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Debra RamsaySometimes it’s nothing at all (Abstract painting)2019
2019
About the Item
Sometimes it’s nothing at all (Abstract painting)
Acrylic on MDF panel - Unframed.
Ramsay's work is informed by nature, the seasons, changing landscapes and the passing of time. She is inspired by systems, mathematics and geometry, and engaged in the practice of applying those fields of thought to the abstract interpretation of color, space and time.
- Creator:Debra Ramsay (American)
- Creation Year:2019
- Dimensions:Height: 16.01 in (40.64 cm)Width: 16.01 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65939556952
Debra Ramsay
Debra Ramsay is an American abstract artist who creates acrylic paintings, drawings and installations that explore the conceptual interplay between color, line and surface. She lives and works in New York City. Ramsay graduated from the Pratt Institute in Brooklyn in 1984 then earned her BA from Brooklyn College in 1986. She also attended Oregon State University in Corvallis, OR, graduating in 1999. She's been awarded residencies with the Albers Foundation and The Golden Family Foundation, both in New York, and the BAU Institute in Otranto, Italy. Ramsay's work has been extensively exhibited in numerous solo and group shows across the United States, as well as in Italy, Thailand and Germany. She has been written about and interviewed in the press. Ramsay's work is included in numerous private, corporate and institutional collections, including those of Alliance Bernstein, New York and the Ritz Carlton, Dubai. Ramsay's technique begins with an idea. From there she chooses the appropriate medium and method with which to realize her concept. Much of her work is painted with acrylic paint applied to polyester film, paper or museum board. Ramsay's process engages a systematic, mathematical approach heavily influenced by color. She interacts with nature, documents the shifting colors of elements of the natural environment, such as landscapes, fruit, leaves and trees. Often, she returns to the same exact spot at different periods throughout the year, documenting the shifting colors over time. Back in the studio, she then feeds the colors she documents into a computer program, analyzing them and using the analyses to mix paint. The resulting work presents an abstraction of specific spaces or objects in time, informed by mathematics and explored through geometry and color.
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