs is a well known Impressionist painter who is currently exhibited in many museums, such at the Metroploitan Museum of Art in New York. This is a wonderful example of...

Step into the vibrant world of the 1960s with the Mid Century Modern Abstract Bridge Painting by Gillingham. This original oil on canvas piece, signed by Gillingham on the middle rig...

Oil on panel, signed and dated 1894 in the lower left and inscribed on the reverse. The frame measures 15.25" x 19.25". Leader was born in Worcester as Benjamin Leader Williams, the son, and first child of eleven children, of notable civil engineer Edward Leader Williams (1802–79) and Sarah Whiting (1801–88). His father was described as a "non conformist dissenter" and his mother was a Quaker – their marriage in an Anglican church resulted in them being disowned by the Society of friends. Leader's father was a keen amateur artist – a friend of John Constable – and Benjamin would often accompany him on sketching trips along the banks of the River Severn. His brother, also Edward Leader Williams, later became a notable civil engineer who was knighted for his work, and is now mainly remembered for designing Manchester ship canal...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Russian Icon Painted on Wood with Russian Religious Scenes

Presenting an exquisite piece of artistry, "Girl wearing a green jacket," an oil on canvas creation by the talented Russian artist Alexej Harlamoff (1840–1925). This painting encapsu...

A luminous Autumn oil on canvas board landscape, probably of the hills in the Hudson River Valley, by the noted American artist William Louis Sonntag (1822-1900). Signed in the lower right. Sonntag was born near Pittsburgh, PA and moved to Cincinnati, OH in the 1840’s to study art. He studied for a brief time with G. Frankenstein at the Cincinnati Academy of Fine Art and his idealized paintings of American wilderness and visionary paintings of imagined European ruins were commercially successful. He traveled twice to Europe in the 1850’s to improve his skills, eventually settling in New York City. He joined the National Academy of Design, where he exhibited his works for forty years. His mature works identify him with the Hudson River School of landscape painters. A romantic and naturalistic painter of his surroundings, Sonntag also created idealized paintings of Roman ruins, recalling his European trips of earlier years. Sonntag was an Associate (1860) and Academician (1861) at the National Academy of Design, and a member of the American Watercolor Society, Artists Fund Society, and the American Art Union...

Canadian artist Frank Panabaker (1904–1992) original oil painting on Masonite of Scottish castle Dunderave. Painted in 1959. Actual canvas size 15 inches by 19 inches. Frank Shir...

"LAKEVIEW" (1868) BY FRANK HENRY SHAPLEIGH (AMERICAN, 1842-1906) In oil on canvas, signed lower left "F. H. Shapleigh 1868" Item # 001RDV25X Th...

A well made sculptural assemblage of brass and copper sheet with a lacquered finish combined with a painting of the Bay bridge made by unknowed talentuous artist in the 1960s. Mea...