Oil Animal Paintings

War Horse, 19th Century after Sir Edwin Henry Landseer (1802-1872) Large 19th century Napoleonic Cuirassier War Horse scene, oil on canvas. Excellent quality and condition depicti...

Hunt Slonem "2 East Lake" Hot Pink Bunnies Two black gestured black bunnies on a solid hot pink background. Framed in an antique wooden gold frame. Unframed: 14 x 10 inches Framed: ...

Herbert ‘William’ Weekes British, (1841-1914) Farmyard Friends Oil on panel, signed Image size: 11.75 inches x 7.5 inches Size including frame: 18 inches x 14.5 inches A humorous animal painting of...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is signed and dated 1876, in which year it was exhibited at the Royal Society of British Artists in London. Henry Garland entered the Royal Academy Schools in 1853, winning medals for 'Best Drawing from the Life' in both 1854 and 1857. From 1854 he exhibited at the most prominent London venues having 30 paintings shown at the Royal Academy, 67 at the Royal Society of British Artists, and 12 at the British Institution. Today one of Henry Garland’s paintings hangs in the famous Long Room at Lords Cricket...

Ferrán Martí (1943) Caged rabbits oil Oil measures 19x24 cm. Frame measures 32x37 cm.

English mid century oil painting Portrait of a cute Corgi. Paintings of this breed are very rare and very collected. Kate Gray was a British animal portrait painter during the last...

This early to mid 19th century diptych features a pair of King Charles Spaniels, one with a Blenheim coat (left) and one with a black coat. The unidentified artist chose a medium of ...

This charming early 19th-century English school oil painting depicts a bay horse before a picturesque landscape. The British aristocracy has always had a passion for equestrian acti...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Dog Painting: "Portrait of a Chihuahua with Red Bow" Zacharias Noterman (Belgium, France 1824-1890) Circa. 1870s Oil on wood panel (mahogany) Original stucco and gilt frame 13 1/2 x...

This piece is an original oil painting on linen panel. It's overall framed dimensions are 16x18 inches. GC Williams has a degree in art history which gave her an understanding of, a...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This piece is an original oil painting on linen panel. It's overall framed dimensions are 16x18 inches. It is framed in a silver and navy blue hand-painted frame. GC Williams has a ...

Fox Hounds & Jack Russell Terrier In The Kennels, 19th Century by John C Entwistle (1842-1899) Large 19th Century English kennel scene with the fox hounds and a terrier resting, oi...

Artist: Slonem, Hunt Title: Flop Ears Date: 2024 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Unique Pro...

Title: Company 1 Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

In Nathan Neven's captivating masterpiece, "Right by You," the wild comes alive within the confines of an interior setting. Crafted with oil on canvas, this original work brings toge...

Artist: Slonem, Hunt Title: 4 Orbs Hutch Date: 2024 Medium: Oil on Wood Unframed Dimensions: 24" x 20" Framed Dimensions: 27.5" x 23.5" Signature: Signed Verso Edition: Unique...

Artist: Slonem, Hunt Title: Nashville Date: 2024 Medium: Oil on Wood Unframed Dimensions: 19" x 23" Framed Dimensions: 21.5" x 25.5" Signature: Signed Verso Edition: Unique Pr...

Le Lad Blanc et ses Chevaux, 19th Century by ALFRED DE DREUX (1810-1860) to $950,000 Large 19th Century French classical scene of The Death Of Icarus, oil on canvas attributed to A...

GROWING UP (#11) is a unique oil on canvas diptych painting by contemporary artist Zoran Šimunović, dimensions are 180 × 290 cm (70.9 × 114.2 in). The artwork is sold unframed. The a...

This early 20th-century oil painting by French artist Charles Clair (1860-1930) depicts numerous sheep feeding in a stone barn. Hailing from the picturesque rural area of Mars-sur-A...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

Brian Keith Stephens' "Eye's To The Sky" is a captivating original artwork, measuring 42 x 55 inches, created in 2024 using oil and wax on cotton. This piece, unframed yet ready to h...

"Looks Like Sun" is an evocative original painting by Brian Keith Stephens, capturing the rugged spirit of a western buffalo. This piece, using oil and wax on cotton, measures 32 x 4...

"Slow Speed" is an original painting by Brian Keith Stephens, beautifully composed on cotton using oil and wax. This artwork measures 40 x 54 inches and is presented unframed, ready ...

GROWING UP (#10) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of...

Signed impressionist oil on canvas figure and animals in landscape by French painter Julien Dupre. The work depicts a shepherdess resting on a log as her sheep graze in the green mea...

"Ocelots Managua" is an oil painting by famed Neo-Expressionist Hunt Slonem. This work is completed with a golden vintage style ornate frame and features a group of playful felines o...

19th century Dutch romantic painting of animals resting in their pasture by Jan Van Ravenswaay Jan van Ravenswaay was a prominent Dutch painter of the 19th century, recognized for h...

Title: Running Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

Adorable 19th century cat painting "Le Chat" painted by Alexandre Clarys This mesmerising cat gazes intently at the viewer, whilst the artist has captured his fluffy fur and sparkl...

Available at Madelyn Jordon Fine Art. Hunt Slonem bunny oil painting 'Dutch Hutch' 2023. Oil on wood, 24.5 x 18.5 in. / Frame: 31 x 25 in. This painting fe...

Artist: Slonem, Hunt Title: Savannah Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23.5" x 18" Framed Dimensions: 28" x 22.5" Signature: Signed Verso Edition: Unique Pr...

Do Astronauts Need Art? (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

In this masterly painting, Francesco de Mura presents the meeting of Herminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered...

Do Dolls Have Emotions? (#3) is a unique oil on canvas painting by Croatian contemporary artist Zoran Šimunović, dimensions are 180 x 150 cm (70.9 × 59.1 in). The artwork is signed,...

Don Pollack's work centers on portraying the interplay between society and nature. He employs impressive realism in oil painting to illustrate his personal journeys. Pollack also del...

Artist/ School: British School, signed Iris M. Howard (after the painting by Sidney Percy). Title: The Lake District Medium: oil on board, framed Framed: 16 x 20 inches Painting...

GROWING UP (#6) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

Do Dolls Have Emotions? (#1) is a unique oil on canvas painting by Croatian contemporary artist Zoran Šimunović, dimensions are 180 x 150 cm (70.9 × 59.1 in). The artwork is signed,...

Do Astronauts Need Art? (#2) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

GROWING UP (#3) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

‘On the Ribble, Summertime’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in Lancashire – is signed by th...

GROWING UP (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

"Red Rover" by Hunt Slonem features a grouping on rabbits on a garnet red background. This oil painting comes with an artist-selected vintage style gold fram...

A trio of floppy eared rabbits is the subject of this lively oil portrait by Hunt Slonem. A favored subject of the famed Neo-expressionist artist, rabbits are signifiers of luck, pla...

America Martin "The Cow, The Dove and The Moon" Oil & Acrylic on Canvas 102 x 56 in. ______________ Exploring the identity of both her namesake and country, LA-based America Martin ...

Hunt Slonem bunny oil painting Hunt Slonem bunny oil painting 'Smooch' 2023. Oil on wood, 10 x 8 in. / Frame: 16 x 14 in. This painting features Slo...

Rose Freymuth-Frazier Wise Ones oil on linen 32h x 50w in 81.28h x 127w cm RFF059 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary explorati...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the frame...

Artist: Thomas Hunt (English, 1854-1929) Title: "Unsold Cattle Returning from the Fair" *Signed and dated by Hunt lower right Year: 1883 Medium: Original O...

This portrait depicts us the trusted confidant of the Conflans d'Armentières family. More precisely, Julien Prieur was the fiscal procurator of the Marquisate of Armentières, playing the role of representative of the "public ministry", safeguarding the interests of his lord. His role, one can imagine, was crucial at the death of Michel de Conflans (in 1717) since the latter left an heir, Louis, aged only 6, and a widow, Diane Gabrielle de Jussac, whom some memoirs describe as "a very clever grande dame" . Prieur ensured the smooth running of the family's affairs and it is probably to thank him for his services that Diane Gabrielle had his portrait painted, most probably by a painter close to Jean-Baptiste Oudry. Julien Prieur appears as he is, middle-aged, with a benevolent look, in his hunting suit. Only his knotted wig links him to the nobility. Above all, he is depicted as a hunter, a passion that he shared with the Marquis of Armentières. His very young master, Louis, became a first-rate hunter, hunting in the King's entourage, in whose cabinet he died of apoplexy in January 1774. As for the his son, he was one of Louis XVI's closest hunting companions, as numerous souvenirs attest . 1. Some biographical information about the model and the commissioner While the identity of many 18th century portraits is uncertain, an old label stuck on the reverse of the canvas gives us some precise information on the identity of the model: "Mr. Julien Prieur, homme d’affaires de Mr. le Marquis d'Armentières - Commune of Brécy - Aisne". The label also suggests that it could be his son Louis Prieur living in Rocourt (probably Rocourt-Saint-Martin, a neighbouring municipality of Brécy), born on 30 September 1745, who died on 8 July 1826, but this hypothesis must be rejected in view of the model's clothing. This label probably gives us an indication on the previous owner the owner of this painting; we will see later why it seems likely that this label was affixed between 1826 and 1832. Brécy is now a municipality in the Aisne County (Hauts-de-France) located between Soissons and Château-Thierry, slightly north of the Paris-Reims axis. It borders the municipalities of Armentières-sur-Ourcq and Rocourt-Saint-Martin. According to Louis Prieur's death certificate, he was in fact born in 1743 and not in 1745 . The age of the model in the painting and the dating of this painting would indicate that Julien Prieur, was probably born at the very end of the 17th century. In Louise-Marthe de Conflans-Coigny, chatelaine de Brécy , we read that "the Conflans were a family of ancient nobility, which genealogists trace back to the 12th century, when it was said to have come from the house of Brienne. In the 16th and 17th centuries, this family had several illustrations in the profession of arms. [...] Michel de Conflans, [...] belonged to a younger branch of the family, of which Saint-Simon wrote, with his acid soaked pen, that "poor and obscure, they had never left their village, where their house resembled a hut" and elsewhere that they "lived on their rifles and cabbages". Fortunately for Michel de Conflans, the last representative of the elder branch, Henriette d'Armentières, made him her heir on her death in 1712. It was through her that the land of Armentières and its 14th century castle became part of the estate of this branch, as well as, not far from there, the land of Brécy and the castle of Le Buisson, where the family lived. In the early years of the 18th century, Michel de Conflans was able to push himself into the entourage of the Duke of Orleans, becoming his first gentleman of the chamber. However it was above all his son Louis who restored the family status through his military career. Born on 23 February 1711, Louis de Conflans, Marquis d'Armentières died of apoplexy on 18 January 1774, in the King's cabinet at Versailles. Appointed lieutenant general in 1746, he received his Marshal of France’s stick in 1768. The Dictionary of French Biography writes of him that "without ever achieving a high command, he appeared with honour in all the wars of his time". The estates of Armentières and Le Buisson were sequestered during the French Revolution, declared national property and sold at auction (in 1794 and 1795 respectively) after the Marquise d'Armentières, the Marshal's second wife, was beheaded in 1794. The Château du Buisson (where Michel de Conflans died in 1717) was bought by a granddaughter of the Marshal de Conflans, the Marquise de Coigny, in 1816 and remained in her family after her death in 1832 until the sale of the 1,054 hectares estate in 1866. The bayonet blows that probably pierced the canvas in three places may well have a revolutionary origin and it is conceivable that the painting, acquired by the Marquise de Coigny from Louis Prieur, Julien's son, after the latter's death, was then restored and given the label specifying the name of the model. 2. Description of the portrait The painting presents a man in his thirties in his hunting costume. Pictured at mid-body, his face is marked by his life in the open air and characterised by a look of great bonhomie. Holding a rifle under his elbow, he is soberly dressed in a large caramel-coloured jacket, decorated with silver buttons. Presented in a three-quarter view, the model holds a partridge in his right hand. The jacket opens onto a vermilion waistcoat. A green shoulder strap probably holds a powder flask hidden under his arm while a satchel is visible on his belt. The model is wearing a grey wig, tied at the back with a black ribbon that seems to fly in the wind. This ornament anchors Julien Prieur in his time. "The new King of France, Louis XV, [imposed] a style of smaller wigs for men and the rigorous white or preferably greyish powdering. From the middle of the century men also used a ponytail on the back of the neck, tied with a ribbon, a style that became very popular in all courts." He stands out against a dark, purplish sky at the end of an autumn day in a soberly sketched forest landscape. The treatment of the sky recalls the influence of Largillière, Oudry's first master. 3. Jean-Baptiste Oudry Jean-Baptiste Oudry was born on 17 March 1686 in Paris, rue de la Ferronnerie. He began his apprenticeship around 1705-1707 with Nicolas de Largillière, with whom he stayed for five years. In 1713 Oudry established his "livre de raison" in which he reproduced all his early works in wash drawings up until 1718. During this first period which lasted about 7 years, Oudry produced works of great diversity, both in the genres that the artist tackled and in the artists which influenced him. It has been estimated that he painted about 150 pictures during this period: mainly portraits, but also still lifes and some religious paintings and landscapes. Of the hundred or so portraits that Oudry is said to have painted during this period, only fifteen have been identified today. A number of those lost portraits are probably still confused with works by Largillière. First admitted to the Académie de Saint-Luc in 1708, he was then allowed to join the Académie Royale in 1717, and subsequently admitted as a history painter in 1719. This year marks a turning point from which Oudry will assert himself as an animal painter. In 1723 he met Louis Fagon, Intendant of Finances, and the Marquis de Beringhen, the King's first equerry, who became both friends and patrons of the artist, giving him access to royal commissions and enabling him to be appointed as painter of the Royal Tapestry Factory of Beauvais in 1726. From 1728 onwards, the creation of tapestries became the core of his work, even though at the same time Oudry developed his skill as an illustrator, first for Scarron's Roman Comique and then for La Fontaine’s Fables. Between 1726 and 1731, Oudry created the decoration of a large drawing room at the château de Condé-en-Brie, about twenty kilometres from Brécy, which has remained in place to this day. This important commission, about which few details are known, is said to have originated with the Countess de Verrüe, a great lady of the French Regency who often stayed at Condé with her friend Jean-François Leriget, Marquis de la Faye, then owner of Condé. A prolific artist, Oudry fulfilled numerous commissions in parallel with his regular contributions to the Salons, to which he regularly took part until 1753. He suffered a stroke in 1754 and died the following year. It seems almost certain, in view of the importance of his work, that Oudry supervised a workshop in which several artists were involved, but this point is very poorly documented. Given the geographical proximity of Brécy and Condé-en-Brie, the links between the Armentières family and the Condé patrons, and finally based upon the quality of our portrait, we propose the hypothesis that it was painted by one of the painters who worked with Oudry at Condé. 4. Related artworks: comparison with some other portraits of hunters by Jean-Baptiste Oudry While Oudry gradually abandoned portraiture from 1720 onwards to devote himself to animal paintings, he seems to have made an exception for hunter portraits, which were often depicted in the company of their hunting dogs. Two examples seem particularly evocative and suggest a dating for our painting around 1730. We will see in a second part why this dating proposal seems relevant. The first portrait worth mentioning is the presumed portrait of Lieutenant Claude-André Courtin de Crouey, lord of Quatre Fils and Cormeilles-en-Parisis made in 1723, reproduced below. Also presented in a very tight frame, it is interesting for the similarities in the representation of the rifle, and in particular the two metal rivets that are almost identical in our painting. The painting that seems closest to ours is the presumed portrait of Monsieur...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the framed artwork: 182...