International Fine Print Dealers Association Art
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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The Bath #1 (Female nude squats near tub in an abandoned New Orleans row house)
By David Levy
Located in New Orleans, LA
David Levy created this vintage silver gelatin photograph in 1995. The image was taken in New Orleans, LA but not printed or editioned until 2010. It is signed in pencil, titled an...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Silver Gelatin
Mourning
By Howard Hodgkin
Located in London, GB
111.8 x 140.3 cms (44 x 55.25 ins)
Edition of 50
Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Color, Lithograph
Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Category
Late 20th Century Abstract International Fine Print Dealers Association Art
Materials
Woodcut
Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm)
Signed and dated 77 in pencil, lower...
Category
1970s Abstract International Fine Print Dealers Association Art
Materials
Lithograph, Color
Bedroom
By Howard Hodgkin
Located in London, GB
Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm)
Signed, numbered and dated '68 in ...
Category
Mid-20th Century Abstract International Fine Print Dealers Association Art
Materials
Color, Lithograph
Bellhop
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...
Category
Late 20th Century Modern International Fine Print Dealers Association Art
Materials
Stencil
Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins)
Edition of 100
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Color, Screen
Untitled (Hands)
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...
Category
1980s Expressionist International Fine Print Dealers Association Art
Materials
Etching
I'll Be Dining Alone Tonight
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph, Screen
War Eagle
By John Buck
Located in Lyons, CO
Color woodcut with hand coloring, Edition 15
In War Eagle, John Buck continues to explore the conflict between our pastoral, utopian ideals and the sad rea...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
Free Range & Howboy
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with gold leaf, Edition 30
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has ...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Man's Ruin
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 25.
In Man’s Ruin, a wolf is portrayed as a nurse, two iconic images often seen in tattoo flash. Below the wolf are two brigh...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Storm Dragon
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20.
Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon mythology and imagery. For 2000, the Year of the...
Category
Early 2000s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Une Escale au Brasil (A Stopover in Brazil)
By Charles Dufresne
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Drypoint, Etching
CENTER HARBOR, NH
By Ralph L. Boyer
Located in Portland, ME
Boyer, Ralph L. (American, 1879-1952).
CENTRE HARBOR, N.H. Etching, not dated.
Number 12 of the edition of 60. Signed in pencil and inscribed "imp rlb" just below the image.
Further inscribed in the lower margin with the Title, the edition size and number, and the artist's name and "Westport, Conn." where he lived and worked.
9 7/8 x 7 3/4 inches (plate), 13 x 10 1/2 inches (sheet).
Tape residue at the upper corners, else in very good condition.
Boyer was well known as a sporting artist. Derrydale...
Category
Early 20th Century International Fine Print Dealers Association Art
Materials
Etching
Playing with Lives (First Responder)
By Darius Steward
Located in Fairlawn, OH
Playing with Lives (First Responder)
Watercolor on Arches paper, 2020
Signed with the artist's initials lower right
Signed with the artist's embossed "Yummy" blindstamp lower right
...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Watercolor
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern International Fine Print Dealers Association Art
Materials
Mezzotint
untitled (Woman and Cat)
By Mary Spain
Located in Fairlawn, OH
Unsigned
Graphite on paper
Category
20th Century Surrealist International Fine Print Dealers Association Art
Materials
Graphite
Sweet Pea II
By Robert Kushner
Located in Lyons, CO
Color lithograph with metallic leaf, Edition 30
Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner ha...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
High Tide
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30
The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
Man, Dog (Blue), Canoe/Shark Fins (One Yellow), Capsized Boat
By John Baldessari
Located in New York, NY
It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...
Category
21st Century and Contemporary Conceptual International Fine Print Dealers Association Art
Materials
Etching
PEOPLE WATCHERS
Located in Portland, ME
Robi (Elvin Robichaud), Al (American, 1922-2007). PEOPLE WATCHERS. Linocut in colors, 1960s. 5 x 9 inches, plus margins. Edition of 35, numbered 27/35, titled and signed "Robi" in pe...
Category
1960s International Fine Print Dealers Association Art
Materials
Linocut
Climber
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 30
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
UNTITLED DRAWING
By William Gropper
Located in Portland, ME
Gropper, William (American, 1897-1977). UNTITLED DRAWING. Blue chalk
on fibrous handmade paper. Signed lower right, and inscribed at left
to Irwin and Sarah Lefcourt. 26 1/2 x 20 1/...
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Chalk
Untitled (Red)
By Matthew Brannon
Located in New York, NY
Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, evoking mass production and marketing design. For a 2006 series of blue and black silkscreen prints, Brannon paired representations of potted plants with grim subtitles such as Sick Whore and How It All Ends, in keeping with his thematic interest in pathology and personal struggle. Brannon’s sculptures exhibit a similar pictorial simplicity, often executed in few colors and with meticulous attention to symmetry and balance. Like a stage set for the performance of a play set...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph, Screen
Silky Terrier Painting
Located in New York, NY
Original gouache, probably Belgian for matchbox covers. Mid-20th Century.
Category
Mid-20th Century International Fine Print Dealers Association Art
Materials
Board, Gouache
Untitled (Diptych)
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category
1990s Minimalist International Fine Print Dealers Association Art
Materials
Lithograph
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
Wine Map of Bordeaux
Located in New York, NY
Original color lithograph for Établissements D. Cordier S.A. Draeger, Imp., circa 1938.
Category
1930s International Fine Print Dealers Association Art
Materials
Paper
Lantern & Cardinal in Snow Holiday Watercolor
Located in New York, NY
Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.
Category
1970s International Fine Print Dealers Association Art
Materials
Cardboard, Gouache
'Philadelphia, Broad Street' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Philadelphia – Broad Street', etching, edition not stated, circa 1927. Signed in pencil. Annotated 'Philadelphia Broad St. Showing City Hall', in another hand, in the ...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
'The White House' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
'U.S. Chamber of Commerce' — 1920s Realism, Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
'Spirit of Buffalo' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, ric...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
'Chicago Harbor' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
1920s American Realist International Fine Print Dealers Association Art
Materials
Etching
Ocean View Wind Patterns, Camden Maine
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30.
Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...
Category
2010s Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
Aloe Plant Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: N. 304 Caranna.[Palm Tree].
Mezzotint engraving printed in color and f...
Category
Early 18th Century International Fine Print Dealers Association Art
Materials
Laid Paper
Suite of 12 Views of Italy
By Franz Weirotter
Located in New York, NY
Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...
Category
1750s Old Masters International Fine Print Dealers Association Art
Materials
Etching
The Anchor
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern International Fine Print Dealers Association Art
Materials
Etching, Drypoint
'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist International Fine Print Dealers Association Art
Materials
Stencil
Lotus
By Howard Hodgkin
Located in London, GB
Screenprint from 20 screens with embossing. On Velin Arches mould-made paper
Based on 'Lotus', textile dyes on hand-made Indian paper, 1978
Signed and dated in pencil, lower centre. ...
Category
1980s Abstract International Fine Print Dealers Association Art
Materials
Color, Screen
Entanglement
By Clark Richert
Located in Lyons, CO
Color lithograph, Edition 30
Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
The Bubble Blower
By McDermott & McGough
Located in New York, NY
Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Photogravure
Invites Into the World of the Eternal Instant
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Ed. 30
Chagoya's newest prints, "Invites Into the World of the Eternal Instant" and "Expresses Nothing but the Self", are concerned with the current unsustainabl...
Category
21st Century and Contemporary Contemporary International Fine Print Dealers Association Art
Materials
Lithograph
The Bean Eater
By Italo Scanga
Located in New York, NY
Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motor...
Category
1980s Contemporary International Fine Print Dealers Association Art
Materials
Woodcut
Baby Doll
By Tony Fitzpatrick
Located in New York, NY
Tony Fitzpatrick is an American artist born in 1958 and based in Chicago.
He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...
Category
Late 20th Century Contemporary International Fine Print Dealers Association Art
Materials
Etching
Untitled
By Joanne Greenbaum
Located in New York, NY
Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...
Category
20th Century Abstract International Fine Print Dealers Association Art
Materials
Etching
Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category
Early 20th Century American Impressionist International Fine Print Dealers Association Art
Materials
Oil Pastel
![Caribbean Island [untitled].](https://a.1stdibscdn.com/archivesE/upload/a_3312/1494618712916/85973_master.jpg?width=240 "beal island")
Neapolitan Vesuvius Gouache
Located in New York, NY
Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...
Category
1830s International Fine Print Dealers Association Art
Materials
Gouache, Paper
LA PARADE
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871 – 1958)
La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932.
Edition 270. Frontispiece from “Cirque”. ...
Category
1930s Modern International Fine Print Dealers Association Art
Materials
Etching
NUDE IN ARMCHAIR
By Philip Evergood
Located in Portland, ME
Evergood, Philip (American 1901-1973). NUDE IN ARMCHAIR. Pencil on paper, 1950. Signed and dated, lower right, and inscribed, lower left "For David Rust July '52 P.E." 22 1/2 x 18 5...
Category
International Fine Print Dealers Association Art
Materials
Pencil
Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens
By Wenceslaus Hollar
Located in New York, NY
Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...
Category
1640s Old Masters International Fine Print Dealers Association Art
Materials
Etching
March Law
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...
Category
1990s Assemblage International Fine Print Dealers Association Art
Materials
Etching
TWO GIRLS
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael. TWO GIRLS. Cole 33.
Lithograph, 1934. A proof aside from the edition of 25,
A trial, or working proof before the edition, inscribed in penc...
Category
1930s International Fine Print Dealers Association Art
Wuxtry! [Extra!]
By Albert Abramovitz
Located in New York, NY
Albert Abramovitz (1879-1963), Wuxtry! [Extra?!], linocut in colors, c. 1936, signed in pencil lower right and titled lower center [also initialed in the plate]. In very good conditi...
Category
1930s American Realist International Fine Print Dealers Association Art
Materials
Linocut
![Wuxtry! [Extra!]](https://a.1stdibscdn.com/archivesE/upload/a_5153/1491148788368/IMG_0968_master.JPG?width=240 "matt abramovitz")
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar to...
Category
1980s Abstract Expressionist International Fine Print Dealers Association Art
Materials
Handmade Paper, Color, Lithograph
Chen Quian. Advertisement for B.S Insurance Co
Located in New York, NY
Artist: Chen Quian.
[Advertisement for B.S Insurance Co.] 1912
Color lithograph, Rare. Very early Chinese advertising poster at the end of the
Qu...
Category
1910s Qing International Fine Print Dealers Association Art
Materials
Lithograph
New Viaduct
By Louis Conrad Rosenberg
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s International Fine Print Dealers Association Art
Materials
Drypoint
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