Leo Browne Furniture

Beautiful and important colour lithograph by the great Italian artist Emilio Scanavino This extremely rare work best represents the artistic signature of one of the greatest artists of the 20th century artistic avant-garde. Taking up one of his iconic features, this abstract motif represents a geometric composition with a circle Title ‘The Welding of the Circle Published in the book entitled ‘40 drawings by modern masters’. Author of the publication: De Micheli Mario/ Fieschi Giannetto/ Zigaina Giuseppe/ Scanavino Emilio...

Leo Posillico serigraph pencil signed & numbered "Artists Have all the Fun" 216/295. Item is pencil signed to lower right, pencil numbered 216/295, glass...

Authentic pencil signed lithograph by Bernard Buffet. Depicting "Saint-Germain-des-Pres" Oldest church founded in France year 543. Folio measures 29"H 21...

Etienne ret signed and numbered color etching fine art print musician with Piccolo Flute. Item listed is signed to bottom right corner, Etienne Ret (Fren...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

"Flower Power" print pencil signed Montgomery circa 1960 unframed overall all size 17 1/2" x 12" image size 14" x 9"

Village Sous la Neige, 1955 Color heliograph Measures: 17 5/8 × 21 1/8 in 44.8 × 53.7 cm Edition 92/100 Signed in pencil lower right, "Vlaminck" and in pencil lower left "92/1...

This hand-colored lithographic work by French surrealist artist Andre Daffon is from the 20th century. The surrealist movement created in its own way as m...

This work published circa 1925 entitled "Idéal" or "L'Orateur" is signed and hand numbered in pencil from an edition of 50. This work is number 1 from the group. Catalogue Raisonné...

This Piece of Artwork has striking colors. Professional, almost original Print quality. Professionally framed and matted. Signed with info at the bottom of the Art. Frame has gold to...

Original 2000s silkscreen print “Heros” by the great Italian avant-garde artist Mimmo Rotella. Signed in full at lower right. Original dry stamp “Stamperia Berardinelli Verona Italy” Original multiple collage type model on silkscreen on which the artist has made scratches. This work, never before on the market, comes from a private collection and is beautified by an impressive original frame in ebonized wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

Beautiful Erte , serigraph /litho , pencil signed, LL and numbered 68/300 LR ,edition 300. Measures are including frame .