Patrice Brisbois

"Le Plongeur" (The Diver) Figurative Underwater Scene in Oil on Linen

1995

Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...

Gorgeous horse portrait by Ada Ducker Kruse a Santa Cruz artist (American, 1900-1995), 1947-1948. Signed and dated lower right corner "Ada Ducker "1940". Presented in vintage giltwo...

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Woman, Dog & Spring Flowers, Large Scale Figurative Abstract with Petroglyphs by Cindy Kane Absolutely stunning large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...

Stunning large scale abstract expressionist horse's head/eye, circa 1990. Unsigned. Unframed. Size: 60"H x 60"W x 1.5.

Large scale and dramatic, ""Langostina, an abstract painting by Harold Black (American, 1913–1993). Signed lower right and on verso. Presented in giltwood frame. Image, 40”H x 22”W. ...

JP Marsman Freedom IX Oilpainting on linen 70 x 70 cm ( the painting is framed in a wooden black frame (see pictures) With the frame the size is 75 x 75 cm JP Marsman's cheerful and hyper-realistic paintings appeal to the imagination on several levels. In the last two years his paintings became more and more popular and are worldwide in several collections. Artisan; the work is painted so realistically that everything seems 'touchable'. It seems to be 'there'... Color; the artist isn't afraid to go wild with color. This gives the still lifes a liveliness that is unique for 'still lifes'. Combinations; the subjects that Jean Paul Marsman...

JP Marsman Freedom VIII Oilpainting on linen 70 x 70 cm ( the painting is framed in a wooden black frame (see pictures) With the frame the size is 75 x 75 cm JP Marsman's cheerful and hyper-realistic paintings appeal to the imagination on several levels. In the last two years his paintings became more and more popular and are worldwide in several collections. Artisan; the work is painted so realistically that everything seems 'touchable'. It seems to be 'there'... Color; the artist isn't afraid to go wild with color. This gives the still lifes a liveliness that is unique for 'still lifes'. Combinations; the subjects that Jean Paul Marsman...

Recreation of business partners in the city park of a big city... • Linen canvas, high-quality oil paints. • Two coats of protective gloss varnish were applied to protect the painti...

An oil painting of a brown horse, standing on green grass on a sunny day. Painted en plein air, after days of studying and sketching, Ben Fenske captured the correct proportions and ...

Painted in the style reminiscent of the Old Master, Freymuth-Frazier brings the subject matter into the present. Here we see a woman - a self portrait - dressed in a sumptuous silk robe and gown, clutching a Persian cat yet with curlers in her hair. Painted during the early days of the pandemic, Rose takes her subjects from her surroundings, not necessarily her own experiences, but rather part of a larger experience of being a woman in today's society. Rose Freymuth-Frazier Midlife Madonna oil on linen 56h x 34w in 142.24h x 86.36w cm RFF047 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker...

An Apples. ( To Steve Jobs Memory) 1998-2015. Oil on linen, 64,5 x 75 cm