Paul GavarniMarguerite Gautier - Lithograph By Paul Gavarni - mid 19th centurymid 19th century
mid 19th century
About the Item
- Creator:Paul Gavarni (1804 - 1899, French)
- Creation Year:mid 19th century
- Dimensions:Height: 10.63 in (27 cm)Width: 6.7 in (17 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1417401stDibs: LU650312894822
Paul Gavarni
Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator who was born in Paris. The story is told that he took his name from Gavarnie in Luz-Saint-Sauveur, where he had taken a journey into the Pyrenees. His first published drawings were for the magazine Le Journal des Dames et des Modes. At the time, Gavarni was barely 30-years old. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of Journal Des Gens du Monde. Gavarni followed his interests and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first, he confined himself to the study of Parisian manners, more especially those of the Parisian youth. Most of his best work appeared in Le Charivari. Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels and Eugène Sue's Wandering Jew. Among his illustrated works were Les Lorettes, Les Actrices, Les Coulisses, Les Fasizionables, Les Gentilshommes bourgeois, Les Artistes, Les Débardeurs, Clichy, Les Étudiants de Paris, Les Baliverneries Parisiennes, Les Plaisirs champêtres, Les Bals masqués, Le Carnaval, Les Souvenirs du Carnaval, Les Souvenirs du bal Chicard, La Vie des Jeunes Hommes and Les Patois de Paris. He had now ceased to be the director of Des Gens du monde but he was engaged as an ordinary caricaturist of Le Charivari and, while making the fortune of the paper, he made his own. His name was exceedingly popular and his illustrations for books were eagerly sought for by publishers. A single frontispiece or vignette was sometimes enough to secure the sale of a new book. Always desiring to enlarge the field of his observations, Gavarni soon abandoned his once-favorite topics. He no longer limited himself to such types as the Lorette and the Parisian student or to the description of the noisy and popular pleasures of the capital but turned his mirror to the grotesque sides of family life and of humanity at large. But while showing the same power of irony as his former works, enhanced by a deeper insight into human nature, they generally bear the stamp of a bitter and even sometimes gloomy philosophy. At one point Gavarni was imprisoned for debt in the debtors' prison of Clichy. After his release, he published his experiences in a work called L'Argent (Money). Gavarni visited England in 1849. On his return, his impressions were published in the book Londres et Les Anglais, illustrés par Gavarni (1862) by Émile de la Bédollière. Most of these last compositions appeared in the weekly paper L'Illustration. In 1857, he published in one volume the series entitled Masques et visages and in 1869, about two years after his death, his last artistic work, Les Douze Mois, was given to the world. Gavarni was much engaged, during the last period of his life, in scientific pursuits and this fact must perhaps be connected with the great change which then took place in his manner as an artist. He sent several communications to the Académie des Sciences, and until he died on 23 November 1866, he was eagerly interested in the question of aerial navigation. It is said that he made experiments on a large scale to find the means of directing balloons, but it seems that he was not so successful in this line as his fellow artist, the caricaturist and photographer, Nadar.
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Portrait of Woman - Lithograph on Paper by Franco Gentilini - 20th CenturyBy Franco GentiliniLocated in Roma, ITWoman's Face is a lithograph realized by Franco Gentilini Perfect conditions. The artwork represents a face of woman in a greenish frame through soft a...Category
1970s Modern Figurative Prints
MaterialsLithograph
- The Reading - Lithograph - 1880By Pio JorisLocated in Roma, ITThe reading is a beautiful artwork realized by Pio Joris realized in 1880. Litograph. In very good condition. Signature on the lower side margin of the artwork is printed. Pio Jo...Category
1880s Modern Figurative Prints
MaterialsLithograph
- Woman - Lithograph - 1970sBy Paul GuiramandLocated in Roma, ITWoman is original lithograph artwork on paper, realized by Paul Guiramand. The state of preservation of the artwork is very good. The artwork represents a standing woman surrounded...Category
1970s Modern Portrait Prints
MaterialsLithograph
- Giuseppe Garibaldi - Lithograph - Late 19th CenturyLocated in Roma, ITPortrait of Garibaldi is an original Modern Artwork realized in the Second Half of the 19th Century by an Anonymous artist. Lithograph on paper. Browing of paper due to the time a...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph
- Margherita - Lithograph - 1881Located in Roma, ITMargherita is an original hand-colored lithograph on paper realized in 1881 by an anonymous artist of the 19th Century. Titled at the bottom and dated on plate. The state of preser...Category
1880s Modern Figurative Prints
MaterialsLithograph, Paper
- Portrait - Lithograph by Domenico Purificato - Early 20th CenturyLocated in Roma, ITPortrait is an original lithograph realized by the italian artist Domenico Purificato. Hand-signed on the lower right. Numbered. edition of 90/15...Category
1970s Modern Portrait Prints
MaterialsLithograph
- Couverture Mourlot IVBy Pablo PicassoLocated in Wien, 9- dated in the plate: 4.2.63 - original lithograph as book cover of the monograph "Picasso. Lithograph" - consists of spine, front and back cover - edition 3000 - cat. raisonné Mourl...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Marc Chagall - The Bible - Eve - Original LithographBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHMarc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lith...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Europe's Faces - LithographLocated in Collonge Bellerive, Geneve, CHTitle: Europe's Faces printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Cocteau Writer, artist and film director Jea...Category
1960s Modern Portrait Prints
MaterialsLithograph
- La Capeline de Paille d'Italie (The Italian Straw Hat).By Henri MatisseLocated in Storrs, CTLa Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...Category
Early 20th Century Modern Portrait Prints
MaterialsLithograph
- Pablo Picasso - Painter and His Model - Original LithographBy Pablo PicassoLocated in Collonge Bellerive, Geneve, CHPablo Picasso - Original Lithograph Title: Painter and his Model Edition of 180 From the book "Regards sur Paris" (Paris: Andre Sauret, 1962) Unsigned, as issued Dimensions: 39 x 30 cm References: Mourlot 354, Bloch 1035 Pablo Picasso Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...Category
1960s Modern Portrait Prints
MaterialsLithograph
- Jean Cocteau - Original LithographBy Jean CocteauLocated in Collonge Bellerive, Geneve, CHUntitled Original Lithograph by Jean Cocteau with the printed signature, as issued Dimensions: 40 x 30 cm Including artist's stamp Jean Cocteau Writer, artist and film director Je...Category
1950s Modern Figurative Prints
MaterialsLithograph