Roy Adzak

Lampe Martine Bedin pour Megalit, France, 1985 Lampe de bureau en acier laqué gris et vert. hauteur 70 cm largueur 22 cm profondeur 19 cm Martine Bedin est laureate du concours po...

Striking sculpture by Dutch artist Barbara Barry Verkaik (1929 - 1998). Intriguing and powerful sculpture in aluminum, full of movement. In the 1970s dutch design and art became more strict and minimal with designs by Gijs Bakker and Aldo van de Nieuwelaar...

A.Giannelli sculture “testa di moro” 1950 Marbre resin 1950 Italy.

A Venetian sculptural duck figurine in hand blown glass, produced on the isle of Murano, circa 1970s. A nice piece of art for any room.

This large and important representation of the historical Buddha, Siddhārtha Gautama, was done in dry lacquer and richly gilt according to Shan-Burmese sculptural traditions. Though...

Vintage Italian modernist soft shaped triangular decorative bowl / wall plate by Fratelli Fancuillacci, late 1950s-early 1960s. Three stylized deer on ea...

Set of 2 decorative plates designed by Gio Ponti for Ceramica Franco Pozzi. Fair condition: visible signs of wear, discolorations and some c...

Fantastic and sculptural pair of natural steer horns on custom lucite bases circa 1970s, designed by Jean Roy Designs of California. Label. In fine condition,...

A set of fabulous aluminum two sided monumental sculptures by the renown British Sculptor Roy Rasmussen. They were identified for us by a relative of the artist as "Ida II and Maren". They are mounted to bases by posts that can be easily set into the ground where they can be mounted outdoors. As aluminum they will not rust and can withstand the weather. Both are signed and dated 71. They are 77 inches tall as pictured. The actual rectangular pieces are 66.75 inches tall. They are 22.5 inches wide and approximately 8 inches deep. In good condition with minor imperfections and age appropriate wear and tear. From the artist's Website: Born in London, England in 1919 of Anglo Danish parentage, he was the third generation of a family of craftsmen in metal. His grandfather had originally worked with metal in Denmark, but it was an uncle in the United States who had used aluminium to produce artistic sculptural forms attracting press coverage. This was the catalyst which led him to embark on studying the techniques of exploiting that medium. Early working life had exposed him to the crafting of sheet metal and different welding techniques through the car industry at Rolls Royce and then working later in the production of artificial limbs. Initially pursuing art of a representational nature with great success, his first work was completed and exhibited in 1954. A year later he presented two new works, which were then exhibited at the Aluminium Centenary Exhibition in Britain run by the Aluminium Development Association at the Royal Festival Hall and visited by H.R.H Prince Philip. Roy Rasmussen was to earn widespread recognition from this landmark beginning. A chance spell in Egypt as a young man (due to military service during the War) had exposed him to ideas and inspirations which would be nurtured and regenerated some decades later. The mysteries and splendors of Egyptian art were enveloped and symbolized into shapes and emblematic forms, and were to remain a powerful influence in many of his works, as he turned away from purely representational or figurative sculpture. From the early 196os his works were exhibited widely: from many London West End galleries to, internationally, exhibiting at shows such as the British Council at the German Industries Fair and the English Expressionists at the Galerie Creuze in Paris. He had in the late fifties joined the artist Lyall Watson who founded and opened the Woodstock Gallery, off of Bond Street in London, and worked closely with him as a director and artist of the gallery throughout its formative years. In 1967 he left the Woodstock Gallery and moved to the newly opened John Whibley Gallery on Cork Street in Mayfair where he remained as resident artist until it closed in 1977. His association with the Free Painters and Sculptors group, where he had been an early member since the 1950s, was further sealed in 1984 when he became director of their Loggia Gallery with its sculpture garden, in Buckingham Gate, Westminster. He exhibited there throughout the many years following. After his death in 2014 the Free Painters and Sculptors set up the Roy Rasmussen Award to be presented annually, 'in recognition of one of our founding members Roy Rasmussen, a revered sculptor and historian, whose years of dedication have inspired generations of FPS artists'. SELECTED LIST OF MAJOR AND NOTABLE EXHIBITIONS Aluminium Centenary Exhibition, Royal Festival Hall 1955 Society of Portrait Artists 1957 Drian Gallery Exhibition 1957 'New Vision' Denis Bowen New Vision Gallery 1957 'Painter and Sculptor Collaborate' Woodstock Gallery 1959 Inaugural Exhibition Woodstock Gallery 1959 'Symposium' Royal Institute of British Architects 1959 'Expressionistes de Londres' Galerie Raymond Creuze, Paris 1960 'Art Alive' International Collection, Northampton 1960 Maurice...

Set of 5 decorative plates designed by Gio Ponti for Ceramica Franco Pozzi. Fair condition: visible signs of wear, discolorations and some chipping. A restoration is recommended. Label maker...

Studio Forged Metal Sculture, Artist unknown, well executed. Dimensions: 24" wide 4" deep 24" high on a 4" X 4" wood block

Stylized large crystal Giraffe sculpture by Daum France. Signed with an etched signature "Daum ". The sculpture is in very nice condition with no chips or scratches. Measures: 16.5".