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Jan Frans van Bloemen (Orizzonte)Pair of Roman Landscapes - by J.F. Van Bloemen - 18th Century18th Century
18th Century
About the Item
Beautiful couple of Roman Landscape by J. F. Van Bloemen, in very good conditions and with later wooden frames.
Bibliography and Exhibitions:
Old Master Exhibition, H.Terry-Engell, Londra, 1957, nr. 2 and 3.
A.Busiri Vici, Jan Frans Van Bloemen Orizzonte e l’origine del paesaggio romano settecentesco, Ugo Bozzi Editore, Roma 1974, n. 162 and 163
Jan Frans Van Bloemen was the most famous landscape painter among the artists active in Rome in last years of the 17th century and of the first half of the 18th century. Also, he was also one of the most famous painter of Roman landscape with classical or "heroic" tradition.
He was successful in Rome and received commissions for the painting of large vedute from famous patrons such as the Queen of Spain Elizabeth Farnese, the Roman nobility and the Pope.
The artworks conserved in the Roman princely galleries Doria, Colonna, Corsini, Rospigliosi are proofs of his mastery.
The first oil painting represents a view of Tivoli, a town near Rome. In the background of this rural landscape, there is the famous Temple of Vesta, dating to the early 1st century B.C. In the second oil painting, there are 4 figures in the landscape.
These two artworks come from a famous and prestigious private in Italy.
These artworks are shipped from Italy and come with an international passport which guarantees them to be quickly delivered.
- Creator:Jan Frans van Bloemen (Orizzonte) (1662-1749, Flemish)
- Creation Year:18th Century
- Dimensions:Height: 24.81 in (63 cm)Width: 34.26 in (87 cm)Depth: 0.56 in (1.4 cm)
- Medium:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Jan Frans van Bloemen (Orizzonte)
Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition. Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn, Thomas Wyck, Willem Romeyn and Willem Schellinks. His painted vedute fall into the category of the vedute that combine reality with imaginary elements. His landscapes have an Arcadian lushness, with mountains, streams, distant hamlets, and small inhabitants painted with imprecise pittura di tocco ('painting of touch') using small dotting and spirited brush-strokes. Unlike van Wittel, van Bloemen did not generally depict views of areas distant from Rome such as the Tiber valley or the Alban hills. His subjects were limited to views in the immediate vicinity of Rome, an outline of which was typically visible in his compositions. Van Bloemen was in particular known for his 'estate views' representing the estates of the nobility in the Roman Campagna. His views aim to associate the modern estate view with the classical arcadian landscape. Rather than offering the wide panoramic views, distant horizon and atmospheric effects associated with topographical landscapes, van Bloemen's estate views emphasize minute observation of reality and a limited viewpoint. The estates are thus made to appear as immutable features of the local landscape. He worked together with other painters who painted the figures in his landscapes such as Carlo Maratti, Placido Costanzi and Pompeo Batoni. However, he only relied on such collaboration with figure painters in the last decades of his life when he produced his most ambitious classicising compositions. Even then he only relied on these figure specialists for the most prominent figures in the foreground while he took care of the minor characters. In fact, van Bloemen was an accomplished staffage painter and he was very skilled at quickly learning to imitate the style of his collaborators. As a result, many of the figures in his paintings that are attributed to prestigious contemporaries were actually by his own hand. His landscape drawings, which often depict imaginary ruins, have been confused with those of his brother Pieter, who is better known for his drawings of figures and animals. Jan Frans van Bloemen also made pen drawings of buildings in and around Rome.
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