Japonisme Furniture

A Famille Rose Painted Enamel inkwell set Qianlong Period (1736-1795) by l’Escalier de Cristal It consists of a fretworked tray with raised edges in blackened wood surrounded by a fine gilded bronze ring, on which rests two Famille Rose Qianlong Period (1736-1795) hexagonal inkwells with pierced tops, one with original glass container, decorated with polychrome stylised flower heads and foliate scrollwork. This inkwell is characteristic of the productions of the Maison de l'Escalier de Cristal, it shows a hybrid realization, using ancient Asian elements, used as a container for feathers and ink. Stamped «Escalier de Cristal Paris» Circa 1880 L’Escalier de Cristal, Parisian firm created about 1800 by Mme veuve Desarnaud, famous under the French « Restoration » for its decorative objects combining crystal and bronze. She was awarded a gold medal at the 1819 Paris Exposition des Produits de l’Industrie for an outstanding gilt-bronze mounted crystal dressing table. Located in Paris, at the Palais-Royal, Galerie de Valois, L’Escalier de Cristal was bought out around 1830 by Boin, and then by Lahoche in 1840. The company owed its rise to a position amongst the most im-portant Paris decorative wares shops to Lahoche, who expanded considerably the business and entered later in partnership with his son-in-law to set up in 1852 Lahoche et Pannier...

Important series of eight colorful oriental engravings featuring iconic scenes of Japanese life. They are the work of great artists including: Mizuno Toshikata (1866-1908) Utagawa Toyokuni (Japanese: ?; 1769 in Edo – 24 February 1825 in Edo) Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. This series of etching...

This set is composed by two pillows and one blanket, made in pure Italian silk. The fabric has beautiful drawings in jade green with peach branches in Japonaise style. The two pillo...

Great image of cloisonne enamels Chromo-lithograph after A. Willms Published by Sutton Sharpe & Co. 1876 Unframed. It gives you the option of perhaps making a set up using y...

Unique dresser by WAKAWAKA. Very few pieces if any found in Europe. WAKA WAKA is a Los Angeles based studio focusing on wood furniture and functional objec...

A vintage Japanese porcelain serving dish. The serving dish, handcrafted in Japan in the 1980s, features an elaborate Japanese scene and ornamentation based on a traditional Imari d...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

This is a cloisonné foil metal vase depicting a continuous scenes around it of three large white cranes, a volcano and some green leaves in a turquoise background. Under the base the...

Set of six chairs in the minimalist Japandi style. Simplicity, natural materials and traditional techniques are the main components here. The chairs are made of solid oak with a dar...

One of a Kind three-tier Korean wardrobe or chest known as samcheungjang, made in the 19th century during the Choson period (1392 - 1910) in South Korea. The most common are two-level chests, such as the one in the Korean Folk Museum, while three-level chests are less frequent and rarer, as in this case. Each of these three levels or chests features a pair of paneled doors that open in the center to offer ample storage space. The first module, for its part, presents a row of four small registers or drawers at the top. The entire structure is raised from the ground thanks to four legs, joined by a kind of chamber on the sides, which serves as support and support. Impeccable sense of proportion in the use of straight lines and simple planes. The frame of this furniture is made of Korean pine wood, visible on the top and on the sides. The façade, however, is configured with meticulously chosen persimmon wood panels (diospyros kaki). It is a wood veneer with a strong two-tone grain, thanks to the dark heartwood, which fits perfectly in the shape of a mirror and looks like bold ink strokes like those in abstract painting. The carpenter craftsmen of the Yi Dynasty loved this wood. It is not used freshly cut, but rather you wait a while for it to become more resistant, sometimes even 10 years. Oil finish to protect it and enhance the shine of the grain. The Korean Peninsula has a very contrasting climate as summers are hot and humid and winters are cold and dry. These extreme temperatures make the tree rings clearly visible, thus obtaining that incredible bichromaticity. The veneers of these decorative woods are covered on the back with Korean pine or paulownia wood since it does not shrink and prevents cracks. In the furniture, metal accessories are reduced to a minimum for simplicity. The bronze hardware is relatively small in size and with faint motifs so as not to overshadow the beauty of the wood: drawer handles, corner pieces, petal-shaped hinges, etc. The door lock is very original, through the bronze circumference. Inside you can see the untreated wood of the frame and some remains of old paper used as a lining. In the lower module there are remains of what appears to be a wax seal, a guarantee of Korean manufacturing. The function of this piece of furniture in the Korean house was to store clothes. In houses there used to be a female room and a male room, with furniture related to each person's work. The furniture in the anbang was mainly related to clothing storage, grooming, and the lady's duties as a housewife. These furniture were brighter and cheerful compared to the austere furniture in the male rooms. In the richest houses, chests of drawers and other types of furniture could be lacquered, covered with panels of ox horn or silk (smooth or embroidered), inlaid with mother-of-pearl and/or tortoiseshell. Furthermore, anbang furniture tended to use decorative metal elements to a greater extent than furniture in men's rooms. This piece of furniture is a perfect example of Korean furniture, where simple and discreet beauty, the absence of artificiality, and functionality are the most sought-after virtues. Korean furniture is the result of Korea's cultural environment, its climate, its housing and its customs. The furniture of the Choson period (1392-1910) is a notable example of a sense of proportion and an exact division of the surface, as in this case. Furthermore, in wooden furniture the natural grain of the wood is emphasized over the carving and colorful decoration, something that wonderfully expresses the love for nature. Examining the piece, one can see an extensive and deep patina incurred by its age and previous use. Aesthetically stunning furniture with an unexpected modern touch. It,s a museum piece!!!!!, in a very good condition with age and use Bibliography: Deprez, M. "Korean Antique Furniture...

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

Discover the elegance of this 72-piece tableware set, each piece featuring a refined brown edge. Presented at the 1878 Exposition Universelle, this collection highlights the beauty o...

Hand-drawn. The vivid and thick green paint used in this artwork is now rare and precious. Ko-Imari refers to antique Imari porcelain produced during the Edo period, and Imari ware ...

Hand-carved. A kouro is a vessel used for burning incense. The culture of fragrances was born in India and nurtured in China. In Japan, during the Muromachi period, the traditional c...

Hand-painted. A kougou is a container used to hold incense materials.

Hand-carved. A kouro is a vessel used for burning incense. The culture of fragrances was born in India and nurtured in China. In Japan, during the Muromachi period, the traditional c...

Mid 20th century Japanese game or card table featuring faux bamboo and black lacquered design. The table top features a Japanese Geisha house with large mooongate and fold out trays...

Hand-carved. A kouro is a vessel used for burning incense. The culture of fragrances was born in India and nurtured in China. In Japan, during the Muromachi period, the traditional c...

Hand-carved. A kouro is a vessel used for burning incense. The culture of fragrances was born in India and nurtured in China. In Japan, during the Muromachi period, the traditional c...

Japanese teapot in bronze with decorations in silver. Meiji period (1868 -1912), circa 1880. H: 12cm. W: 15,5 cm. D: 12cm.

Hand-drawn. The plum blossom is a motif that symbolizes patience, vitality, and the celebration of the New Year.

Hand-drawn. The kikyo pattern has long been popular in porcelain painting and decoration.

Hand-drawn. The kikyo pattern has long been popular in porcelain painting and decoration.

Hand-drawn. Imagine a flower blooming in a vessel filled with water.

Chair by Gabriel Viardot, in the Asian Art style, 19th century. Carved wood and marquetry chair in the Japanese style, 19th century. h: 90cm, w: 40cm, d: 43cm

The technique, reminiscent of Song dynasty red ceramics, used by Kakiemon is called "nigoshi-de" or "muddy brushstroke," which enhances the warm and child...

Hand-drawn. Peacocks are used to symbolize disaster avoidance and prosperity for descendants, making them a perfect subject for the world of decorative beauty. These dishes, rich in ...

Hand-drawn. Pine, bamboo, and plum are considered auspicious because they endure the cold of winter and grow strong.

Hand-drawn. Decorative plates incorporate traditional designs that reflect the changing seasons. While staying true to tradition, new expressions suitable for the times are sought, a...

Pair of bronze vases adorned with inlays, decorated with two Onagadori roosters, known for their elegant length of tail. The roosters are represented perched on a plum branch. Signe...

Hand-carved. A kouro is a vessel used for burning incense. The culture of fragrances was born in India and nurtured in China. In Japan, during the Muromachi period, the traditional c...

Hand-drawn. The crane is also considered a lucky motif as a long-lived creature. Ko-akae refers to the ancient style of wucai porcelain produced before the Wanli period (1573-1620) i...

Hand-painted. This vase incorporates the style of Kakiemon, a technique that resembles the tradition of Song red ceramics. The unique "nigashi-de" techniq...

Hand-painted. Seikaiha is a pattern of waves and scales that symbolizes "an endless, peaceful future" and is one of the auspicious motifs in Japanese culture. Sometsuke or "blue and ...

Handmade. Karatsu ware is characterized by a simple and powerful impression, using roughly textured and coarse clay as its main material. It is one of the popular pottery production ...

Using a technique called "dami-e," the artist applies a heavy pigment to a large brush and paints onto the fabric, allowing the pigment to soak into the material as they work.

Hand-drawn. The phoenix is a symbol of peace and happiness, and is considered auspicious. Kinran-de is a technique that originated during the prosperous Genroku period of the Edo er...

Hand-drawn. The lion represents a talismanic symbol for warding off evil. The peony, also known as the king of flowers, is a symbol of nobility and luxury among the hundred flowers.

Hand-drawn. The phoenix is a symbol of peace and happiness, and is considered auspicious. Kinran-de is a technique that originated during the prosperous Genroku period of the Edo er...

Hand-drawn. Using gradations of sometsuke (Japanese underglaze blue) to create a sense of depth and represent a mountain range.

Hand-drawn. Karakusa is a pattern of twining vines and has the meaning of "prosperity and longevity" as the vines grow vigorously without interruption. It is a very auspicious patter...

This is a luxurious piece of pottery made by hand and painted by hand using both sometsuke (blue and white) and ue-e (overglaze) techniques. The intricate design resembles layers of ...

"Dami" is a technique of drawing outlines on the surface and then filling the inside with a thick brush containing ink. This technique is used to create a sense of mismatch in both W...

Hand-drawn. Japanese pine, bamboo, and plum are considered auspicious because they withstand the cold of winter and grow steadily.

Handmade. Keinosuke Nagano was a potter and also worked as an elementary school teacher.

Hand-drawn. "Dami" is a technique where an outline is drawn on the base and then thick brushes with ink are used to fill in the space.

This artwork is hand-painted and depicts a phoenix, a symbol of peace and happiness that is considered auspicious. The technique used is called sometsuke, which involves applying gla...

Hand-drawn. The peony is known as the king of flowers, symbolizing nobility and luxury. In China, it is also called "Plant of wealth," "House god," and "King of flowers," and its bea...

Hand-drawn. "Shippo" is a technique in which circles are endlessly connected, and it symbolizes completeness, harmony, and fate. The technique used in this "Akae" style reminiscent o...

This is a luxurious piece of pottery made by hand and painted by hand using both sometsuke (blue and white) and ue-e (overglaze) techniques. The intricate design resembles layers of ...

Hand-drawn. Originally, Sarasa referred to cloth with floral and bird motifs painted on it. Choosing the right lighting is an important point in effectively enhancing the atmosphere ...

This is a hand-drawn piece. The fusion of pottery and a lamp is rare, and there are not many existing works of this kind. The choice of lighting is an important point to effectively ...

This is a hand-painted piece using the techniques of sometsuke (underglaze blue) and uwa-e (overglaze painting), resulting in a luxurious somenishiki (dyed brocade) piece. The design...

Hand-drawn. The plum blossom represents perseverance, vitality, and celebrating the New Year. Ko-Akae is a traditional style of polychrome porcelain believed to have been produced in...

Early 20th century Japanese Bronze Champleve Flower Vase or Urn. Features a colorful champleve design of Pegasus's and butterflies between engraved bronze motifs. Marked Made in Japa...

Hand-drawn. The lion has the meaning of warding off evil spirits. It also has the value of a talisman or amulet to avoid disasters and demons. Koaka-e (ancient red ware) is a traditi...

Handmade. Each hole in the design is carefully created by hand, allowing you to appreciate the intricate beauty of the detailed craftsmanship.

Hand-drawn. "Ko-Imari" does not refer to a pattern, but rather to ceramics made in the Hizen region during the Edo period. They have a mismatched feeling with both Western and Japane...