Jasper Johns

JASPER JOHNS The Seasons, 1990 - Hand-Signed, Etching and Acquatint

1990

Paper Size: 23.75 x 39 inches ( 60.325 x 99.06 cm ) Image Size: 23.75 x 39 inches ( 60.325 x 99.06 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 33.75 x 24.75 inches (85.725 x 62.865 cm) Image Size: 33.75 x 24.75 inches (85.725 x 62.865 cm) All items are carefully stored. Condition is a main concern, unless other...

The image of ""Aloha, 1962"" was used for the design of this exhibition poster held in 1993. The Aloha poster, January-February, 1993, printed in Israel, Sha Ul Zayg Studio.

Paper Size: 11.5 x 9.25 inches ( 29.21 x 23.495 cm ) Image Size: 5.75 x 3.5 inches ( 14.605 x 8.89 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional...

Paper Size: 25 x 60 inches ( 63.5 x 152.4 cm ) Image Size: 23.75 x 19.5 inches ( 60.325 x 49.53 cm ) Framed: No Condition: A: Mint Additional Details: Offset Lithograph (triptych), ...

Paper Size: 16 x 13 inches ( 40.64 x 33.02 cm ) Image Size: 6.5 x 4.75 inches ( 16.51 x 12.065 cm ) Framed: Yes Condition: A: Mint Additional Details: Framed in and matted in a...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

Monica Nude with Yellow Curtain Aquatint in colors on wove paper , Edited in 1991 Limited edition of 50 copies signed in pencil by artist and numbered 21/50 in lower right corner pap...

Smoking Cigarette #1. Original color etching and soft-ground etching on Arches watercolor paper, 1991. Edition of 65 signed and numbered impressions on Arches paper. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. The ‘Smoker Study’ series of works would become one of the most recurrent themes in the 1970s, which he developed throughout the rest of his artistic life. Characterized by the flattening and simplification of everyday subjects, here a single cigarette releases a precise stream of smoke. This burning cigarette on the first sight looks like just a banal representation of an everyday object, but it is more than this. Even cigarettes were one of the major consumer products, which we could previously often seen in different commercials with handsome men and pretty ladies, it also represents an allusion to the lips as an eroticized object...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata as the dry-stamp reportes on the lower right corner. Image dimensions: 28.4x37.8 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. This a plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson; and represents six mark stones as the title points. A copy of the same print is part of the Tate Gallery's collection. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...