Paulette Tavormina

Julius Shulman. Untitled, 2006 C-print. Measures: 19 ¾ in. x 16 in. Signed by Julius Shulman & Juergen Nogai on verso. Edition: 50 (not individually numbered). Unframed.

Artist: Greg Gorman (American, b. 1949) Title: Rex and Gregory, 1988 Gelatin silver print Image size: 18.75 x 14.75 inches Paper size: 19.75 x 15.875 inches Frame size: 24.8 x 1...

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

Photograph of Marilyn Monroe by G. Barris Photograph taken in 1962 Printed in 1987 Photograph signed by the photographer on the lower righ...

A photograph of coral with a identification tag by world famous photographer David Seidner. Framed. Ex: Phillip de Pury Auction House. David Seidner Biography. 1957 Born in Los Angeles, CA. 1976 Was 19 when his first cover photograph was published in Paris. 1986 In 1986 he was commissioned by the Musee des Arts de la Mode in Paris to photograph costumes from its collection. 1980 - 1989 In the 1980s he was under a contract with Yves Saint Laurent. 1999 Died in Miami, FL. 1999 Given Eisenstaedt Award for Portrait Photography by Life magazine and Columbia University. 2000 The International Center for Photography in New York houses the David Seidner Archive, a complete collection of the artist's work. Selected exhibitions. 2008 - 2009 David Seidner Photographs, Fondation Yves Saint Laurent and Pierre Berge, Paris. 2006 Pia Getty, David Seidner, Contemporary Faces, London. 2000 Paul Morris Gallery, Orchids, New York. Maison Européenne de la photographie, Paris, Retrospective. 1999 Baldwin Gallery, Orchids, Aspen. Staley Wise Gallery, David Seidner 1957-1999, New York. 1996 Maison Européenne de la photographie, Visages de l’art contemporain, Paris. 1995 Robert Miller Gallery, Nudes, New York. Feature Inc, New York. 1993 Robert Miller Gallery, Portraits of Artists, New York. 1989 Samia Saouma Gallery, Paris. 1986 Musée des arts de la mode, Moments de Mode, Paris. 1985 Samia Saouma Gallery, Paris. 1983 La Remise du Parc, Paris. 1982 La Remise du Parc, Les chaussures de Tokio Kumagai...

Original American black and white studio photographic production still for Alfred Hitchcock's Classic thriller starring Cary Grant, Eva Marie Saint, Ja...

A vintage 1964, gelatin silver photograph by John Adriaan, British photographer.

Artist: Philippe Halsman (1906-1979) Medium: Gelatin Silver Print Title: Dali Clockface Date: 1953; Printed in 1981 as part of the ten-piece Dali Portfolio...

Framed "Greyhound" photograph by Doug Fogelson, 1998. Printed in an edition of 3. From the photographer: "[The photograph] is of the roof of the Gr...

Artist: Quentin Shih (aka Xiaofan Shi; Chinese, 1975-) Title: "Rey Mascullo, Yesmany Ramirez and Javier Lopez", From La Habana In Waiting Part A. Year: ...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "The Yellow Mountain". Signed and dated 1982 lower left on the mat and appears in the original artist's frame with copyright mark on the back. Sight is 7.5"H x 9.5"W. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...