Porro Furniture

Osvaldo Borsani (Attr.) Mid Century Italian Wood and Glass Bar Cabinet, 1940s A truly rare bar cabinet, with diamond-cut wooden bosses and mirrored glass, internally with brass deta...

This pièce de résistance collectors item is the 'Farfalle' (translated to 'Butterflies') dining table by Piero Fornasetti, circa 1970s, signed underneath with its original studio label. Table height is a perfect 29.25" for dining but also ideal as a cafe, gaming or center table. Such incredible artistry, this round Fornasetti dining table is made with lithographic transfer and lacquered wood that has a white background with colorful butterfly motif and is affixed via screws to a white tulip styled base. One of my favorite aspects of this table is how some of the butterflies cascade down into the edge of the table giving a 3-dimensional effect. The top has been masterfully re-lacquered in a French Polish and looks so incredible - it looks like a sheet of water is floating above the butterflies because it is so clear, vibrant, glossy and smooth while protecting the artwork underneath for decades to come. The 'Farfalle' aka 'Butterflies' motif is documented in the book "Fornasetti, The Complete Universe". This rare piece is sought after by interior designers and collectors alike. Perfect piece to add a little splash of whimsy and intrigue into your interior decor. Contact us for more details on our collection of Fornasetti lamps, tables, bar carts, mirrors, umbrella stands and more. Photographed with the table are Robert Venturi post-modern 'Queen Anne' chairs for Knoll International and Hans Hopfer for Roche Bobois Mah Jong's in Missoni fabrics along with a Missoni Home rug...

Beautiful and very elegantly shaped Italian Mid-Century Modern dry bar cabinet, with the brass handle. On the left a nice storage space while on the right a flipping door opens to a ...

Very elegant Italian Mid-Century dry bar cabinet, with typical black metal side legs and top horses country theme decorated slant front door in wood and brass details.

This antique industrial work table console is a remarkable and functional addition to any living space, featuring fluted neoclassical st...

Important dry bar, solid wood and zebra wood veneer, "grissinis" decoration mahogany and solid bronze stands. Two doors with lightning system bar compartments. Back wooden panels wit...

Monumental wall unit by Vittorio Dassi for Mobili Cantù – Italy, circa 1950. Italian walnut, birch and brass details. The inside of the cabinets and drawers are covered luxuriously...

This vintage 1960s Italian dry bar is perfect for adding a touch of classic European flair to your home. The globe design is made of wood, giving it an authentic and timeless look. T...

Originally designed by Italian architect Piero Lissoni for Kartell in the 1990s, the Form chair is a fantastic example of the 90s minimalist design aest...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

Angelo Mangiarotti for Skipper 'Eros' round dining table or centre table in Rosso Marble, Italy 1970s. Angelo Mangiarotti designed the iconic round dining table or centre table nam...

Versatile six piece buffet storage designed by O. B. Solie for Ello Furniture, produced in the USA late 1970's early 1980's. Each glimmering piece is clad in chrome like mirror-polis...