Honoré Daumier

Charges du Jour - Original Lithograph After H. Daumier - 1860

1868

Dawn of Glory is an Original Woodcut Print on paper realized by Ettore di Giorgio in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-...

Annunciation is an Original Woodcut Print on paper realized by Ettore di Giorgio in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-b...

Storks And Flamingos is an impressive original black and white xylograph on paper realized by Anonymous artist in the XX Century. Including white cardboard passepartout, cm 49 x 69...

Image dimensions: 34.2 x 45.5 cm. Sleeping Diana is an original print, realized in 1898. Black and white woodcut print on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light folds on lower left side. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

Image dimensions: 24 x 27.8 cm Original title: Die Najaden The Neiads is a black and white xylograph on Japon applied on ivory-colored paper, after Arnold Böcklin, realized by the German artist Johann Jacob Weber (Basel 1803, Leipzig 1880). A really superb plate with lifetime impression, from the collection "Sechzehn Holzscnitte nach Gemälden Arnold Böcklin (Meisterwerke der Holzschneidekunst, Neue Folge Heft V), leipzig, verlagsbuchhandlung von J.J. Weber", printed in 1898 by J.J. Weber. All the plates of this print suite are woodcuts on the head wood and taken from Böcklin's most famous paintings. Johann Jacob Weber was the talented executor and creator of the Meisterwerke der Holzschneidekunst series which also includes a famous folder of his woodcuts taken from the artworks by Sascha Schneider...

Night Return (Original Italian title "Sera- Ritorno") is an original xylograph on paper, a modern artwork realized by the Italian artist Carlo D'Aloisio da Vasto in the Mid XX Centur...

Some of his prints were published by the WPA. it is a wood engraving signed in pencil. From a small edition. It measures 12 X 12.5 full sheet with margins. image is smaller. Albert...

Samurai Warriors Meiji 33 ( 1900) Woodblocks Original Hand-Color Woodblock printing flowered in the Edo Period in Japan, mid to late 19th century, and is still considered an art form of great precision and beauty. This style captures both the vitality and life inherent to the flower. Following the artist’s sketch, an image is carved into a block of wood to be transferred to paper in the same manner in which a painter applies his art to a canvas. Black inks form the outline of the flower and color inks are applied following nature’s guide. The woodblock is then pressed to hand-made screened paper which is then hung to dry. This lengthy process of composing a single image can take weeks. These images reflect a quality similar to watercolor and graphite resulting in a stunning and life-like portrayal. Samurai were the military nobility of medieval and early-modern Japan. According to translator William Scott Wilson...

Fritz Eichenberg, 'City LIghts', wood engraving, 1934, edition 200. Signed, titled 'Lights', and annotated 'No 2/200 for Howard M. Chapin' in pencil. Initialed in the block, lower right. A fine, richly-inked black impression, on cream wove paper, with full margins (1 1/4 to 1 7/8 inches); a small loss (5/8 inch) in the top right sheet corner, well away from the image, otherwise in excellent condition. Printed by master printer Ernest Roth...

Raoul Dufy, 'La Danse' (Dance), woodcut, 1910. A proof impression before the second edition of 220 in 1953; with the estate stamp 'ATELIER RAOUL DUFY' in the lower right margin; the blind stamp 'GG' in the lower left sheet corner. Annotated 'E/Z' in pencil, beneath the estate stamp; and 'bois original' in the margin, lower left. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper; the full sheet with wide margins (3 1/2 to 6 3/4 inches); slight toning at the bottom and right sheet edges, well away from the image, otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 5/16 x 12 1/2 inches (313 x 318 mm); sheet size 19 3/4 x 25 3/4 inches (502 x 654 mm). Collections: Art Gallery of New South Wales (Australia), Brooklyn Museum, Cleveland Art Museum, Fine Arts Museums of San Francisco, Minneapolis Institute of Art, Museum of Fine Arts, Boston, The Nelson-Atkins Museum of Art, Nasher Museum of Art (Duke University), Toledo Art Museum. From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Peche' (Fishing), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Peche' and 'L'amore'. Collections: Brooklyn Museum, Art Gallery of New South Wales, Cleveland Museum of Art, Dallas Museum of Art, Fine Arts Museums of San Francisco, Minneapolis Art...

Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm). From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'. Collections: Cleveland Museum of Art, Minneapolis Art...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Rotten Row (Hyde Park) by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.5 x 12.5 cm (5 ¼ x 4 ⅞ inches) Initialed and titled in the plate Executed circa 1917 Artist biography Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...