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Jules OlitskiLuminous Dawn (dramatic sunrise landscape silkscreen by top color field painter)1997
1997
About the Item
Jules Olistki
Luminous Dawn (from Vera List Print Program, Mostly Mozart, Lincoln Center), 1997
Silkscreen on wove paper
24 1/2 × 35 inches
Signed and dated in pencil and numbered 'AP 18/18' on the front
Unframed
Publisher: Vera List Print Program, Lincoln Center for the Performing Arts
Provenance: Personal collection of Delmar Hendricks, the very first director of the Vera List Print Program at Lincoln Center.
This signed, dated and numbered screenprint in colors on wove paper with full margins - a rare proof from the limited edition of only 18 - was created as a fundraiser for the Mostly Mozart Festival of Lincoln Center and was published by the legendary Vera List Print Program. It is signed and dated in pencil and numbered 'AP 18/18'. It is a rare Artist's Proof, aside from the regular edition of 108. This work has fine provenance; it was a gift from the artist to Delmar Hendricks, the longtime director of the renowned Vera List print program at Lincoln Center.
More about Jules Olitski:
Jules Olitski was born in Snovsk, Soviet Russia (now Ukraine), in 1922. He immigrated to the US with his family in 1923 and settled in Brooklyn. Olitski held his first one-person show in Paris in 1951 and received an M.A. in art education from New York University three years later. In the decade following, he taught at Bennington College from 1963–67. His 1959 exhibition at French & Company garnered critical attention, and he went on to hold more than 150 solo exhibitions internationally in his lifetime. Olitski’s works are included in major public and private collections throughout the world.
- Creator:Jules Olitski (1922-2007, American)
- Creation Year:1997
- Dimensions:Height: 24.5 in (62.23 cm)Width: 35 in (88.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:unframed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213293302
Jules Olitski
Jules Olitski was an abstract Color Field painting in the mid-1960s, Olitski focused on the material qualities of surface and color in painting, rather than the personal expression of the artist. He pioneered a technique using an industrial spray gun to lightly apply paint on unprimed canvas, creating an effect of hazy color suspended midair. Even after returning to the brush, Olitski maintained this airy interaction of color and light. Olitski represented the United States in the 1966 Venice Biennale, and was given the first solo exhibition for a living American artist at the Metropolitan Museum of Art in 1969.
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