Unknown

Early 19th-Century English School, Bay Horse In A Landscape

1823

This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

This late 19th-century oil painting by French artist Camille Magnus (1853-1894) depicts a picturesque forest landscape with cattle taking water at a pon...

This late 19th-century oil painting by Belgian artist Isidore Verheyden (1846-1905) depicts a small farmyard. Snuffling and grunting amid the grubby hay, a chubby pig with a muddy n...

This charming 19th-century oil painting by Danish artist Christian Berthelsen (1839-1909) depicts a village scene with storks nesting atop a timber-framed dwelling. Is it simply a gentle portrayal of idyllic family life? Or does it allude to a sinister fairy tale by a well-known Danish author? Berthelsen was born on the small picturesque island of Føhr, where most families worked the land and lived in villages peppered with quaint thatched cottages. Amid these rural communities, children became familiar with various folk stories including those told so menacingly by the author Hans Christian Andersen. In 1839, the year Berthelsen was born, Andersen published ‘Storkene’, a typically macabre tale involving a family of storks. It begins: "On the last house...

This charming late 19th-century French School oil painting depicts a forest view with deer. Stylistically, it fits with the approach taken by the Barbizon school of artists who were...

Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and da...

A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...

Scottish/British artist John Gifford is best known for his paintings of Setters, Spaniels and Ponies in the Scottish countryside and highlands. Sought after for his sporting artwor...

A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'. Provenance: Anonymous sale, London, Christie's 28 May 1999. lot 15 Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter. His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression. Beach painted...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...