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Aleardo TerziLa Strage degli Innocenti- Advertising Lithograph by A. Terzi - 1900 ca.1900 ca.
1900 ca.
About the Item
Image dimensions: 25x18.2 cm.
La Strage degli Innocenti is a beautiful colored lithograph, realized by the Polish illustrator Franz Laskoff and printed in 1900 by G. Ricordi and C. Milano, Milan. Signed on plate on lower right margin, in the green area.
A wonderful vintage Art Nouveau advertising poster, in excellent condition except for two light abrasions of the paper at the edges.
This original poster has the dignity of an object of art to collect and enjoy at your home.
Franz Laskoff (Bronberg, 1869 – England 1918/21 ?)
Laskoff was born in Poland and after have studied in Strasburg and worked briefly in Paris he moved to Milan in 1898. As regards his style hewas strongly influenced by the English Beggarstaff Brothers, who reduced Art Nouveau to its graphic essential elements.
A decisive influence in this transition from Art Nouveau to a simpler graphic style had been the arrival of Franz Laskoff at Ricordi in 1901. The Beggarstaff’s influence, along with that of the Japanese wood block print, is clear in his many works for Ricordi musical performances. Although Laskoff only worked for five years in Italy until 1904, his style had a decisive impact at Ricordi and left a sign to the other artists collaborated there.
- Creator:Aleardo Terzi (1870 - 1943, Italian)
- Creation Year:1900 ca.
- Dimensions:Height: 14.18 in (36 cm)Width: 10.24 in (26 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Aleardo Terzi
Aleardo Terzi was born into a good family. His father, Andrea was an important illustrator and his mother, Rose Engel was born in a family close to the library factory. His brother Amedeo became a drawer and collaborated with Aleardo in some periods of his career. Terzi attended the Academy of Fine Arts of Palermo and then started working with La Tribuna Illustrata as an illustrator. During this period, he started to refine his graphic style, where appeared for the first time the feminine figure. In 1898, he moved to Milan, invited by his friend Mataloni, and began working at Officine Ricordi, where he met the most important advertising poster designers such as Adolfo Hohenstein and Marcello Dudovich. In 1904, he was nominated as a director and drawer at Danesi, Rome. Since 1911, he began the important collaboration with the publisher Edoardo Chappuis (Boulogne). During this period, he also decorated majolicas for Richard Ginori and realized scenographies and costumes for the Theatre.
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