Laser Abstract Prints

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...

Arman Boom Boom (unique variation from New York International Portfolio), 1965 Screenprint with pencil additions. Pencil signed and numbered 12/225 on the front Published by Chiron ...

Damien Hirst Butterfly Heart (Small) H7-4, 2020 Laminated Giclée print on aluminium composite panel in original publisher's packaging Signed by Damien Hirst & numbered 1483/3510 on t...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Unique variant - each example from the edition unique Frame Included: floated and framed with a beveled edge in original wood frame Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics. Inscription reads as follows: For Joe & Mary 6/21 R.P. 89 Measurements: (frame) 16 5/8 x 14 5/8 x 1 1/2 inches (sheet) 6 5/8 x 5 inches Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection. Hand signed, numbered, dated, and inscribed on the front. (unique variant - with hand coloring). Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics. Inscription reads as follows: For Joe & Mary 6/21 R.P. 89 Measurements: (frame) 16 5/8 x 14 5/8 x 1 1/2 inches (sheet) 6 5/8 x 5 inches Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection. More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...

Psycho: Psycho is a 1960 American psychological horror thriller film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin) and her sister Lila (Miles) investigate the cause of her disappearance. Artists: Phantom City Creative...

"I printed my love on some pages of your book" Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unfra...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered 76/120 on the front in ink (each example is a unique variant with hand painting) Published by Esther Gentle and 167 Gallery, New York Frame included Dazzling mid century modern (1952) mixed media silkscreen and gouache by Hans Hofmann - one of the most influential artists of the 20th Century. The gouache additions are done by hand, making each work in this series absolutely unique. A superb impression of this extremely scarce, early print with strong colors. According to Reba and Dave Williams (Reba and Dave Williams, American Screenprints, New York, 1987, page 32), Hofmann was persuaded to make this print by Esther Gentle (who later married Abraham Rattner), his student at the time, who was starting to publish screenprints reproducing well-known artists' paintings. Unlike other screenprints by Abstract Expressionist artists, Hofmann's is an original work which does not reproduce a painting. An unusual feature of Composition in Blue is that the blue background varies; the artist authorized different color mixtures and strengths for each example in the printing of this particular silkscreen (Williams, page 32). Measurements: Work: 16⅞ by 15 inches Framed: 24⅝ by 21¼ inches HANS HOFMANN (1880-1966) Hans Hofmann (1880–1966) is one of the most important figures of postwar American art. Celebrated for his exuberant, color-filled canvases, and renowned as an influential teacher for generations of artists—first in his native Germany, then in New York and Provincetown—Hofmann played a pivotal role in the development of Abstract Expressionism. Between 1900 and 1930, Hofmann’s early studies, decades of painting, and schools of art took him to Munich, to Paris, then back to Munich. By 1933, and for the next four decades, he lived in New York and in Provincetown. Hofmann’s evolution from foremost modern art teacher to pivotal modern artist brought him into contact with many of the foremost artists, critics, and dealers of the twentieth century: Henri Matisse, Pablo Picasso, Georges Braque, Wassily Kandinsky, Sonia and Robert Delaunay, Betty Parsons, Peggy Guggenheim, Lee Krasner, Jackson Pollock, and many others. His successful career was shepherded by the postwar modern...

Shipping on request This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of ...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...