Early 19th Century Interior Prints
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Period: Early 19th Century
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplate engraving with hand coloring in wa...
Category
English School Early 19th Century Interior Prints
Materials
Engraving, Watercolor, Handmade Paper
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
English School Early 19th Century Interior Prints
Materials
Aquatint, Engraving, Handmade Paper
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Edo Early 19th Century Interior Prints
Materials
Paper, Ink, Woodcut
College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
English School Early 19th Century Interior Prints
Materials
Watercolor, Handmade Paper, Lithograph
Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
By Luigi Mayer
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
Category
Early 19th Century Interior Prints
Materials
Engraving
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Interior Prints
Materials
Engraving
John Hill after John Claude Nattes - Early 19th Century Aquatint, Pump Room
Located in Corsham, GB
A fine aquatint with hand colouring depicting the Pump Room, Bath by John Hill after John Claude Nattes (c.1765-1839). Published in 1804 by W. Miller...
Category
Early 19th Century Interior Prints
Materials
Aquatint
'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving
By Armand Durand
Located in Oklahoma City, OK
This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...
Category
Old Masters Early 19th Century Interior Prints
Materials
Engraving
London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category
Victorian Early 19th Century Interior Prints
Materials
Etching, Watercolor
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Victorian Early 19th Century Interior Prints
Materials
Etching, Watercolor
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Interior Prints
Materials
Engraving, Watercolor, Etching
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Victorian Early 19th Century Interior Prints
Materials
Etching, Watercolor
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Victorian Early 19th Century Interior Prints
Materials
Etching, Watercolor
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354...
Category
Victorian Early 19th Century Interior Prints
Materials
Etching, Watercolor
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
Academic Early 19th Century Interior Prints
Materials
Engraving
Veduta di un Tempio Antico... - Etching by Luigi Rossini - 1826
Located in Roma, IT
Veduta di un Tempio Antico, o Ninfeo, alle sponde del Lago di Castel Gandolfo (...)
Image Dimensions: 45.5 x 57.5 cm
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, representing some an Antique Temple, near the lake in Castel Gandolfo.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1826”.
In very good conditions with some light marks.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern Early 19th Century Interior Prints
Materials
Etching
Veduta interna delle Sostruzioni ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Veduta interna delle Sostruzioni dei Portici del tempio d'Ercole in Tivoli (...) is an original etching realized by Luigi Rossini.
From the series “Le antichità de’ contorni di Roma (...)” it is an artist's proof with real technical virtuosity, with sharp details, representing the walkways under the portici of Hercules Temple in Tivoli.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1824”.
In very good conditions.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern Early 19th Century Interior Prints
Materials
Etching
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Victorian Early 19th Century Interior Prints
Materials
Aquatint
Leaden Hall Market, London, colour aquatint, 1809, after Thomas Rowlandson
Located in Melbourne, Victoria
Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...
Category
Naturalistic Early 19th Century Interior Prints
Materials
Aquatint
Representation of Norman Pavers, engraving by William Fowler , 1802
Located in Melbourne, Victoria
'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS'
Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832).
...
Category
Medieval Early 19th Century Interior Prints
Materials
Etching, Aquatint
Men in Room - Original Etching - Early 19th Century
Located in Roma, IT
Image dimensions: 20 x 15 cm.
Men in Room is an original etching on paper, realized by an Anonymous artist in the Early 19th Century, following the so-called "Historic Romanticism"....
Category
Early 19th Century Interior Prints
Materials
Woodcut
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Other Art Style Early 19th Century Interior Prints
Materials
Etching, Aquatint
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Naturalistic Early 19th Century Interior Prints
Materials
Aquatint
Sadlers Wells Theatre, London, colour aquatint, 1809, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Naturalistic Early 19th Century Interior Prints
Materials
Aquatint
Sepulcher of Carlo di Angiò - Rome - Early 19th Century
Located in Roma, IT
Sepulcher of Carlo di Angiò is an original etching, realized by Piroli written below the image down in the XIX century, the table is XII is written at the top of the image on the rig...
Category
Early 19th Century Interior Prints
Materials
Aquatint, Etching
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H 3.15 in W 3.55 in D 0.04 in
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Located in Aventura, FL
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Connoisseurs Examining a Collection of George Morland
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JAMES GILLRAY (1756 - 1815)
CONNOISSEURS EXAMINING A COLLECTION OF GEORGE MORLAND, 1807. ( DG # V. 8, NO. 1079)
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