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Medium: Wood Panel
Blue Moon, heavily textured surface oil abstract painting, white blue and pink
Located in Toronto, ON
Trinidadian-Canadian artist Anand Jaggernauth creates complex, textural abstracts in oil on panel. His large, vibrant and serene abstracts are known for their depth, fluidity & movem...
Category

2010s Wood Panel More Art

Materials

Oil, Wood Panel

Study for Venus, pink, turquoise, and white encaustic wax abstract painting
Located in Toronto, ON
Anastessia Bettas is a Canadian encaustic painter. Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigmen...
Category

2010s Abstract Wood Panel More Art

Materials

Encaustic, Wood Panel

Portrait of a Lady in an Elaborate Ruff & Lace Coif c.1610-20, Dutch Old Master
Located in London, GB
This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...
Category

17th Century Old Masters Wood Panel More Art

Materials

Oil, Wood Panel

Dutch Old Master Portrait of Maurits, Prince of Orange-Nassau, Oil on Panel
Located in London, GB
In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...
Category

17th Century Old Masters Wood Panel More Art

Materials

Oil, Wood Panel

THE STARBUCKS SIREN (The Starbucks One Of A Kind Siren Original Masterpiece)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Alright, let's start with the numbers: 1- Over 40.00...
Category

21st Century and Contemporary Pop Art Wood Panel More Art

Materials

Cotton, Epoxy Resin, Glitter, Acrylic, Wood Panel

Composition with Black and Ochre II
Located in East Hampton, NY
Composition with Black and ochre II, 50 X 38, mixed media on panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa ...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

Dance of Souls 30" x 30" origami, Japanese paper on board with acrylic case
Located in Toronto, ON
This unique origami piece features hundreds of hand folded chiyogami paper cranes mounted precisely on wood panel and framed in an elegant acrylic shadow box. Andrew Wang...
Category

21st Century and Contemporary Wood Panel More Art

Materials

Wood Panel, Paper

Portrait of Gentleman, Thomas Bruce, Earl of Elgin c.1638 Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo). This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this time gone are the complicated layers of fabrics, and now replaced with understated elegance of plain silk (satin and taffeta were most popular), with only a couple of focal points as accessories. There is an abundance of the accessory par excellence – pearls, and they are worn as a necklace, on her attire, and as earrings; the pear-shaped earrings are called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth. The portrait is thought to represent Thomas Bruce (1596-1654), Earl of Elgin. The physiognomy and features in our portrait strongly correlate to a portrait of the Earl, by Cornelius Johnson (1593-1661), painted circa 1638, and is held at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to ours and is thought to represent the Earl’s wife, Diana Cecil, 1st Countess of Elgin (c.1603-1654) - it appears to have derived from Cornelius Johnson’s depiction of the Countess circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. There are also other portraits by Johnson of the sitter with very similar facial features to that of the sitter in ours. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson. Thomas Bruce, 1st Earl of Elgin, was a prominent Scottish nobleman who held titles such as the 3rd Lord Bruce of Kinloss. He resided at Houghton House in Bedfordshire and played a significant role in the political and social landscape of his time. His legacy as an Earl and Lord continues to be remembered in history. Thomas Bruce, born in Edinburgh in 1599, inherited the Scottish peerage title as the 3rd Lord Bruce of Kinloss at the age of 13 following his brother's untimely death in a duel. The family's estates, including Whorlton Castle and manor, were granted by King James I of England to Thomas's father, with the wardship of Thomas and the estates entrusted to his mother until he reached the age of 21. He maintained a strong connection with King Charles I's court during the Personal Rule, receiving titles of honour and prestigious roles throughout the years. Thomas Bruce was married twice in his lifetime. His first marriage was to Anne Chichester in 1622. Ann died in 1627, the day after giving birth to their only child, Robert Bruce, who later became the 1st Earl of Ailesbury. On 12 November 1629, Thomas Bruce married Lady Diana Cecil, the daughter of William Cecil and widow of Henry de Vere. The marriage was childless, but Diana brought significant estates with her. Thomas Bruce died on 21 December 1663 at the age of 64. This oil on panel portrait has been well cared for over its life, which spans almost four centuries. Having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Presented in a fine period frame. Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility. Provenance Richard Hill...
Category

17th Century Old Masters Wood Panel More Art

Materials

Oil, Wood Panel

Portrait of a Lady Diana Cecil, Countess of Elgin c.1638, Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo). This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this fashion moved away from complicated layers of fabrics to an understated elegance of plain silk (satin and taffeta were most popular) with only a couple of focal points as accessories. However, obligatory for any respectable woman, pears are shown in abundance, as a necklace, on the dress attire, and pear-shaped earrings called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth. The subject is thought to be Diana Bruce née Cecil, 1st Countess of Elgin (c.1603-1654). The physiognomy and features strongly correlate to a portrait of the countess by Cornelius Johnson (1593-1661), painted circa 1638, at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to this and is thought to represent the countess’s husband, Thomas Bruce, 1st Earl of Elgin (1599-1663) – it appears to have derived from Cornelius Johnson’s portrait of the Earl, of circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, appears to have modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson. Diana Cecil, Countess of Oxford (1596–1654), later Countess of Elgin, was an English aristocrat. She was probably the middle daughter of the three daughters of William Cecil, 2nd Earl of Exeter and Elizabeth Drury. Her first husband, Henry de Vere, 18th Earl of Oxford, died in battle only 18 months after their marriage in 1624. She married her second husband Thomas Bruce (1599-I663) in 1629, becoming the Countess of Elgin in 1633. Her portrait was presumably painted at a similar time as the companion portrait of her husband, the Earl of Elgin. She died in 1654, outlived by her husband and leaving no children. A large monument exists of the countess in her burial shroud at Ailesbury Mausoleum, Bedfordshire. The work has been well cared for over its life, which spanning almost four centuries, and having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Presented in a fine period frame. Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility. Provenance Richard Hill...
Category

17th Century Old Masters Wood Panel More Art

Materials

Oil, Wood Panel

Slipstream III 18" x 36", origami, Japanese paper on panel with acrylic case
Located in Toronto, ON
This unique origami piece features hundreds of hand folded chiyogami paper birds mounted precisely on wood panel and framed in an elegant acrylic shadow box. Andrew Wang...
Category

21st Century and Contemporary Wood Panel More Art

Materials

Wood Panel, Paper

SWARM, Klari Reis, 2023, Pigmented epoxy on wood panel
Located in London, GB
Pigmented epoxy on wood panel
Category

2010s Contemporary Wood Panel More Art

Materials

Epoxy Resin, Wood Panel

SURGE, Klari Reis, 2022, Epoxy on wood panel
Located in London, GB
Epoxy on wood panel
Category

2010s Contemporary Wood Panel More Art

Materials

Epoxy Resin, Wood Panel

Grafted, Klari Reis, 2022, Pigmented epoxy on wood panel
Located in London, GB
Pigmented Epoxy on Wood Panel
Category

2010s Contemporary Wood Panel More Art

Materials

Epoxy Resin, Wood Panel

Meditations in Blue & Green l
Located in East Hampton, NY
.Mediations in Blue & Green l Mediations in Blue & Green ll is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints ...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

Meditations in Blue & Green ll
Located in East Hampton, NY
Mediations in Blue & Green ll Mediations in Blue & Green l is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

DS Couple Seeks Female switch - mw4w - 3131 (Cinci) - Her
Located in New Orleans, LA
"DS Couple Seeks Female switch - mw4w - 3131 (Cinci) - Her" by Carlton Scott Sturgill. medium: paint chip sample mosaic, vintage Ralph Lauren gift box Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach...
Category

21st Century and Contemporary Contemporary Wood Panel More Art

Materials

Mosaic, House Paint, Wood Panel

DS Couple Seeks Female switch - mw4w - 3131 (Cinci) - Him
Located in New Orleans, LA
"DS Couple Seeks Female switch - mw4w - 3131 (Cinci) - Him" by Carlton Scott Sturgill. medium: paint chip sample mosaic, vintage Ralph Lauren gift box Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach...
Category

21st Century and Contemporary Contemporary Wood Panel More Art

Materials

Mosaic, House Paint, Wood Panel

I Could Have Eaten You, You Know
Located in East Hampton, NY
Bunny Painting “I Could Have Eaten You, You Know” Oil and silver leaf on wood 31” x 24” $2100 Comes unframed About the Artist: Shanna E. D'Antonio is a mixed-media artist living...
Category

2010s Naturalistic Wood Panel More Art

Materials

Oil, Wood Panel

French Post Impressionist Bord de Seine Landscape Painting
By Claude Bouteur
Located in Paris, FR
Charming 1940's Claude Bouteur landscape Oil on a wood panel painting in a Post Impressionist style representing the banks of Seine River and the Pont Marie Bridge, a lovely composit...
Category

20th Century Post-Impressionist Wood Panel More Art

Materials

Oil, Wood Panel

SIMPLY QUEEN B - Original Mixed Media ArtWork.
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE TIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This is the ultimate homage to QUEEN BE...
Category

21st Century and Contemporary Pop Art Wood Panel More Art

Materials

Metal

Good as Gold
Located in New Orleans, LA
medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
Category

21st Century and Contemporary Contemporary Wood Panel More Art

Materials

Mosaic, House Paint, Wood Panel

Disneyland
Located in New Orleans, LA
medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
Category

21st Century and Contemporary Contemporary Wood Panel More Art

Materials

Mosaic, House Paint, Wood Panel

Green Bubblegum Artwork by Contemporary Artist Von Motz
Located in BARCELONA, ES
Born in 1985 in Chorzow, Poland, Mateusz embarked on a creative journey that has led him to become a prominent figure in the art world. With a passion for photography ignited during ...
Category

2010s Abstract Wood Panel More Art

Materials

Concrete

Murder Has Its Sexual Side, by Jenny Holzer
Located in London, GB
MURDER HAS IT'S SEXUAL SIDE (TRUISM SERIES), 2000 Screenprint on cherrywood 3 1/2 x 5 1/2 in 9 x 14 cm
Category

Early 2000s Contemporary Wood Panel More Art

Materials

Wood Panel, Screen

FOREVER AVICII (Original And One Of A Kind Mixed Media Art Masterpiece)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* FOREVER AVICII is a very special creation both style a...
Category

21st Century and Contemporary Abstract Wood Panel More Art

Materials

Glass, Resin, Glitter, Acrylic, Wood Panel

Geodesy 1506
Located in Phoenix, AZ
acrylic on canvas, over circular wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...
Category

2010s Abstract Wood Panel More Art

Materials

Wood Panel, Acrylic

HER MAJESTIC QUEEN ELIZABETH II
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE TIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Her Majestic Queen Elizabeth is the THIRD and final h...
Category

21st Century and Contemporary Pop Art Wood Panel More Art

Materials

Glass, Plastic, Glitter, Acrylic, Wood Panel

Italian Landscape with Figures
Located in Milford, NH
A fine 19th century Italian School oil painting on wood panel of an Italian landscape with figures dancing around a pool with a mountain backgro...
Category

19th Century Italian School Wood Panel More Art

Materials

Oil, Wood Panel

FUTURISTIC RIO SLUM (Original Mixed Media Artwork)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE TIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The RIO SLUM series is an original design by Mauro Ol...
Category

21st Century and Contemporary Pop Art Wood Panel More Art

Materials

Resin, Glitter, Acrylic, Wood Panel

The Way Through, Pink and Purple Acrylic Painting, Bright Abstract Artwork
Located in Deddington, GB
Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

Alchemy II - Charlotte Aiken, Abstract, transformation, copper, diptych, swirls
Located in Knowle Lane, Cranleigh
Alchemy II by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium of paint, working on ...
Category

2010s Contemporary Wood Panel More Art

Materials

Copper

17th C painting of a peasant couple preparing for Carnival.Flemish School.
Located in brussel, BE
Preparation for Carnival: a three day festival of insatiable eating, drinking and carousing that preceded the forty days of Lent, a period of penitence when the pious drank only wate...
Category

17th Century Baroque Wood Panel More Art

Materials

Oil, Wood Panel

Dutch or Flemish Landscape with Figures & Animals
Located in Milford, NH
A beautifully detailed late 17th or early 18th century Dutch or Flemish landscape with cows grazing in the water, goats, dogs, and other animals near the water’s edge, under the watchful eye of the herdsmen, on a backdrop of rolling hills and trees. Oil on wood panel, unsigned, and housed in a Rudolph...
Category

Late 17th Century Flemish School Wood Panel More Art

Materials

Oil, Wood Panel

Flight
Located in East Hampton, NY
About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract expressionism ...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

Church Window
Located in Sag Harbor, NY
A plein air study of a church window. Even with such few brushstrokes, Dalessio manages to bring a romantic feeling to the panel painting. Artist Bio M...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

Remembering the Albaicin
Located in East Hampton, NY
Remembering the Albaicin On wood panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discover...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

"Santa Maria Novella" 2007 realist landscape, oil painting, Tuscany, dirt road
Located in Sag Harbor, NY
An oil painting by American plein-air painter Marc Dalessio. A depiction of the rolling hills of Tuscany. Cultivated nature lives on the left with the vineyard organized with fencep...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

Beach Wildflowers
Located in Sag Harbor, NY
A deeply impressionistic plein air painting of the beach and its flora. Clouds along the horizon, waves crashing on the beach. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Mar...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

Ice Plant, Carmel-by-the-Sea
Located in Sag Harbor, NY
A plein air painting of the Carmel coast in California. The quick white brushstrokes approximate the crashing water on the rocks. Artist Bio Marc Dalessio was born in 1972 in Los An...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

View from Arrifana
Located in Sag Harbor, NY
Dalessio makes the sea sparkle in this plein air depiction of the coast of Portugal. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Marc Dalessio was born in 1972 in Los Angele...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

Tribeca Sunset
Located in Sag Harbor, NY
A plein air painting. An impressionistic view of a street in Tribeca. The setting sun illuminates the skyscraper in the distance. Artist Bio: Marc Dalessio was born in 1972 in Los ...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Oil, Panel, Wood Panel

"Eglise Saint-Jean Baptiste" Oil painting, impressionist, plein air, France
Located in Sag Harbor, NY
Orsolic Dalessio's plein air painting is a picturesque depiction of the French countryside. Her impressionistic brushstrokes along with the soothing colors of nature, create a dreamy...
Category

21st Century and Contemporary Impressionist Wood Panel More Art

Materials

Panel, Wood Panel, Oil

Portrait Gentleman Black Coat Orange Sash, Dutch Old Master, Oil on Panel c.1650
By Bartholomeus van der Helst
Located in London, GB
This exquisite portrait of a gentleman depicted in a sumptuous black coat edged with silver and slashed sleeves is an excellent example of the type of portrait fashionable in England and the Low Countries during the 17th century. The confident pose, striking orange sash - the colour of the house of Orange Nassau - and the leather gorget imbue the sitter with a sense of masculinity and power. The profusely decorated costume is of the highest quality and de rigueur of an elite class - the artist has carefully cultivated this portrait to emphasise the sitter’s wealth and standing in the society that he belonged to. The casual pose, with one arm resting on a hip, is much less formal than earlier decades, and it speaks of ‘sprezzatura’ – one’s appearance should not appear laborious, but instead, effortless. The oil on cradled panel portrait can be dated to circa 1650 based on the hairstyle and the attire - small falling collar, short doublet (doublets reduced in size to just below the ribcage in the late 1650’s), and the type of slashed sleeves with the sleeve seams left open to reveal the white fabric. The demand for portraits in the Netherlands was great in the 17th century. Bartholemeus van der Helst was considered to be one of the leading portrait painters of the Dutch Golden Age surpassing even Rembrandt as the most sought-after portraitist in Harlaam. The Dutch Golden Age, roughly spanning the 17th century, was a period when Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still life’s of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The new wealthy class were keen to have their portraits commissioned and many artists worked in this lucrative field. Such was the popularity of art that everyone had a painting, even the humble butcher, and hundreds of thousands of paintings were produced. By tradition the sitter is Maarten Tromp (1598-1653) who was an Admiral in the Dutch Navy (the reverse of the portrait contains an old handwritten inscription “van Tromp”). Certainly, the distinctive orange sash is similar to those worn by officers of the Dutch army in the Netherlands who served under the Princes of Orange and the House of Nassau. However, it should be noted that the physiognomy differs from other images of Tromp. Tromp was the oldest son of Harpert Maertensz, a naval officer and captain. He joined the Dutch navy as a lieutenant in July 1622 and was later promoted from captain to Lieutenant-Admiral of Holland and West Frisia in 1637. In 1639, during the Dutch struggle for independence from Spain, Tromp defeated a large Spanish fleet bound for Flanders at the Battle of the Downs, which marked an enormous change - the end of Spanish naval power. He was killed in action during the First Anglo-Dutch War in 1653 where he commanded the Dutch fleet in the battle of Scheveningen. Gloves were an absolutely vital accessory and the elaborate pair in this portrait are embellished with threads of silk and precious metals and salmon-coloured lining. He wears only one glove and holds the other, providing an opportunity to better display the cuffs and detail on his right wrist and forearm. The gloves are probably made from the most prized leather which came from Spain, in particular from Cordova. Cordovan leather was tanned with a special vegetal process that left it both highly impermeable and divinely soft. King Charles I, posed in a rather relaxed manner for Daniel Mytens’s portrait in 1631, is wearing gloves and boots in matching Cordovan leather. The hide is thick, but you can see just how supple it is from the way the gauntlet dimples and the long boot legs fold over themselves, rippling and wrinkling at the ankles. Apart from keeping hands warm the use of gloves during the 15th through the 19th centuries were full of symbolism and they were worn regardless of the season. They kept the skin unblemished - soft, smooth hands were considered highly attractive. This combination of necessity and proximity to bare skin made gloves a deeply personal gift and they took on a strong symbolic significance and were regarded as emblematic of fidelity and loyalty for hundreds of years. Such was the importance of their symbolism was that some gloves were never intended to be worn at all. Their luxury made them ideal gifts at court, and so in the 15th and 16th centuries, ambassadors often presented them as symbols of loyalty. Until the mid-19th century, it was customary to give gloves as tokens to guests at weddings and to mourners at funerals. Gentleman often gifted their bride-to-be with a pair of gloves (the obligatory gift) and were handed over at the betrothal and put on display before the wedding took place. It was probably their direct contact with the skin that led to the eroticism of gloves. Not only were pairs often exchanged between lovers, but from the 16th to the 18th centuries, it was common practice to remove one glove and give it as a gift to a favourite. The idea of the item being presented still warm from the wearer’s hand is certainly suggestive. Following the death of King George IV, his executors purportedly found over a thousand mismatched ladies’ gloves among his possessions. The sentiment of a 17th-century poem reveals the popularity of the practice: “Come to our wedding to requite your loves / Shew us your hands and we’ll fit you with gloves.” Such generosity might be pricey for the hosts, but gloves of varying quality could be offered depending on the status of the recipient. Pairs made with the finest Spanish leather might be reserved for immediate family, while coarse sheep’s leather could be distributed among the servants and tradesmen. The apportioning of quality according to class provided a very clear message of the gloves’ intended use. For refined guests, they were decoration; for the lower classes, they were functional. Bartholomeus van der Helst...
Category

17th Century Old Masters Wood Panel More Art

Materials

Oil, Wood Panel

Fabiana : Achy & Ornate
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

The Grand Grammy (Original Collage Artwork w/ 10.000+ Swarovski+ Czech Crystals)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* ***Looking for one of kind precious high ending gift that no one else will have? This is one of them!*** One of a kind piece of art with 10.000+ Swarovski+Czech Crystals placed one by one. The artist took over 2 months to complete it. This Grand Grammy...
Category

21st Century and Contemporary Modern Wood Panel More Art

Materials

Mixed Media, Acrylic, Glass, Resin, Glue, Wood Panel

Alora : Absolute
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

Alani : Audacious
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

Valencia : Never Frozen
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

Cheree : Cheeky
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

Blossom : No Sugar Added
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Wood Panel More Art

Materials

Brass

Americana 1848 pokerwork pyrography panel Prophet or Gospel writer Pennsylvania
Located in Norwich, GB
a wonderful antique pokerwork/pyrography panel by I W Wells, an American artist who flourished between 1845 - 1880. He was active in Pennsylvania/Philadelphia, yet most of his work is conserved in the Pinto Collection, which is part of the Birmingham Museums Trust in the UK. A portrait of Tennyson by Wells is in the Virginia State...
Category

1840s Outsider Art Wood Panel More Art

Materials

Wood Panel, Etching

Feeding the Chickens I
Located in Charleston, SC
Category

21st Century and Contemporary Wood Panel More Art

Materials

Oil, Wood Panel

Feeding the Chickens ll
Located in Charleston, SC
Category

21st Century and Contemporary Wood Panel More Art

Materials

Oil, Wood Panel

Reflections Through The Looking Glass No. 13 - Textural Colorful Abstract Art
Located in Los Angeles, CA
Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...
Category

2010s Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

Don’t Come In, It’s a Mess
Located in East Hampton, NY
“Don’t Come In, It’s a Mess” oil and silver leaf on wood 28” x 9.5” framed About the Artist: Shanna E. D'Antonio is a mixed-media artist living and working in Hammond, Louisiana. ...
Category

2010s Naturalistic Wood Panel More Art

Materials

Silver

Speedy Snoopy (Original Artwork On Wood Panel)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Speedy Snoopy by Mauro Oliveira, signed. Abstract pai...
Category

21st Century and Contemporary Abstract Wood Panel More Art

Materials

Acrylic, Wood Panel

CB Hoyo Skateboarding "Apparatus" Fuck Us, Fuck Them, Fuck Her, Fuck Him, Fuck!
Located in Draper, UT
Skateboarding Apparatus, 2021 Skate Deck 32 x 8 x .25 in (81.3 x 20.3 x .64 cm) Edition of 150, w/ Signed COA Multidisciplinary artist CB Hoyo is known for skewering norms, his word...
Category

2010s Wood Panel More Art

Materials

Wood Panel, Screen

Seated Figure 1
Located in Denver, CO
Seated Figure 1
Category

21st Century and Contemporary Wood Panel More Art

Materials

Oil, Wood Panel

Wood Panel more art for sale on 1stDibs.

Find a wide variety of authentic Wood Panel more art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add more art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mauro Oliveira, Carlton Scott Sturgill, Marc Dalessio, and Bryan David Griffith. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood Panel more art, so small editions measuring 0.1 inches across are also available Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $929,058, while the average work can sell for $1,100.

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