Offset Figurative Prints

Still lifeis a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced in the plate. Image Dimensions:...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Original XXII Gran Premio de Espana vintage poster; artist Michael Turner, size: 26.5" x 38". Year 1975. Archival linen backed original Spanish racing poster. 17th Gran Prix...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Spring Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 1...

The original WNEW AM 1130 poster features Louis Armstrong. Blessed with America's Best, linen-backed, fine condition. Ready to frame. Metromedia Radio broadcasts music in the trad...

Original vintage poster: FRENCH LINE cruise line. Archival linen-backed original travel by cruise line vintage poster. "Greet Europe Relaxed & Refreshed by France- Afloat." Frenc...

Alex Katz Looking at Art With Alex Katz (hand signed by Alex Katz), 2018 Hardback monograph with dust jacket (hand signed in black pen on the title page) hand signed by Alex Katz in ...

Keith Haring lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 17...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Gaga. Enclosed in an Injection-Molded fitted Purple Acrylic Box (Purple). Hand Signed by Mario Testino and stamp numbered. Boldly signed by Testino on the title page and numbered 57 of a worldwide edition of 1500. 18 × 13 1/2 inches Held in Purple Acrylic Gift Box This gorgeous, oversized lavishly illustrated hardback monograph - hand signed by Mario Testino and numbered from the limited edition of 1500 - with a dynamic lenticular cover featuring an iconic portrait of Lady Gaga, housed in custom fitted multi-lingual injection-molded purple acrylic display case with English and Chinese lettering, makes the perfect gift for any global fashion photography lover! The text of this book is by Graydon Carter, Karl Lagerfeld, Jennifer Allen, and Patrick Kinmonth. This volume contains 300 pages with numerous color photographs - all in excellent condition. There is some minor scuffing/scratching on the lenticular cover and, on the title page with signature, there's a one inch ink mark that was either part of the printing process or done by the artist himself when he signed the book in his inimitable hand, but it's otherwise in very good condition. The interior pages are bright and crisp and the photographs are absolutely dazzling. This book is from the international collector's edition of 1500 that were hand signed by Testino. Comes in the original publisher's box. Measurements: Injection-Molded Plastic Box: 22 3/4 x 18 1/4 inches Book: 18 x 13 1/2 inches Publisher's Box: 23 x 19 inches The mere mention of Mario Testino’s name evokes a rush of adrenalin in anyone that cares, even a bit, about the worlds of fashion and celebrity. So omnipresent is he at major magazine shoots and A-list events—an insider if ever there was one—that he has become a celebrity himself. The launch of Testino’s latest book, to celebrate his inaugural exhibition in China, brings together an exciting selection of his best studio work with glamorous examples of his candid shots. A beaming Gwyneth Paltrow clutching her freshly-won Oscar, a fur-cloaked Jennifer Lopez atop a commode, and the unforgettable portraits of royalty...

Blue Velvet, 2016 by Takashi Murakami Offset print, numbered and signed by the artist 23 5/8 × 23 5/8 in 60 × 60 cm Edition 218/300 Takashi Murakami is best known for his contempor...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

Such Cute Flowers (2013) by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm Edition 224/300 About the Artist: Takashi Murakami is...

Still life is a vintage offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 16...

Still Life is an offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 16 x 21 c...

Keith Haring Record Art 1984: Medium: Offset Lithograph on record jacket, vinyl record Dimensions: 12 x 12 inches. Cover: Fair to good overall...

Alex Katz Give Me Tomorrow (from the private collection of Christo and Jeanne-Claude), 2005 Offset Lithograph 16 × 22 inches Edition 216/1000 Numbered 216 out of 1000 Unframed from the United Technologies 25 years Art sponsorship Anniversary, and acquired from the private collection of Christo and Jeanne-Claude. The image depicts a large billboard in SOHO, NYC of an Alex Katz work of art Alex Katz Biography: lex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two world wars. Katz was raised by his Russian émigré parents, both of whom were interested in poetry and the arts, his mother having been an actress in Yiddish Theater...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published by David Zwirner Gallery for a 2018 exhibition. It has natural folds as it was folded in a square, but is otherwise in excellent condition and the folds will frame out This print originally accompanied the monograph "Yayoi Kusama: Festival of Life," published to accompany an exhibition held at David Zwirner, New York, 2017. It was printed in a limited, but unknown edition and has since sold out Yayoi Kusama Biography Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

L'Assiette au Beurre is a Comic Magazine published in December 1906, reproducing drawings by Jules Félix Grandjouan. Signed, numbered and dated on the margins. Jules Félix Grandjou...

Vintage Poster Moscow 1980, sponsored by Coca Cola. Offset print. 58 x 43 cm ; no frame 50 x 35 cm. Good conditions

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with tipped-in die-cut photograph Hand signed and dated 20...

Jellyfish Eyes - Black 1 by Takashi Murakami (2004) Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 41/300 Takashi Murakami is best known ...

Philip Glass Words Without Music (hand signed by Philip Glass), 2015 Hardback monograph with dust jacket (hand signed by Philip Glass) Hand signed by Philip Glass on the half title page 9 1/2 × 6 1/2 × 1 1/4 inches Hand signed by Philip Glass on the half title page. Makes an excellent gift! Book information: Publisher: Liveright Publishing Company, 2015 English; Hardcover; 432 pages; 32 pages of photographs Publisher's blurb: The long-awaited memoir by “the most prolific and popular of all contemporary composers” (New York Times). A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. "If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir. From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America. Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach...

Philip Treacy hardback book (hand signed by Philip Treacy), 2013 Hardback monograph with dust jacket (hand signed by legendary milliner Philip Treacy) hand signed by Philip Treacy on the half title page 11 × 8 1/2 × 1 inches Hand signed by Philip Treacy on the half title page. Book information: Publisher: Phaidon Press (February 5, 2013) English; Hardcover; 200 pages with over 200 photographs Review "Lovely... All the most iconic designs are here."―The Observer "How did one man change our minds on headgear? Philip Treacy by Kevin Davies celebrates [...] backroom moments of Treacy's career, no less striking than the headpieces he creates... The unseen stories behind all the 'moments'."―The Independent "An usually revealing insight into the designer's work."―Harper's Bazaar "Revealing [...] photos of Treacy at work. He looks determined and serious, but he has a kind face and he's never a poseur... In short, this is a cool book about a great guy."―VICE "The head-topper extraordinaire gets a tip of the cap in the new book... Featuring over 200 images of the milliner's museum-quality lids, including head-turning snaps of mega-fierce singer and Bond villainess Grace Jones."―InStyle "Inside the pages are 200 intimate pictures covering everything from Treacy's years at 69 Elizabeth Street to the scene backstage at fashion shows to the dignified funeral held for Treacy's beloved Jack Russell terrier, Mr. Pig."―The New York Times Style Magazine blog More about Philip Tracey...

Keith Haring Hiroshima 1988: Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectible. Rare and not to be passed upon. *1st Pressing 1988 (not a re-issue) Medium: Off-Set Lithograph on vinyl record cover and labels. Dimensions: 7 x 7 inches. Plate signed on lower right & dated 1988 by Haring Light signs of handling; otherwise good to very overall vintage condition. Includes the original record (very good condition). Haring off-set illustrations appearing throughout the exterior and interior covers and record labels. _ Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Keith Haring prints. Keith Haring figurative. East Village art. Street art. 80s graffiti. Pop Art. Keith Haring animals.

Audrey Flack Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack), 1981 Hardback monograph with dust jacket (hand signed, dated and inscribed by Audrey Flack) ...

David Salle HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016 Hardback monograph with dust jacket (hand signed and inscribed to Kevin) Hand ...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Donald Baechler Wasted Time and Money: A Month in India with Ranbir Singh, and Getting There (Hand signed and inscribed to art critic Anthony Haden-Guest), 1989 Softcover catalogue with stapled wraps (Hand signed by Donald Baechler and inscribed to art critic Anthony Haden-Guest) Hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page 10 1/2 × 8 inches This super rare softcover catalogue with stapled wraps is hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page. The inscription reads: For Anthony 3 April 91 Donald Baechler Book information: Publisher: Ajax Press, New York, 1989 Printing: John Hauser...

Homage to Francis Bacon (Study for Head of George Dyer, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 100/300. Framed in a white contemporary frame, image to be updated. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Alex Katz Alex Katz Black and White (Hand signed by Alex Katz), 2017 Hardback monograph with no dust jacket as issued (Hand signed by Alex Katz) Hand signed by Alex Katz on the first...

John Baldessari Flowers of Life for Central America/Flores de Vida por Centro America (Hand Signed), 1984 Rare Offset Lithograph (Hand signed by Baldessari) 24 3/5 × 18 inches Boldly signed in white sharpie by Baldessari lower front The regular, unsigned edition was only approx. 100, though the present work was, exceptionally, uniquely hand signed by the artist Extremely rare vintage political poster...

Mary Cassatt Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster, 1981 Offset lithograph poster 22 × 18 inches Unframed and unsigned This poster was publ...

Original HONG KONG TWA vintage travel poster. Welcome to the world of Trans World Airlines. Archival linen-backed in excellent condition, ready to frame. The image is a collage o...

L'Assiette au Beurre is a Comic Magazine printed in April 1903, reproducings drawing by Victor Hradecky. Signed, numbered and dated on the margins.

L'Assiette au Beurre is a Comic Magazine published in December 1907, reproducing drawings by  Zygmunt Brunner. Signed, numbered and dated on the margins.

L'Assiette au Beurre is a Comic Magazine published in May 1909, reproducing drawings by Various Artists. Signed, numbered and dated on the margins.

L'Assiette au Beurre is a Comic Magazine printed in February 1905, reproducing drawings by Fernand Gottlob . Signed, numbered and dated on the margins.

Ed Ruscha OLD SMOBILE (Hand signed and inscribed to famous California native Stan Smith), 1989 Limited Edition Softcover monograph (Hand signed and inscribed to famous California nat...

L'Assiette au Beurre is a Comic Magazine published in August 1905, reproducing drawings by Bernard Étienne Hubert Naudin . Signed, numbered and dated on the margins.

Keith Haring Crack Down! 1986: Vintage original Keith Haring anti-drug poster, 1986. Off-set lithograph on heavy weight paper. Dimensions: 17 x 22 inches. Minor signs of handling; ...

ROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Signed and numbered 4/100 in pencil on...

George Segal (signed and inscribed by George Segal), 1989 Hardback monograph with dust jacket (signed, dated and inscribed for Tera by George Segal) Warmly signed, dated 3/27/1998 an...

Robert Longo (Wo)Men In the Cities - Gretchen (Hand Signed), 1991 Limited Edition Offset Lithograph Frame included Edition of 100 Hand signed lower right front; unnumbered Published by Amnesty International and Act-Up This offset lithograph is based upon Longo's 1982 untitled work featuring one of his models, Gretchen, a charcoal and graphite on paper. Robert Longo’s “Men in Cities...

Artist: After Jean-Michel Basquiat (1960-1988) Title: Chateau la Coste Year: 2019 Medium: Offset lithograph exhibition poster on wove paper Size: 23.75 x 15.75 inches Condition: Exce...

Francesco Clemente Life is Paradise (Hand signed by Francesco Clemente), 1999 Hardback monograph (hand signed by Francesco Clemente) Boldy signed by Francesco Clemente on the title p...

TAKE CARE Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Thisis a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

WARNING! Register*Vote, INFLATION means DEPRESSION Photo lithograph, 1946 Signed in the image lower left Published by CIO (Congress of Industrial Organizations) before their merger w...

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...

Milton Glaser Monet poster 1982: Vintage original 1982 Milton Glaser poster designed by Glaser on the occasion of a Monet exhibition at Foundation Monet i...

Jim Dine Recents Prints is an artwork realized in 1984, in occasion of a Jim's Dine exhibition.  12 oktober - 3 november 1984. Offset colored poster.  h 125 x 80 cm. Good conditi...

Keith Haring Fertility 1983: A complete set of five 1983 Keith Haring Tony Shafrazi promotional cards published to promote Keith Haring's “The F...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil lower right Edition...