Dorothy DehnerMid century modern sculptural Minimalist lithograph from Lunar Series geometric 1971
1971
About the Item
- Creator:Dorothy Dehner (1901-1994, American)
- Creation Year:1971
- Dimensions:Height: 20 in (50.8 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213068022
Dorothy Dehner
Dorothy Dehner was one of the important women artists in the United States in the mid-century American abstraction movement (the Museum of Modern Art in New York has more than a dozen of her works in its collection). Unfortunately, she has been overshadowed by the titanic presence of David Smith (the most important sculptor of the Abstract Expressionist period), whom she married when they were both young artists experimenting with abstraction in the 30s. Though she, too, devoted an amount of time making sculpture, she was the more talented painter of the two (they separated in the 40s, allegedly due to Smith's feelings of competition with Dehner). Her pen and ink and watercolor works are the most moving, expressive and original of her creations. When the Museum of Modern Art decided to buy one of her works for its permanent collection in 1953, it was one of these watercolors it chose. The Jewish Museum and Cleveland Museum of Art have held major retrospectives of Dehner's work. In 1993, the Metropolitan Museum of Art purchased one of Dehner's watercolors from this same period. Her work is also in the British Museum, Hirshhorn Museum, Phillips Collection (Washington D. C.), Philadelphia Museum of Art and Museum of American Art, among others.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Florian, Child of Air hand signed, titled and annotated Artists Proof with frameBy Tony DelapLocated in New York, NYTony Delap Florian, Child of Air, 1977 Lithograph on Arches cover paper Pencil signed, titled, annotated and dated on the front This lithograph, "Fluorine, Child of the Air", is by C...Category
1970s Minimalist Abstract Prints
MaterialsLithograph, Pencil, Graphite
- Black with White Lines, Vertical, Not Touching (Krakow 1970.07; 3. Kornfeld)By Sol LeWittLocated in New York, NYSol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...Category
1970s Minimalist Abstract Prints
MaterialsLithograph, Pencil
- Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photoBy Brice MardenLocated in New York, NYBrice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...Category
2010s Minimalist Abstract Prints
MaterialsPencil, Lithograph, Offset
- For the Archives. limited edition print, hand signed 171/175, FramedBy Joel ShapiroLocated in New York, NYJoel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...Category
Early 2000s Minimalist Abstract Prints
MaterialsInkjet, Etching, Pencil, Graphite
- Untitled #77, from an untitled portfolio of six works (Schellmann 82)By Donald JuddLocated in New York, NYDonald Judd Untitled #82, 1974 Etching on German etching paper with deckled edges Hand signed and numbered 7/35 by the artist on the front Catalogue Raisonne Ref: Schellmann & Jitta,...Category
1970s Minimalist Abstract Prints
MaterialsEtching, Pencil, Graphite
- Christopher Wool offset lithograph poster (hand signed by Christopher Wool)By Christopher WoolLocated in New York, NYChristopher Wool Christopher Wool (Hand Signed), 2015 Double sided offset lithograph poster. Hand signed by Christopher Wool 24 × 19 inches Sig...Category
2010s Minimalist Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- Red CurveBy Ellsworth KellyLocated in New York, NY1-color lithograph Sheet: 30 x 22 in. (76.2 x 55.9 cm) Edition of 50 Signed and numbered in pencil on lower margin Published by Gemini G.E.L., Los AngelesCategory
2010s Minimalist Abstract Prints
MaterialsLithograph
- Orange and Blue over YellowBy Ellsworth KellyLocated in New York, NYPrinter: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue raisonné: Axsom 30 Signed and numbered, lower marginCategory
1960s Minimalist Abstract Prints
MaterialsLithograph
- Blue/Red-Orange /// Contemporary Abstract Geometric Minimalism Ellsworth KellyBy Ellsworth KellyLocated in Saint Augustine, FLArtist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” *Signed by Kelly in pencil lower right Year: 1972 Medium: Original Lithograph on Special Arjomari paper Limited...Category
1970s Minimalist Abstract Prints
MaterialsLithograph, Plexiglass
- Proem 3By Matt MageeLocated in Santa Fe, NMEdition of 15Category
21st Century and Contemporary Minimalist Abstract Prints
MaterialsLithograph
- Black/GreenBy Ellsworth KellyLocated in Miami, FLTECHNICAL INFORMATION: Ellsworth Kelly Black/Green 1970 Lithograph 23 1/4 x 19 in. Edition of 75 Pencil signed and numbered Condition: This work is in excellent conditionCategory
1970s Minimalist Abstract Prints
MaterialsLithograph
- Sonata, Minimalist Stripe Lithograph by Gene DavisBy Gene DavisLocated in Long Island City, NYArtist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...Category
1980s Minimalist Abstract Prints
MaterialsLithograph