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Rembrandt van RijnLa circoncision dans l'étable - Original Etching by Rembrandt - 16541654
1654
About the Item
Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654
Etching on watermarked paper.
Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”. On the back, a signature “Ch. Favet 1872” lower left and a “P” lower-left corner. In very good condition, including passepartout: cm 60 x 39.8
Image Dim. cm 9.4 x 14.4
(b. 47 I /II, H 274, B.B. 54-B).
Ex coll. A.C. de Poggi (Lugt 617), Ch. Favet (Lugt 920)
Proutè cat. Bres, 1985 n. 145.
Ref:
K. G. Boon, Rembrandt, incisioni, opera completa, A. Vallardi Ed., pag. 250.
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1654
- Dimensions:Height: 3.78 in (9.6 cm)Width: 5.79 in (14.7 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:1650-1659
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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