Franz Fertig

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 5 (1x small,1x medium,1x large, 1x corner, 2x ottoman, 2x ottoman classic, 3x armrest): L230-280cm & 220cm / P96...

Pair of vintage 3-seater sofas in chocolate leather by Tito Agnoli from the 70s. The pillows are filled with feathers, the interior lining is marked poltrona Frau Dimensions: Length...

This Paradiset sofa from the Triva collection was designed by Kerstin Hörlin-Holmqvist in 1958 and manufactured by Nordiska Kompaniet (NK) in Sweden. The characteristic Hörlin-Holmqv...

This rare two-seater Grace sofa was produced by the Swedish company IKEA in 1961. The softly rounded shape of the frame, where the backrest smoothly turns i...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modula...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm Modula...

Set of velvet sofas comprising two two-seater sofas and two single armchairs. Stamped SAPORITI. Seat height: 38 cm. Width of the single-seater armchairs: 90 cm. Length of the 2-seate...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 5 (1x small,1x medium,1x large, 1x corner, 2x ottoman, 2x ottoman classic, 3x armrest): L230-280cm & 220cm / P96...

An exciting example of French design firm Maison Jansen’s commissioned pieces. This sofa is made from solid mahogany, lacquered in a rich dark brown and bronze–golden finish. The res...

Senior sofa by Marco Zanuso for Arflex.

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern...