Andy Warhol

Exposures (Deluxe Edition) Hand Signed and Numbered by Andy Warhol, Official COA

1979

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Ed Ruscha 200 Years Old, 1980 Offset lithograph Hand signed and numbered 132/425 by Ed Ruscha in graphite pencil on the front 30 1/2 × 25 inches Unframed This is a quintessential Los Angeles print...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on th...

R. B. Kitaj Femme de Peuple II (hand signed and inscribed to poet Robert Duncan), 1978 Offset Lithograph (hand signed and inscribed to poet Robert Duncan) Hand signed and inscribed o...

Christo The Gates, Historic New York City Subway Banner Poster (hand signed by Christo), 2005 Offset lithograph poster (uniquely hand signed on the front by Christo) Hand signed by C...

Ed Ruscha Hollywood in the Rain (Engberg, M19), 1970 Color offset lithograph on wove paper Signed and numbered 104/220 in pencil below image Frame included: held in a museum quality ...

MEDIUM: Original Pastel Concept on Paper PRODUCTION: Fantasia, 1940 SIZE: 10" x 12.5" SIGNATURE: Sylvia Holland FRAMING: Framing included in Pricing SKU: CCV1641 ABOUT THE ART: (Sylvia Holland (1900 - 1974) Beautiful pre-production sketch by Sylvia Moberly-Holland, one of Disney's first female animators. Sylvia originally worked as an architect before gaining experience as an animator with Universal Studios...

MEDIUM: Original Production Beat Board, Graphite on Paper PRODUCTION: Monsters, Inc., 2001 IMAGE SIZE: 8.5" x 11" SIGNED: Signed by Jorgen Klubien SKU...

Fantasia was released by Walt Disney Production in 1940. Disney settled on the film's concept as work neared completion on The Sorcerer's Apprentice. As production costs grew highe...

Artist: Peter Max, German/American (1937 - ) From the President Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Poster depicting the 1993 inauguration of Bill Clinton at the Capitol Building. Hand signed in marker with dedication Year: 1993 Medium: Poster Size: 36 in. x 24 in Provenance: collection of Friede & Rubin L. Gorewitz Peter Max (born Peter Max Finkelstein, October 19, 1937) is a German-American artist known for using bright colors in his work. Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art. Max was born in Berlin, the son of German Jews, Salla and Jakob. They fled Berlin in 1938, settling in Shanghai, China, where they lived for the next ten years. In 1948, the family moved to Haifa, Israel, where they lived for several years. Peter attended school in Mount Carmel, but was often drawing instead of taking notes. His principal suggested to his parents that he be put in art lessons after school, and he began to study under Professor Hünik, a Viennese Expressionist. From Israel, the family continued moving westward and stopped in Paris for several months—an experience that Max said greatly influenced his appreciation for art. In their short time in Paris, Max's mother enrolled him in drawing classes at the Louvre, where he began to study Fauvism. After nine months in Paris, Max and his family made their final move, settling in Brooklyn, New York, USA. In 1956, Max began his formal art training at the Art Students League of New York in Manhattan, studying anatomy, figure drawing and composition under Frank J. Reilly who had studied at the League alongside Norman Rockwell. In 1962, Max started a small Manhattan arts studio known as "The Daly & Max Studio," with friend Tom Daly. Daly and Max were joined by friend and mentor Don Rubbo, and the three worked as a group on books and advertising for which they received industry recognition. Much of their work incorporated antique photographic images as elements of collage. Max's interest in astronomy contributed to his self-described "Cosmic '60s" period, which featured psychedelic, counter culture imagery. Max's art was popularized nationally through TV commercials such as his 1968 "un cola" ad for the soft drink 7 Up which helped drive sales of his art posters and other merchandise. In 1967, Max solidified his place as a counter cultural icon by designing the flyers for the second ever 'Be In', a political gathering of mainly hippies in New York's Central Park after the Easter parade on March 26, 1967. In 1970, many of Max's products and posters were featured in the exhibition "The World of Peter Max," which opened at the M.H. de Young Memorial Museum in San Francisco. The United States Postal Service commissioned Max to create the 10-cent postage stamp to commemorate the Expo '74 World's Fair in Spokane, Washington, and Max drew a colorful psychedelic scene with a "Cosmic Jumper" and a "Smiling Sage" against a backdrop of a cloud, sun rays and a ship at sea on the theme of "Preserve the Environment." According to The New York Times, "His DayGlo-inflected posters became wallpaper for the turn on, tune in, drop out generation." On July 4, 1976, Max began his Statue of Liberty series leading to his efforts with Chrysler CEO Lee Iacocca to help in the restoration of the statue. Max has been the official artist for many major events, including the 1994 World Cup, the Grammy Awards, the Rock and Roll Hall of Fame, the Super Bowl and others. In 2000, Max designed the paint scheme Dale Earnhardt...

Andy Warhol Album Cover Art: a set of 40 works (1955-1987): A rare collection of 40 individual Andy Warhol illustrated record covers accompanied by their respective vinyl records. Mo...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...