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Trophy Mother of Pearl Sculpture by Henry Baumann
About the Item
Trophy Mother of Pearl Sculpture by Henry Baumann
Dimensions: D 30 x W 30 x H 49 cm.
Materials: Resin and brass.
Satin matt finish. Unique color combinations can be designed to order. Prices may vary. Please contact us.
Henry Baumann is an artist living in Berlin, who specializes in using materials that seemingly have no value and turning them into something extraordinary. Strawberry boxes and large industrial cable drums are just two of the sources that he has transformed into reclining chairs and tables, recycling these and giving them new life.
For Baumann, taking something apart is as interesting as making something new. Never drawing initial sketches but instead working instinctively, he says: “When I’m trying out these materials and testing them, I often start with an initial idea and it fails. But through this failure, something else comes. I’m fascinated by this process.”
His shapes derive from the materials themselves, using their inherent qualities to create a new form. He turns cable drums into a single spiral using just one cut, then gluing and clamps these together into organic shapes; he deconstructs strawberry boxes so that they are just wood panels and nails, shifting these into three-dimensional forms that are reminiscent of ornate North African patterns. For him, refuse is about re-use: “I’m interested in how to find the right purpose and the beauty in discarded matter.”
Baumann has a Bachelor’s degree in Product Design from the Akademie beeldende Kunsten Maastricht, the Netherlands and won his first Recycling Design Award in 2012. He has private clients in Maastricht and commercial clients include Novotel. His work has been exhibited in Vienna, Düsseldorf, Cologne, Watou, Maastricht, Washington, Milan, Berlin, Hamburg, Hasselt, Munich, Eindhoven and Amsterdam, and his objects are in museum collections including Kunstfestival Watou, Belgium and Kunstkraftwerk, Leipzig.
- Dimensions:Height: 19.3 in (49 cm)Width: 11.19 in (28.4 cm)Depth: 11.82 in (30 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(Current Production)
- Estimated Production Time:4-5 weeks
- Condition:
- Seller Location:Geneve, CH
- Reference Number:1stDibs: LU1219239212022
Galerie Philia
Galerie Philia is an international contemporary sculptural design and art gallery representing emerging and established designers and artists. The gallery is the brainchild of two brothers who share a lifetime passion for art, literature and philosophy. Their distinct academic background sets them apart from their peers, as it sees them following a rhizomatic and transcultural approach in the way they select works. This involves combining elements from multiple cultures in what becomes a network of harmoniously interconnected roots, ultimately revealing the beauty of each unique creation. The gallery’s non-hierarchical curation sits apart from the ephemerality of trends and focuses instead on the true aesthetic quality of the piece – alluring and timeless. Unlike others, Galerie Philia does not focus on a single style – whether minimalist, organic or raw – but rather embraces heterogeneity. The Galerie Philia takes pride in discovering new talents, providing them with multiple international platforms to showcase their latest creations. As well as propelling the newest generation of 21st century collectible design, Galerie Philia also works with internationally known design artists. Galerie Philia has a strong international presence, with galleries in Geneva, New York and Singapore. In addition to their permanent spaces, the gallery organizes temporary group exhibitions and artists residencies in first-class locations around the world.
Made to order creations can be done: please contact us for any request.
About the Seller
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Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Berlin, Germany
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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