Drypoint Landscape Prints
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Medium: Drypoint
Walking in the Woods
By Frank Arthur Nankivell
Located in New York, NY
Frank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...
Category
1910s American Realist Drypoint Landscape Prints
Materials
Drypoint
A Spanish Good Friday (Ronda)
Located in Storrs, CT
A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame.
This is one of Bone's most dramatic images. The night shadows...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint
The Plaza, Sunset Glow
Located in Myrtle Beach, SC
'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
By Stanley Anderson
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Grand Central, Night
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Le Bourg de Batz
Located in New York, NY
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...
Category
1910s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
The Fisherman's Return
Located in Storrs, CT
The Fisherman's Return. 1922. Drypoint. Appleby 83. 6 5/8 x 9 1/4 (sheet 9 1/8 x 14 7/8). Edition 100. A rich impression with drypoint burr printed on cr...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
By Aileen Mary Elliot
Located in Saint Augustine, FL
Artist: Aileen Mary Elliot (English, 1896-1966)
Title: "Crab Boats, Southampton Water"
*Signed by Elliot in pencil lower right
Circa: 1925
Medium: Original Drypoint Etching on laid p...
Category
1920s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching, Laid Paper, Intaglio
St.Paul's, London
Located in Storrs, CT
St. Paul's. c. 1920. Etching. 13 7/8 x 10 (sheet 16 5/8 x 13 7/8). Printed on the full sheet of simili-Japan paper. Signed and title in pencil.
Housed in a 20 x 16--inch archival ma...
Category
Mid-20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Kensington Gardens (The Small Plate)
Located in New York, NY
Sir Francis Seymour Haden (1818-1910), Kensington Gardens (The Small Plate), drypoint, 1859, signed in pencil lower right. References: Harrington 12...
Category
1850s Realist Drypoint Landscape Prints
Materials
Drypoint
Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921
By Jean Lurçat
Located in Roma, IT
Hand Signed and signed on plate. Edition of 35 prints.
Image Dimensions : 30 x 20 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...
Category
1920s Post-Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Cowdray Castle (with Geese)
Located in Roma, IT
Beautiful proof on vergé crème, signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298).
Ref. Cat. Harrington 221; Schneiderman 208.
Category
1880s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Manhattan Nocturne
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Drypoint
Le Pont de Pierre, a Rouen
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Approaching Storm
Located in Storrs, CT
Approaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Etching, Drypoint
Dimostrazioni dell'Emissario del Lago Albano - Original Etching by G.B. Piranesi
Located in Roma, IT
G.B. Piranesi, Dimostrazioni dell’Emissario del Lago Albano, Illustrations of the Emissarium of Lake Albano
Etching, Drypoint, Burin on laid paper. Signed on...
Category
18th Century Drypoint Landscape Prints
Materials
Drypoint
A Street in Ventnor, Isle of Wight
Located in New York, NY
Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed...
Category
1910s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
The Turkish Fort
Located in Storrs, CT
The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. Signed in pencil. Housed in a 16 x 20-inch archival mat.
This print shows a fort on the Mokattam Hills, ne...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Spring (Fruling) (also known as Street in Frankfort)
By Max Beckmann
Located in New York, NY
Max Beckmann, Spring (Fruling) (also known as Street in Frankfort), etching and drypoint, 1918, signed lower right. Reference: Hofmaier 133IIb, from the edition of 60 on laid paper; ...
Category
1910s Expressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Celinda's Precaution
Located in Storrs, CT
Gardner and Clark catalog 52. Image: 7 1/4 x 4 3/4; sheet 9 1/4 x 7 1/4. Edition 65, # number 5. A rich impression with drypoint burr printed on 'J Whatman 1827' laid paper. Signed...
Category
Mid-20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Parapets
Located in Fairfield, CT
Michael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...
Category
21st Century and Contemporary American Realist Drypoint Landscape Prints
Materials
Etching, Drypoint, Aquatint
Bastions
Located in Fairfield, CT
Michael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...
Category
21st Century and Contemporary American Realist Drypoint Landscape Prints
Materials
Aquatint, Drypoint
L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category
1920s Realist Drypoint Landscape Prints
Materials
Watercolor, Pencil, Drypoint
Lagoon: Noon
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Battersea Morn (also Battersea Dawn)
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint
The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category
1930s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Aquatint, Etching, Drypoint
West Cornwall Station.
Located in New York, NY
Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint
Westminster Palace
Located in New York, NY
Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Etching, Drypoint
Orage en Briere
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...
Category
1930s Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
The Venetian Mast
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
1870s American Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Aux Approches de Madrid (also Aux Abords de la Ville)
Located in New York, NY
Adolphe-Marie Beaufrere (1876-1960), Aux Approches de Madrid (also Aux Abords de la Ville), drypoint, 1927, signed and numbered (14/55), from the edition of 55, with the blindstamp of Sagot, publisher (Lugt 2254). Reference: Morane 27-19. In good condition, on very thin cream Japan paper, 6 1/2 x 9, the sheet 8 3/8 x 11 1/4 inches, archival matting.
A fine impression, with the drypoint burr extremely rich and effective (due in part to the use of a Japan paper, which tends to diffuse the ink surrounding the drypoint lines).
Beaufrere was born at Quimperle, in Brittany, and though he traveled widely he re-connected with this area throughout his life. As a teenager he decided that he wanted to become an artist and he traveled to Paris where, shortly after his arrival, he encountered the eminent Gustave Moreau, who took him on as a student. Moreau encouraged him to study old master prints, especially the prints of Rembrandt and Durer, which were available in the Cabinet des Estampes in Paris – this was to be critical in his development.
Beaufrere began printmaking in about 1904, with some woodcuts, but soon got into etching and engraving. Curiously, one of his colleague/teachers at the time was the Canadian etcher Donald Shaw MacLaughlan. He began showing his prints, with some success, but after his marriage in 1905, and with the urging of his new wife, moved out of Paris and back to Brittany. This move had a mixed effect on his career – contacts with other artists became fewer, but he did maintain gallery relationships, and the French countryside and it’s inhabitants would provide a continuing source of inspiration.
During the Great War Beaufrere served in the infantry, and had few opportunities to make art. But he did study a volume of Rembrandt’s prints...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint
Laburnums and Battersea.
Located in Storrs, CT
Laburnums and Battersea. 1889-90. Etching and drypoint. Hausberg 34.iii/v. 13 1/2 x 8 5/8 (image and sheet). Only one other known impression in this state (total of about 62 known im...
Category
19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
The Cabin
Located in Roma, IT
Beautiful proof on vélin fort, with stamp “Lugt 1048”.
Full margins.
Ref. Cat. Harrington 170; Schneiderman 163.
Category
1870s Modern Drypoint Landscape Prints
Materials
Drypoint
Cowdray Castle (with cows)
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified.
Ref. Cat. Harrington...
Category
1880s Post-Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Manhattan Nocturne
Located in Storrs, CT
Manhattan Nocturne. 1938. Etching and drypoint. Kraeft 70. 7 1/8 x 11 7/8 (sheet 10 1/2 x 15 1/4). Edition 100. Presentation Print of the Society of American Etchers, 1938. Provenanc...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist Drypoint Landscape Prints
Materials
Aquatint, Drypoint, Etching
LE PONT AU CHANGE
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Category
1850s Realist Drypoint Landscape Prints
Materials
Etching, Drypoint
Printemps Breton
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category
1920s Realist Drypoint Landscape Prints
Materials
Engraving, Drypoint, Etching, Aquatint
Shadows, Garage at Night
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Drypoint
Temples of New York
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
1910s Futurist Drypoint Landscape Prints
Materials
Drypoint
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Lumbermen.
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Drypoint
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Shere Mill Pond II (Large Plate)
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
1860s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Summer
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category
1910s Modern Drypoint Landscape Prints
Materials
Drypoint
Ostend Bathing Machine.
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing.
The bathing machine...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
Tree, Manhattan
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...
Category
1930s American Realist Drypoint Landscape Prints
Materials
Drypoint
La Fumee du Bateau
Located in New York, NY
Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...
Category
1910s Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Circus Night.
By Martin Lewis
Located in New York, NY
Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...
Category
1930s Realist Drypoint Landscape Prints
Materials
Drypoint
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available
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