Edwardian Diamond and Plique-à-jour Enamel Pendant Necklace

Likely created circa 1903-1907, this plique-à-jour enamel and natural pearl pendant brooch with chain by René Lalique is set in 18K gold. The modified triangular form, composed of chased 18K gold, centers two stalks of seaweed among pale green plique-à-jour enamel seawater, symmetrically bordered by rampant lions joined at the top at the tips of their tufted tails, the reverse counter enameled, suspending a natural saltwater pear-shape pear with rose tones. A work of subtle homage to Brittany and its wild coastline, this flowing form harmoniously combines motifs evoking the marine flora and history of this noble-spirited region of France so beloved of late 19th century artists. Product Details: Item #: N-21379 Artist: René Lalique Country: France Circa: 1903-1907 Materials: 1 natural saltwater pearl (measuring approximately 9.85 x 8.62 mm); Plique-à-jour Enamel; 18K Gold Signed: LALIQUE Documentation: Accompanied by GIA report #6237144602 dated December 13, 2023, stating that the pearl is natural and of saltwater origin. Macklowe Gallery Curator's Notes: French artists like Monet and Gaugin discovered the "emerald coast" of Brittany, Western France, in the 1880s. They captured the independent spirit of the inhabitants, dressed immaculately in their distinctive regional attire, engaged in traditional rural and seaside pursuits such as haymaking, tending animals, fishing, and journeying in groups on foot through the countryside to attend mass. Another activity that captured the artists' imagination was the more unusual activity of the seaweed harvest. Gaugin and others captured these Breton "Goemoniers'" quiet dignity as they performed this backbreaking work, raking, drying and burning the massive stacks, variously employing horsedrawn carts or the more strenuous hand barrows...

A French Art Nouveau 18 karat gold pendant with diamonds, pearls and peridots. The pendant features a plique-à-jour background with rose-cut diamonds with an approximate total weight...

Created by René Lalique in 1903-1904, this four dragonfly pendant necklace is composed of plique-à-jour and basse taille enamel, aquamarine, diamonds and 18K gold. It is designed as ...

Created by René Lalique around 1901-1903, this plique-à-jour and basse-taille enamel, opal and freshwater pearl thistle of Lorraine bracelet is set in chased 18K gold. The bracelet i...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

Dating from circa 1890, these diamond pendant earrings are set in platinum-topped 18K gold. Each is designed as a diamond cluster top suspendin...

Vintage Plique A Jour enamel pendant necklace. This beautiful round pendant is crafted in 18 karat gold with plique a jour enamel in an intricate mandala style pattern. The vintage enamel pendant...

A marvelously unique and beautiful cross pendant featuring 0.56 carats of round brilliant-cut diamonds along with detailed and colorful enamel. The enamel is applied in empty cells i...

This 18k gold pink enamel plique-a-jour rose pendant necklace is inspired by the pink city of India - Jaipur. This collection evokes the romantic charm o...

This stunning Sterling Silver Apple Red Heart pendant with deep red plique-à-jour enamelling is delicately detailed with lab created pink tourmaline ...

This Masieria Plique a Jour Pendant necklace depicts two Cherubs holding a pearl. The wings are adorned with 3 Rubies each to total 6 Rubies, the body is perfect. The plique a jour...

A Moira Collection, plique-à-jour enamel flower necklace, with sky blue plique-à-jour enamel flowers, and green plique-à-jour leaves, with old-cut and eight-cut diamonds and three large cultured drop pearls at the front, mounted in silver-upon-gold. This Moira creation, features an adapted large antique...