William Meyerowitz Art

William Meyerowitz, originally from Russia, embarked on his journey to the United States in 1908 alongside his father, followed shortly by the rest of their family. Upon his arrival in New York, young Meyerowitz was already deeply engrossed in the twin pursuits that would define his existence for the ensuing seven decades: music and art. Between 1912 and 1916, William Meyerowitz pursued his artistic education at the National Academy of Design, with a primary focus on the craft of etching. During this period, he sustained himself by both lending his voice to the Metropolitan Opera and engaging in architectural drafting. Following the completion of his formal studies, Meyerowitz collaborated with fellow artists George Bellows and Robert Henri to establish the People's Art Guild. This organization was conceived with the noble objective of democratizing art by offering alternative exhibition venues, even within the tenement houses of the East Side. It was through this endeavor that Meyerowitz crossed paths with the artist Theresa Bernstein. Their union was sealed...

William Meyerowitz, originally from Russia, embarked on his journey to the United States in 1908 alongside his father, followed shortly by the rest of their family. Upon his arrival in New York, young Meyerowitz was already deeply engrossed in the twin pursuits that would define his existence for the ensuing seven decades: music and art. Between 1912 and 1916, William Meyerowitz pursued his artistic education at the National Academy of Design, with a primary focus on the craft of etching. During this period, he sustained himself by both lending his voice to the Metropolitan Opera and engaging in architectural drafting. Following the completion of his formal studies, Meyerowitz collaborated with fellow artists George Bellows and Robert Henri to establish the People's Art Guild. This organization was conceived with the noble objective of democratizing art by offering alternative exhibition venues, even within the tenement houses of the East Side. It was through this endeavor that Meyerowitz crossed paths with the artist Theresa Bernstein. Their union was sealed...

The 18x26 painting by William Meyerowitz is a captivating piece featuring a group of horses. The painting showcases the artist's ability to capture the beauty and grace of these maje...

One of his notable artworks is the "Gloucester Village Scene," a painting that showcases his mastery of capturing the essence and charm of coastal towns. In this particular piece, M...

William Meyerowitz (1887 - 1981) Oil painting on canvas Depicting a still life scene with fruit bowl, bananas, flowers and quilt. Post Impressionist oil painting. Hand signed low...

Oil on canvas Measures 27x23 in good condition International buyers must cover shipping expense

Meyerowitz, William. N.Y. STEEL AND IRON. Drypoint, 1928. Edition of 40. Ttiled, numbered "2/40" and signed in pencil. 12 x 9 7/8 inches (plate), 13 1/2 x 11 inches (sheet). Inexcell...

Meyerowitz's earliest paintings and prints were realistic; however, he soon began absorbing and adapting modernistic aesthetics to create his own abstracted pictorial language of colors and forms. This work is an example of that evolution. Notice the cubist influence particularly in the canopy of trees above the figures. Meyerowitz and Bernstein split their time between New York and Gloucester. This painting shows New York's Central Park in high summer with strollers on the left and riders on horseback in the middle background. William Meyerowitz was an important early American modernist painter who painted a rich variety of subjects working in both realist and cubist modes. The nuances and diversity in Meyerowitz's paintings, prints, and sculpture, were nurtured through his friendships with many of America's premier artists. These included the ashcan painters William Glackens and John Sloan, realists such as Reginald Marsh and Edward Hopper, and the modernists Alfred Stieglitz, Charles Demuth, Stuart Davis, Oscar Bleumner, and Marcel Duchamp. According to Theresa Bernstein, Meyerowitz's wife, Meyerowitz was particularly close to Duchamp and he and Marcel would often spend hours talking or playing chess. Throughout the 1920s, 1930s, and 1940s, Meyerowitz exhibited regularly across the United States and was also a teacher. Through shows at the Whitney Studio Club, he met other modernists such as Charles Sheeler, Niles...

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...

William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...