Unknown

Geometric Abstraction by Mystery 20th Century Aboriginal Artist

c. 1980

Mystery Artist, Style of Washington Color School Untitled, c. Later 20th Century Oil on canvas 22 x 27 3/4 x 3/4 in.

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Untitled, 1998 Oil on canvas 35 3/4 x 35 6/8 x 1 1/2 in. Signed and dated lower right

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

Tats Cru, Inc. / Nosm Untitled, 2004 Acrylic and spray paint on canvas 24 x 30 in. Signed verso Tats Cru, Inc. is a group of Bronx-based graffiti artists turned professional muralists.[1] The current members of Tats Cru are Bio, BG183, Nicer, HOW, and NOSM. Tats Cru were founded by Brim, Bio, BG183 and Nicer. Over the last two decades, Tats Cru has produced various advertisements for clients ranging from neighborhood businesses and institutions to large corporations like Coca-Cola and Sony.[2][3] Tats Cru is also a major producer of New York City-style memorial murals, and have created artwork for many musicians including Nicki Minaj, Missy Elliott...

Geometric Abstraction Oil on wood construction 26 x 25 1/4 in.

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Bonr on December 18, 1940 in Vestignè (Turin) in Italy, Ferruccio Gard is considered to be a central figure in Programmed Art, Kinetic Art and Constructivism since the 1970s. Gard i...

Paul Brach (American, 1924-2007). Cluster #3 Acrylic on canvas with collage metal stars on it. Paul Henry Brach, (born March 13, 1924 in New York City - d.November 16, 2007 in Easthampton, New York) was an American abstract painter and a lecturer and educator. As an abstract painter Paul Brach exhibited his work in New York with the Leo Castelli Gallery, the Cordier & Eckstrom Gallery, and with the André Emmerich Gallery and then later with Flomenhaft Gallery. Paul Brach's estate is represented exclusively by Eric Firestone Gallery. Paul Brach was born in New York City and was raised in Brooklyn and the Bronx. He went to the University of Iowa where he studied painting with Grant Wood. He served in the US Army during World War II. After the war, he finished school in Iowa on the GI Bill. At the University of Iowa he met the artist Miriam Schapiro and in 1946 they married. By 1951 they moved back to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. He was associated with the New York print studio Atelier 17 (Stanley Hayter) During the early 1960s Brach had part-time teaching jobs at The New School, Cooper Union, The Parsons School of Design and Cornell University's New York City Program. In 1967 Brach and his wife Miriam Schapiro moved to Southern California. He became the Dean of the CalArts program in Los Angeles in 1969. As dean of the School of Art at the California Institute from 1969 to 1975, Mr. Brach hired John Baldessari, Allan Kaprow and the critic Max Kozloff, among others. He helped to create a freewheeling experimental atmosphere out of which emerged artists like David Salle, Eric Fischl, Barbara Bloom...

"Day at the Coast" by Robert Glick is a captivating 30" x 30" acrylic on canvas that masterfully blends the realms of abstraction and geometry. As part of...

Artist: Arthur Boden Title: Sea Deep Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 87 in. x 51 in. (220.98 cm x 129.54 cm) (can be hung vertically as well)

Artist: Peter Mack Title: Circulars 2 Year: circa 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm)