Lithograph Figurative Drawings and Watercolors

Takashi Murakami Untitled signed original drawing of Two Flowers with heart doodle, 2021 Original marker drawing done on title page and bound in hardback monograph with purple boards...

Takashi Murakami Unique drawing (Two Flowers) created for the Modern Art Museum, Ft. Worth, Texas, 2018 Original drawing done in marker, and bound on title page of hardback monograph...

This lithograph is part of my private collection. It is limited in edition artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impress...

This lithograph is from my private collection. It is artist pencil signed and numbered. The artist is unknown to me but I have several of the circus prints all different and beautifu...

Original drawing on Lithograph cover sheet printed by Chez Daniel Jacomet, Paris, France 1960 on on Arches deckle edged paper. hand signed with inscription. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Ronnie Cutrone Original bird drawing (hand signed and inscribed by Ronnie Cutrone), 1990 Original signed drawing done in marker held in hardback monograph with dust jacket Boldly signed, dated and inscribed by Ronnie Cutrone on the first front end page 11 × 9 1/2 × 3/4 inches Original signed drawing done in marker held in monograph, dated and inscribed by Ronnie Cutrone on the first front end page. The inscription reads: For David & Barbara Ronnie Cutrone 90 Book information: Publisher: ‎ Martin Lawrence Limited Editions, (January 1, 1990) English; Hardcover; 46 pages with 44 color and 11 monochrome illustrations About Ronnie Cutrone: Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...

17" x 11" Unframed Limited Edition Lithograph of 12 Hand Signed by Raphael Soyer

This is titled "Karrierist" the German word for careerist and depicts a surreal face on a figure with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Erotic Scene is a Colored lithograph realized by Jean Cocteau (1889 -1963) in 1930 ca.  French draftsman, poet, essayist, playwright, librettist, film director. Not signed. Very Go...

Kenny Scharf Original drawing on Tony Shafrazi poster, signed and inscribed to Andy Warhol's last boyfriend Jon Gould, 1984 Permanent marker drawing on Kenny Scharf Tony Shafrazi Gallery exhibition poster (hand signed and inscribed by Kenny Scharf) Boldly signed and inscribed to Andy Warhol's last boyfriend Jon Gould Frame included: Framed in a museum quality wood frame with UV plexiglass. Measurements: Frame: 35 x 28.5 x 1.5 inches Print 28.25 x 22 inches Own a piece of Pop Art history! This is a unique drawing hand signed and inscribed by Kenny Scharf, done on a vintage collectible 1984 poster from the legendary Tony Shafrazi Gallery. If you saw "The Andy Warhol Diaries" on Netflix, you'd know about Warhol's relationship with Jon Gould - Andy's last boyfriend; tragically, Warhol would become Gould's last boyfriend as well, when, soon after, Gould would die of AIDS at the young age of 33 Kenny Scharf created an original drawing, done in marker, and inscribed it to Jon Gould (featured prominently in Andy Warhol's Diaries and the eponymous Netflix series) - and it had not been seen since the 1980s. Jon Gould was a New England educated former Vice President of Corporate Communications at Paramount Pictures - a Boston Brahmin whose real claim to fame was as Andy Warhol's last boyfriend. This work was acquired from the widely publicized sale of the collection of Jon Gould - -a treasure trove of valuable gifts and art works by Warhol and others like Kenny Scharf, Basquiat and Keith Haring to Gould - that had not been seen in nearly four decades. This is one of the works from that impressive sale. Below are links to two of the many articles about the collection of Jon Gould in the New York Times, Artnet News and the New York Post respectively. About Kenny Scharf: Kenny Scharf (b. 1958, United States) is a renowned artist affiliated with the 1980’s East Village Art movement in New York. Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture reoccur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term “Pop Surrealist” to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today. Courtesy of Almine Rech MORE ABOUT JON GOULD: Warhol wrote extensively on Jon Gould in his diaries. In July, 2022, when the Netflix series "The Andy Warhols Diaries" came out, the New York Post (among many other publications) ran a major feature article on Warhol's relationship with Gould and on this very sale: It reads, "When Harriet Woodsom Gould died in 2016 in her nineties, she left behind a trove of family heirlooms dating back to the 1700s in her Amesbury, Mass., home. Yet in her attic, she had a secret veritable shrine to pop art. There, she had stashed her late son Jon Gould’s belongings for decades since his death in 1986 from AIDS. He had vases painted by Jean-Michel Basquiat, works by Keith Haring and dozens and dozens of gifts — photos, valentines, sketches, letters and more — from pop god Andy Warhol. “My mother kept everything,” Jon’s twin brother, Jay Gould, told The Post. Jay knew his brother “had some type of relationship” with Warhol in the 1980s, though Jon always remained discreet about it. “We were very close, identical twins, but we never talked a lot about his sexuality,” Jay, now 68, explained. “It was a different time.” Yet, he was still stunned to read the poetry and love notes Jon wrote to the older artist. “I didn’t realize the relationship was as deep as it was.” Actually, no one really knew. Gould was Warhol’s last romance, a young Paramount executive with floppy hair and preppy good looks who died tragically at 33. And though Warhol frequently mentioned him in his famed diaries, published posthumously in 1989, the artist’s dashed-off musings gave the impression that Jon was more of a crush than a genuine partner...Gould didn’t so much enter into Warhol’s life as Warhol willed him into it. It was April 1981, and Warhol, then 52, was still reeling from his breakup with Jed Johnson... Jed left that December, and that spring Warhol confessed to feeling lonely: “I’ve got these desperate feelings that nothing means anything. And then I decide that I should try to fall in love, and that’s what I’m doing now with Jon Gould.” Gould was a 26-year-old Paramount exec: a New England WASP with a lithe, strong physique and charismatic personality, who looked straight. Warhol reasoned: “Jon is a good person to be in love with because he has his own career, and I can develop movie ideas with him, you know? And maybe he can even convince Paramount to advertise in Interview, too. Right? So my crush on him will be good for business.” Warhol began courting Gould with a vengeance, sending extravagant bouquets of roses to his office at Paramount. He even offered their mutual friend, the photographer Christopher Makos, a fancy watch if he could get Gould to be his boyfriend. “I guess he never got loved,” Makos says in the series. “Because I didn’t get my watch.” (Jay Gould also tells the camera that his brother had admitted that he was in a relationship but that he said they didn’t have sex.) At first, Gould resisted Warhol’s attention, but eventually the two began spending a lot of time together, though Gould would frequently pull away if things got too intense, and he often would tell Warhol not to write about him in his diary. “I think my brother was concerned about his career at that time,” Jay Gould said. But the younger man attended parties and art events with him, invited the artist skiing with his family in Aspen and even for a time moved into his place on 66th Street. “I love going out with Jon because it’s like being on a real date,” Warhol wrote early in their relationship. “He’s tall and strong and I feel like he can take care of me.” Yet it turned out that Warhol would have to take care of Gould. On Feb. 4, 1984, Jon was admitted to New York Hospital with pneumonia — though it was understood that he had AIDS. Warhol stayed with him in the hospital every night for the 30 days he was there, despite his fear of hospitals since getting shot and his fear of getting AIDS. (Warhol couldn’t bring himself to talk about Gould’s illness in the diary, but his editor notes that when Gould was released March 7, Warhol instructed his housekeepers to wash Jon’s clothes and dishes “separate from mine.”). Around 1985, Warhol began working on his massive series of 100 works based on Da Vinci’s “The Last Supper...

This superb British lithograph drawing is by noted artist Gerald Spencer Pryse. Dated from circa 1930 and on paper, the subject matter is a group of rowers on a riverbank, moving the...

Walasse Ting 丁雄泉 Original three parrots drawing, 1984 Original parrots drawing done in ink with inscription held inside elegant hardback monograph with du...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

Jonas Wood 24 Tennis Court Drawings book (hand signed with hand drawn tennis balls), 2021 Hardback monograph with signed and dated tennis ball drawing Signed and dated with 3 balls d...

Mark Grotjahn Black Flower (inscribed to art historian Norman Rosenthal), 2006 Original flower drawing done in black marker, hand signed, titled and inscribed, bound in hardback monograph Hand signed, dated and inscribed with flower drawing by Mark Grotjahn on the title page 12 1/4 × 9 1/4 × 1/2 inches Unframed This unique, original signed flower drawing is done on title page of a lavishly illustrated, 2006 hardback monograph published by Blum & Poe, with illustrated cloth boards and no dust jacket as issued. The inscription reads: Norman Rosenthal [Flower Drawing] Black Flower MG Dec 7 06 Biography of Norman Rosenthal (recipient of this drawing): Norman Rosenthal (b.1944) is a London-based freelance curator. He first rose to prominence as the director and chief curator of the Royal Academy, a position he held between 1977 and 2008. During his tenure he worked towards assembling a variety of prodigious exhibitions, including Italian Art of the Twentieth Century (1989), the controversial Sensation: Young British Artists from the Saatchi Collection (1997), and the well-regarded Anish Kapoor retrospective of 2009. He left the Academy in 2008 to pursue a variety of self-directed projects. In his early career Rosenthal worked at the Leicester Museum and Art Gallery before gaining valuable experience as an art researcher for London dealers and publishers Agnew and Sons. He then moved to the Brighton Museum and Art Gallery, coordinating shows as an exhibitions officer for four years before taking the position of curator at the Institute for Contemporary Art in London. His two years spent at the ICA from 1973 were of vital importance for his professional development and understanding of contemporary art. Accorded a travel grant for his work as curator, he explored Germany, a nation rife with political tension after the student protests...

SACHA (American, b. 1965) Woman and Chair, 2006 Lithograph 20 x 16 in. Signed and inscribed lower right: Sacha '08 NYC "Woman and Chair" Numbered lower left: 4/13 Alejandro Jose Fra...

SACHA (American, b. 1965) Woman and Chair, 2006 Lithograph 20 x 16 in. Signed and inscribed lower right: Sacha '08 NYC "Woman and Chair" Numbered lower left: 1/13 Alejandro Jose Fra...

Norman Rockwell "This should help you with the difficult Mr. Buckley", ca 1965 Hand written and hand signed letter on artist's personalized stationery with the accompanying stamped and postmarked envelope. Frame Included Unique. Vintage handwritten...

Figure of Man is a Colored lithograph on japan paper realized by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, film director. Exc...

Marina Abramovic Original self-portrait drawing (hand signed and inscribed), 2014 Ink drawing held inside hardback monograph, done at the artist's Serpentine Gallery exhibition, han...

This piece is a limited edition, pencil signed by the artist on the print and in the plate. It is part of my private collection of artists from the School of Paris era. It is in very...

Wes Lang The World is Yours (original drawing), ca. 2010 Signed, titled and inscribed original drawing done in marker and held in hard back monograph Hand signed, inscribed and drawing by Wes Lang in marker 11 1/4 × 9 1/4 inches Unframed This is an entirely original (unique) drawing, a distinctive Wes Land Skull, hand signed and inscribed by Wes Lang to Nate, and held in the first front end page of the scarce long sold out 2010 hardback monograph of works by Wes Lang and Donald Baechler. Inscription: For Nate, THE WORLD IS YOURS... -Wes (Skull Drawing...

To The Bathroom is a Colored lithograph realized on japan paper by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, film director. ...

Texaz Dancing, Hand colored stone lithograph by Luis Jimenez 26 x 20 inches. For Larry, "Thanks for the book" Stone Lithograph, hand colored by Luis Jimenez. Signed to the great novelist and Academy Award Winner, Larry McMurty, author of Lonesome Dove...

Hopeless is a Colored lithograph realized on japan paper by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, ...

"De quel cõté t'aimor" by Frédéric Pierre Lithograph Image Size: 7" x 5 ⅜" Sheet Size: 14 ½" x 10 ¼"

Jasper Johns Letter ("one either jumps into the water or doesn't"), 1996 Hand signed letter framed on top of a Time Magazine cover depicting a work by the artist Hand signed by Jasper Johns underneath a typewritten letter by his secretary (JJ/st) Frame Included This listing consists of a typewritten letter, hand signed by Jasper Johns in response to one sent by the present addressee. While we do not see the fan's letter that prompted this response from Johns, it's not too difficult to guess, as Jasper Johns replies, stating, in part, "I wish I felt I could advise you but I can't. One either jumps in the water or doesn't. There doesn't seem to be any in-between." No truer words could have been spoken regarding the artist's life. Underneath this letter, is a vintage Time Magazine cover, presumably from the same year, depicting a Jasper Johns Flag...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Larry Rivers French Money, ca. 1966 Original graphite drawing with lithograph collage Boldly signed in graphite pencil in the center of this collage. Frame Included Larry Rivers orig...

Emilio Grau Sala (Spanish, 1911-1975) was born in Barcelona and studied at the School of Fine Arts in his native town, in 1929 he moved to France and became part of the Paris School ...

John Chamberlain Hand Signed Letter re: Leo Castelli Exhibition, 1982 Typewriter on paper (hand signed) 6 1/2 × 8 1/2 inches Hand-signed by artist, Signed in purple felt tip marker Hand signed telegraph/letter refers to Chamberlain's exhibition at the legendary Leo Castell Gallery. A piece of history! John Chamberlain Biography John Chamberlain (1927 – 2011) was a quintessentially American artist, channeling the innovative power of the postwar years into a relentlessly inventive practice spanning six decades. He first achieved renown for sculptures made in the late 1950s through 1960s from automobile parts—these were path-breaking works that effectively transformed the gestural energy of Abstract Expressionist painting into three dimensions. Ranging in scale from miniature to monumental, Chamberlain’s compositions of twisted, crushed, and forged metal also bridged the divide between Process Art and Minimalism, drawing tenets of both into a new kinship. These singular works established him as one of the first American artists to determine color as a natural component of abstract sculpture. From the late 1960s until the end of his life, Chamberlain harnessed the expressive potential of an astonishing array of materials, which varied from Plexiglas, resin, and paint, to foam, aluminum foil, and paper bags. After spending three years in the United States Navy during World War II, Chamberlain enrolled in the Art Institute of Chicago and Black Mountain College, where he developed the critical underpinnings of his work. Chamberlain lived and worked in many parts of the United States, moving between New York City, Long Island, Los Angeles, Santa Fe, Connecticut, and Sarasota, before finally settling on Shelter Island. In many ways, each location provoked a distinct material sensibility, often defined by the availability of that material or the limitations of physical space. In New York City, Chamberlain pulled scrap metal and twelve-inch acoustic tiles...

Blanche et Noire, de l'album «Toulouse-Lautrec, douze lithographies» 52,2 x 35,9 cm

For pop artist Charles Pachter, the Toronto streetcar symbolizes the urban landscape he calls home. The iconic image of the streetcar whose tracks have criss-crossed Canada’s largest city for decades was once known as ‘the red rocket’ because of its deep red paint colour. In this lithograph the bright colours of a large image of the back of the streetcar in hot pink and blue with three more smaller images of streetcars in classic red, yellow and one in green pop against a black backdrop. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. “….a good art critic would compare it with Warhol’s soup cans...

Comical illustration by Gaston Hoffmann (French, 1883-1977). A doctor is giving a shot to a female patient, while a nurse tries to prevent a man from barging in. Pencil signed "G Ho...

Marina Abramovic The Lovers, 1990 Original Drawing done in Black Marker on title page of the "Lovers" monograph Hand signed by Marina Abramovic in black mar...

Art: 30-1/8 x 22-3/8 inches Lithograph, from Portfolio Signed and numbered ‘80’, from the edition of 100” Famed worldwide for giving graphic definition to the postwar age, Saul Ste...

Art: 19"x 26" Original color lithograph. Signed in pencil in the lower margin. Harold Altman was born in New York City in 1924. He attended the Art S...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

F. N. Souza - Untitled Lithograph on Paper, 21.75 x 15.25 inches, 1963, Inscribed 3/100 (Unframed Delivered) Francis Newton Souza was born in 1924 in Saligao, Goa. After losing his father at a very young age and being afflicted by a serious bout of small pox, he vowed to go about life his own way. Souza was expelled for participating in the Quit India Movement while studying at the Sir J J School of Art in Mumbai. In 1947, he founded the Progressive Artists' Group along with S H Raza...

Lithography - Etching (ofort) on paper

The painting is being offered with a work and authenticity certificate

17 1/2" x 12 1/2" Folio w/ 36 colour plates of fashionable ladies at Longchamp Racecourse, *6 of which have varying degrees of water staining* Exemplaire No 169 of 250 Andre Dant...

Figure in an Interior is an original lithograph realized by André Marius Aillaud (1909-1972) in 1938. Hand signed by the artist on the back of the paper. Good condition, included a...

Honore-Victor Daumier (1808–1879) - Caricature. "A bon chat bon rat" lithograph on paper, 30x22 cm

Signals is an original artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original lithograph on cardboard. Hand-signed on the lower left in pen...

Strasburg Cathedral is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg Cathe...

Multi-layered collotype by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. Patricia Pearce (Americ...

Die Cathedrale in Rouen is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital L...

Ancient View of Montpellier is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capit...

Ancient View of Strasburg is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg...

Leader of the Arab army (Capo dell'armata Araba) is an original water-colored lithograph on paper realized in 1848 ca. by Anonymous Artist of the 19th Century. In very good conditio...

Figures is an original lithograph realized by the Italian artist Aligi Sassu. This Artwork is depicted through strong and confident strokes in a well-balanced composition. Signed o...

Africa - Life in the Village is an original artwork realized by Emmanuel Gondouin (Versailles, 1883 - Parigi, 1934) in 1930s. Original Lithograph on ivory paper. This drawing is pa...

Print Sz: 15"H x 19 1/2"W Frame Sz: 24 1/2"H x 32 1/2"W w/ Hermes orange mat & antique bamboo frame

Odalisque at the menagerie (Odalisco al serraglio) is an original water-colored lithograph on paper realized in 1848 ca. by Anonymous Artist of 19th Century. In very good conditions...

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...

Sleeping Girl is original lithograph realized by Anonymous Artist of the 19th Century. Good conditions. The artwork represents a sleeping girl in a wel...

"Coreano" (Asia) is an original hand-watercolored lithograph on ivory paper by Anonymous Artist of XIX Century, in 1854s. In excellent conditions. Not signed. Titled on the lower ...