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Giovanni Battista PiranesiVeduta del Porto di Ripa Grande - View of the Port of Ripa Grande - 17531753
1753
About the Item
G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande)
Etching, Burin and Drypoint on fine watermarked paper (with lily watermarked). Signed on plate lower-right: “G.B. Piranesi Architetto fec.”.
2nd State/ VI (Hind 27)
Image Dim: cm 38.2 x 61.5, Dim: 53.3 x 77.3.
Good conditions, with some normal fold of paper at the center
From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Giambattista Piranesi, Venetian Architect” (1753) this wonderful Artist’s Proof with wide margins, representing the Port of Ripa Grande at the middle of XVIII century. With an interesting and detailed capture (on plate) pointing out the Ruins of antique monouments and buildings.
Background:
In 1740 Giovanni Battista Piranesi arrived in Rome for the first time and he was astonished by the Eternal City’s beauty. He served an apprenticeship before with the Valeriani’s workshop, and after with Giuseppe Vasi’s one. The Sicilian engraver and vedutist teached him the etching technique, conveying his graphic art’s passion to the venetian old master.
Ref: A. Hind, Giovanni Battista Piranesi, A Critical Study, Holland Press, London, 1922, pag. 46, n. 27; H. Focillon, 742; L. Ficacci, Piranesi, The Complete Etching, Taschen, pag.711 fig. 917, Wilton Ely, 179.
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1753
- Dimensions:Height: 20.99 in (53.3 cm)Width: 30.44 in (77.3 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
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